Now, while Corey lingered at the entrance to the stairway, these two came down the stairs together, and he heard Lapham saying, “Well, then, you better get a divorce.”
He looked red and excited, and the girl’s face, which she veiled at sight of Corey, showed traces of tears. She slipped round him into the street.
But Lapham stopped, and said, with the show of no feeling but surprise: “Hello, Corey! Did you want to go up?”
“Yes; there were some letters I hadn’t quite got through with.”
“You’ll find Dennis up there. But I guess you better let them go till tomorrow. I always make it a rule to stop work when I’m done.”
“Perhaps you’re right,” said Corey, yielding.
“Come along down as far as the boat with me. There’s a little matter I want to talk over with you.”
It was a business matter, and related to Corey’s proposed connection with the house.
The next day the head bookkeeper, who lunched at the long counter of the same restaurant with Corey, began to talk with him about Lapham. Walker had not apparently got his place by seniority; though with his forehead, bald far up toward the crown, and his round smooth face, one might have taken him for a plump elder, if he had not looked equally like a robust infant. The thick drabbish-yellow moustache was what arrested decision in either direction, and the prompt vigour of all his movements was that of a young man of thirty, which was really Walker’s age. He knew, of course, who Corey was, and he had waited for a man who might look down on him socially to make the overtures toward something more than business acquaintance; but, these made, he was readily responsive, and drew freely on his philosophy of Lapham and his affairs.
“I think about the only difference between people in this world is that some know what they want, and some don’t. Well, now,” said Walker, beating the bottom of his saltbox to make the salt come out, “the old man knows what he wants every time. And generally he gets it. Yes, sir, he generally gets it. He knows what he’s about, but I’ll be blessed if the rest of us do half the time. Anyway, we don’t till he’s ready to let us. You take my position in most business houses. It’s confidential. The head bookkeeper knows right along pretty much everything the house has got in hand. I’ll give you my word I don’t. He may open up to you a little more in your department, but, as far as the rest of us go, he don’t open up any more than an oyster on a hot brick. They say he had a partner once; I guess he’s dead. I wouldn’t like to be the old man’s partner. Well, you see, this paint of his is like his heart’s blood. Better not try to joke him about it. I’ve seen people come in occasionally and try it. They didn’t get much fun out of it.”
While he talked, Walker was plucking up morsels from his plate, tearing off pieces of French bread from the long loaf, and feeding them into his mouth in an impersonal way, as if he were firing up an engine.
“I suppose he thinks,” suggested Corey, “that if he doesn’t tell, nobody else will.”
Walker took a draught of beer from his glass, and wiped the foam from his moustache.
“Oh, but he carries it too far! It’s a weakness with him. He’s just so about everything. Look at the way he keeps it up about that typewriter girl of his. You’d think she was some princess travelling incognito. There isn’t one of us knows who she is, or where she came from, or who she belongs to. He brought her and her machine into the office one morning, and set ’em down at a table, and that’s all there is about it, as far as we’re concerned. It’s pretty hard on the girl, for I guess she’d like to talk; and to anyone that didn’t know the old man—” Walker broke off and drained his glass of what was left in it.
Corey thought of the words he had overheard from Lapham to the girl. But he said, “She seems to be kept pretty busy.”
“Oh yes,” said Walker; “there ain’t much loafing round the place, in any of the departments, from the