cheek. She put her handkerchief to her eyes, and withdrew it, laughing hysterically⁠—the cloth was quite red with the rouge when she took it away. She ran to her room again, and came back with pale cheeks and red eyes⁠—her son in her hand⁠—just as my lord entered, accompanied by young Esmond, who had gone out to meet his protector, and to hold his stirrup as he descended from horseback.

“What, Harry, boy!” my lord said, good-naturedly, “you look as gaunt as a greyhound. The smallpox hasn’t improved your beauty, and your side of the house hadn’t never too much of it⁠—ho, ho!”

And he laughed, and sprang to the ground with no small agility, looking handsome and red, within a jolly face and brown hair, like a Beefeater; Esmond kneeling again, as soon as his patron had descended, performed his homage, and then went to greet the little Beatrix, and help her from her horse.

“Fie! how yellow you look,” she said; “and there are one, two, red holes in your face;” which, indeed, was very true; Harry Esmond’s harsh countenance bearing, as long as it continued to be a human face, the marks of the disease.

My lord laughed again, in high good-humor.

“D⁠⸺ it!” said he, with one of his usual oaths, “the little slut sees everything. She saw the Dowager’s paint t’other day, and asked her why she wore that red stuff⁠—didn’t you, Trix? and the Tower; and St. James’s; and the play; and the Prince George, and the Princess Anne⁠—didn’t you, Trix?”

“They are both very fat, and smelt of brandy,” the child said.

Papa roared with laughing.

“Brandy!” he said. “And how do you know, Miss Pert?”

“Because your lordship smells of it after supper, when I embrace you before you go to bed,” said the young lady, who, indeed, was as pert as her father said, and looked as beautiful a little gipsy as eyes ever gazed on.

“And now for my lady,” said my lord, going up the stairs, and passing under the tapestry curtain that hung before the drawing-room door. Esmond remembered that noble figure, handsomely arrayed in scarlet. Within the last few months he himself had grown from a boy to be a man, and with his figure his thoughts had shot up, and grown manly.

My lady’s countenance, of which Harry Esmond was accustomed to watch the changes, and with a solicitous affection to note and interpret the signs of gladness or care, wore a sad and depressed look for many weeks after her lord’s return: during which it seemed as if, by caresses and entreaties, she strove to win him back from some ill humor he had, and which he did not choose to throw off. In her eagerness to please him she practised a hundred of those arts which had formerly charmed him, but which seemed now to have lost their potency. Her songs did not amuse him; and she hushed them and the children when in his presence. My lord sat silent at his dinner, drinking greatly, his lady opposite to him, looking furtively at his face, though also speechless. Her silence annoyed him as much as her speech; and he would peevishly, and with an oath, ask her why she held her tongue and looked so glum; or he would roughly check her when speaking, and bid her not talk nonsense. It seemed as if, since his return, nothing she could do or say could please him.

When a master and mistress are at strife in a house, the subordinates in the family take the one side or the other. Harry Esmond stood in so great fear of my lord, that he would run a league barefoot to do a message for him; but his attachment for Lady Esmond was such a passion of grateful regard, that to spare her a grief, or to do her a service, he would have given his life daily: and it was by the very depth and intensity of this regard that he began to divine how unhappy his adored lady’s life was, and that a secret care (for she never spoke of her anxieties) was weighing upon her.

Can anyone, who has passed through the world and watched the nature of men and women there, doubt what had befallen her? I have seen, to be sure, some people carry down with them into old age the actual bloom of their youthful love, and I know that Mr. Thomas Parr lived to be a hundred and sixty years old. But, for all that, threescore and ten is the age of men, and few get beyond it; and ’tis certain that a man who marries for mere beaux yeux, as my lord did, considers this part of the contract at an end when the woman ceases to fulfil hers, and his love does not survive her beauty. I know ’tis often otherwise, I say; and can think (as most men in their own experience may) of many a house, where, lighted in early years, the sainted lamp of love hath never been extinguished; but so there is Mr. Parr, and so there is the great giant at the fair that is eight feet high⁠—exceptions to men⁠—and that poor lamp whereof I speak, that lights at first the nuptial chamber, is extinguished by a hundred winds and draughts down the chimney, or sputters out for want of feeding. And then⁠—and then it is Chloe, in the dark, stark awake, and Strephon snoring unheeding; or vice versa, ’tis poor Strephon that has married a heartless jilt, and awoke out of that absurd vision of conjugal felicity, which was to last forever, and is over like any other dream. One and other has made his bed, and so must lie in it, until that final day when life ends, and they sleep separate.

About this time young Esmond, who had a knack of stringing verses, turned some of Ovid’s Epistles into rhymes, and brought them to his lady for her delectation. Those which treated of forsaken women touched

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