“They’re not so picturesque,” said Bromfield Corey. “You can paint a man dying for his country, but you can’t express on canvas a man fulfilling the duties of a good citizen.”
“Perhaps the novelists will get at him by and by,” suggested Charles Bellingham. “If I were one of these fellows, I shouldn’t propose to myself anything short of that.”
“What? the commonplace?” asked his cousin.
“Commonplace? The commonplace is just that light, impalpable, aerial essence which they’ve never got into their confounded books yet. The novelist who could interpret the common feelings of commonplace people would have the answer to ‘the riddle of the painful earth’ on his tongue.”
“Oh, not so bad as that, I hope,” said the host; and Lapham looked from one to the other, trying to make out what they were at. He had never been so up a tree before.
“I suppose it isn’t well for us to see human nature at white heat habitually,” continued Bromfield Corey, after a while. “It would make us vain of our species. Many a poor fellow in that war and in many another has gone into battle simply and purely for his country’s sake, not knowing whether, if he laid down his life, he should ever find it again, or whether, if he took it up hereafter, he should take it up in heaven or hell. Come, parson!” he said, turning to the minister, “what has ever been conceived of omnipotence, of omniscience, so sublime, so divine as that?”
“Nothing,” answered the minister quietly. “God has never been imagined at all. But if you suppose such a man as that was Authorised, I think it will help you to imagine what God must be.”
“There’s sense in that,” said Lapham. He took his cigar out of his mouth, and pulled his chair a little toward the table, on which he placed his ponderous forearms. “I want to tell you about a fellow I had in my own company when we first went out. We were all privates to begin with; after a while they elected me captain—I’d had the tavern stand, and most of ’em knew me. But Jim Millon never got to be anything more than corporal; corporal when he was killed.” The others arrested themselves in various attitudes of attention, and remained listening to Lapham with an interest that profoundly flattered him. Now, at last, he felt that he was holding up his end of the rope. “I can’t say he went into the thing from the highest motives, altogether; our motives are always pretty badly mixed, and when there’s such a hurrah-boys as there was then, you can’t tell which is which. I suppose Jim Millon’s wife was enough to account for his going, herself. She was a pretty bad assortment,” said Lapham, lowering his voice and glancing round at the door to make sure that it was shut, “and she used to lead Jim one kind of life. Well, sir,” continued Lapham, synthetising his auditors in that form of address, “that fellow used to save every cent of his pay and send it to that woman. Used to get me to do it for him. I tried to stop him. ‘Why, Jim,’ said I, ‘you know what she’ll do with it.’ ‘That’s so, Cap,’ says he, ‘but I don’t know what she’ll do without it.’ And it did keep her straight—straight as a string—as long as Jim lasted. Seemed as if there was something mysterious about it. They had a little girl—about as old as my oldest girl—and Jim used to talk to me about her. Guess he done it as much for her as for the mother; and he said to me before the last action we went into, ‘I should like to turn tail and run, Cap. I ain’t comin’ out o’ this one. But I don’t suppose it would do.’ ‘Well, not for you, Jim,’ said I. ‘I want to live,’ he says; and he bust out crying right there in my tent. ‘I want to live for poor Molly and Zerrilla’—that’s what they called the little one; I dunno where they got the name. ‘I ain’t ever had half a chance; and now she’s doing better, and I believe we should get along after this.’ He set there cryin’ like a baby. But he wa’n’t no baby when he went into action. I hated to look at him after it was over, not so much because he’d got a ball that was meant for me by a sharpshooter—he saw the devil takin’ aim, and he jumped to warn me—as because he didn’t look like Jim; he looked like—fun; all desperate and savage. I guess he died hard.”
The story made its impression, and Lapham saw it. “Now I say,” he resumed, as if he felt that he was going to do himself justice, and say something to heighten the effect his story had produced. At the same time he was aware of a certain want of clearness. He had the idea, but it floated vague, elusive, in his brain. He looked about as if for something to precipitate it in tangible shape.
“Apollinaris?” asked Charles Bellingham, handing the bottle from the other side. He had drawn his chair closer than the rest to Lapham’s, and was listening with great interest. When Mrs. Corey asked him to meet Lapham, he accepted gladly. “You know I go in for that sort of thing, Anna. Since Leslie’s affair we’re rather bound to do it. And I think we meet these practical fellows too little. There’s always something original about them.” He might naturally have believed that the reward of his faith was coming.
“Thanks, I will take some of this wine,” said Lapham, pouring himself a glass of Madeira from a black and dusty bottle caressed by a label bearing the date of the vintage. He tossed off the wine, unconscious of its preciousness, and waited for the result. That cloudiness in his brain disappeared before it, but a
