“And I think, madame,” he replied, “that I may regard it as an honor to have got in.”
In spite of urgent pressing, he refused politely but firmly to be kept to dinner, and put an end to the persistency of the ladies by saying that he was the Hippocrates of his young sister, whose delicate health required great care.
“Monsieur is perhaps a medical man?” asked one of Emilie’s sisters-in-law with ironical meaning.
“Monsieur has left the École Polytechnique,” Mademoiselle de Fontaine kindly put in; her face had flushed with richer color, as she learned that the young lady of the ball was Monsieur Longueville’s sister.
“But, my dear, he may be a doctor and yet have been to the École Polytechnique—is it not so, monsieur?”
“There is nothing to prevent it, madame,” replied the young man.
Every eye was on Emilie, who was gazing with uneasy curiosity at the fascinating stranger. She breathed more freely when he added, not without a smile, “I have not the honor of belonging to the medical profession; and I even gave up going into the Engineers in order to preserve my independence.”
“And you did well,” said the Count. “But how can you regard it as an honor to be a doctor?” added the Breton nobleman. “Ah, my young friend, such a man as you—”
“Monsieur le Comte, I respect every profession that has a useful purpose.”
“Well, in that we agree. You respect those professions, I imagine, as a young man respects a dowager.”
Monsieur Longueville made his visit neither too long nor too short. He left at the moment when he saw that he had pleased everybody, and that each one’s curiosity about him had been roused.
“He is a cunning rascal!” said the Count, coming into the drawing-room after seeing him to the door.
Mademoiselle de Fontaine, who had been in the secret of this call, had dressed with some care to attract the young man’s eye; but she had the little disappointment of finding that he did not bestow on her so much attention as she thought she deserved. The family were a good deal surprised at the silence into which she had retired. Emilie generally displayed all her arts for the benefit of newcomers, her witty prattle, and the inexhaustible eloquence of her eyes and attitudes. Whether it was that the young man’s pleasing voice and attractive manners had charmed her, that she was seriously in love, and that this feeling had worked a change in her, her demeanor had lost all its affectations. Being simple and natural, she must, no doubt, have seemed more beautiful. Some of her sisters, and an old lady, a friend of the family, saw in this behavior a refinement of art. They supposed that Emilie, judging the man worthy of her, intended to delay revealing her merits, so as to dazzle him suddenly when she found that she pleased him. Every member of the family was curious to know what this capricious creature thought of the stranger; but when, during dinner, everyone chose to endow Monsieur Longueville with some fresh quality which no one else had discovered, Mademoiselle de Fontaine sat for some time in silence. A sarcastic remark of her uncle’s suddenly roused her from her apathy; she said, somewhat epigrammatically, that such heavenly perfection must cover some great defect, and that she would take good care how she judged so gifted a man at first sight.
“Those who please everybody, please nobody,” she added; “and the worst of all faults is to have none.”
Like all girls who are in love, Emilie cherished the hope of being able to hide her feelings at the bottom of her heart by putting the Argus-eyes that watched on the wrong tack; but by the end of a fortnight there was not a member of the large family party who was not in this little domestic secret. When Monsieur Longueville called for the third time, Emilie believed it was chiefly for her sake. This discovery gave her such intoxicating pleasure that she was startled as she reflected on it. There was something in it very painful to her pride. Accustomed as she was to be the centre of her world, she was obliged to recognize a force that attracted her outside herself; she tried to resist, but she could not chase from her heart the fascinating image of the young man.
Then came some anxiety. Two of Monsieur Longueville’s qualities, very adverse to general curiosity, and especially to Mademoiselle de Fontaine’s, were unexpected modesty and discretion. He never spoke of himself, of his pursuits, or of his family. The hints Emilie threw out in conversation, and the traps she laid to extract from the young fellow some facts concerning himself, he could evade with the adroitness of a diplomatist concealing a secret. If she talked of painting, he responded as a connoisseur; if she sat down to play, he showed without conceit that he was a very good pianist; one evening he delighted all the party by joining his delightful voice to Emilie’s in one of Cimarosa’s charming duets. But when they tried to find out whether he were a professional singer, he baffled them so pleasantly that he did not afford these women, practised as they were in the
