“Look here!” he cried. “Who wanted to go in for these people in the first place? Didn’t you come home full of ’em last year, and want me to sell out here and move somewheres else because it didn’t seem to suit ’em? And now you want to put it all on me! I ain’t going to stand it.”
“Hush!” said his wife. “Do you want to raise the house? I didn’t put it on you, as you say. You took it on yourself. Ever since that fellow happened to come into the new house that day, you’ve been perfectly crazy to get in with them. And now you’re so afraid you shall do something wrong before ’em, you don’t hardly dare to say your life’s your own. I declare, if you pester me any more about those gloves, Silas Lapham, I won’t go.”
“Do you suppose I want to go on my own account?” he demanded furiously.
“No,” she admitted. “Of course I don’t. I know very well that you’re doing it for Irene; but, for goodness gracious’ sake, don’t worry our lives out, and make yourself a perfect laughingstock before the children.”
With this modified concession from her, the quarrel closed in sullen silence on Lapham’s part. The night before the dinner came, and the question of his gloves was still unsettled, and in a fair way to remain so. He had bought a pair, so as to be on the safe side, perspiring in company with the young lady who sold them, and who helped him try them on at the shop; his nails were still full of the powder which she had plentifully peppered into them in order to overcome the resistance of his blunt fingers. But he was uncertain whether he should wear them. They had found a book at last that said the ladies removed their gloves on sitting down at table, but it said nothing about gentlemen’s gloves. He left his wife where she stood half hook-and-eyed at her glass in her new dress, and went down to his own den beyond the parlour. Before he shut his door he caught a glimpse of Irene trailing up and down before the long mirror in her new dress, followed by the seamstress on her knees; the woman had her mouth full of pins, and from time to time she made Irene stop till she could put one of the pins into her train; Penelope sat in a corner criticising and counselling. It made Lapham sick, and he despised himself and all his brood for the trouble they were taking. But another glance gave him a sight of the young girl’s face in the mirror, beautiful and radiant with happiness, and his heart melted again with paternal tenderness and pride. It was going to be a great pleasure to Irene, and Lapham felt that she was bound to cut out anything there. He was vexed with Penelope that she was not going too; he would have liked to have those people hear her talk. He held his door a little open, and listened to the things she was “getting off” there to Irene. He showed that he felt really hurt and disappointed about Penelope, and the girl’s mother made her console him the next evening before they all drove away without her. “You try to look on the bright side of it, father. I guess you’ll see that it’s best I didn’t go when you get there. Irene needn’t open her lips, and they can all see how pretty she is; but they wouldn’t know how smart I was unless I talked, and maybe then they wouldn’t.”
This thrust at her father’s simple vanity in her made him laugh; and then they drove away, and Penelope shut the door, and went upstairs with her lips firmly shutting in a sob.
XIV
The Coreys were one of the few old families who lingered in Bellingham Place, the handsome, quiet old street which the sympathetic observer must grieve to see abandoned to boardinghouses. The dwellings are stately and tall, and the whole place wears an air of aristocratic seclusion, which Mrs. Corey’s father might well have thought assured when he left her his house there at his death. It is one of two evidently designed by the same architect who built some houses in a characteristic taste on Beacon Street opposite the Common. It has a wooden portico, with slender fluted columns, which have always been painted white, and which, with the delicate mouldings of the cornice, form the sole and sufficient decoration of the street front; nothing could be simpler, and nothing could be better. Within, the architect has again indulged his preference for the classic; the roof of the vestibule, wide and low, rests on marble columns, slim and fluted like the wooden columns without, and an ample staircase climbs in a graceful, easy curve from the tesselated pavement. Some carved Venetian scrigni stretched along the wall; a rug lay at the foot of the stairs; but otherwise the simple adequacy of the architectural intention had been respected, and the place looked bare to the eyes of the Laphams when they entered. The Coreys had once kept a man, but when young Corey began his retrenchments the man had yielded to the neat maid who showed the Colonel into the reception-room and asked the ladies to walk up two flights.
He had his charges from Irene not to enter the drawing-room without her mother, and he spent five minutes in getting on his gloves, for he had desperately resolved to wear them at last. When he had them on, and let his large fists hang down on either side, they looked, in the saffron tint which the shop-girl said his gloves should be of, like canvased hams. He perspired with doubt as he climbed the
