οἷα θεοὺς ἐπενήνοθεν αἰὲν ἐόντας.5
A story hung by him, a story which his comrades acutely connected with his habitual air of somewhat peevish pride. Two points were held to be clear amid its general vagueness—a rich stranger paid his schooling, and he was himself very poor, though there was an attractive piquancy in the poverty of Flavian which in a scholar of another figure might have been despised. Over Marius too his dominion was entire. Three years older than he, Flavian was appointed to help the younger boy in his studies, and Marius thus became virtually his servant in many things, taking his humours with a sort of grateful pride in being noticed at all, and, thinking over all this afterwards, found that the fascination experienced by him had been a sentimental one, dependent on the concession to himself of an intimacy, a certain tolerance of his company, granted to none beside.
That was in the earliest days; and then, as their intimacy grew, the genius, the intellectual power of Flavian began its sway over him. The brilliant youth who loved dress, and dainty food, and flowers, and seemed to have a natural alliance with, and claim upon, everything else which was physically select and bright, cultivated also that foppery of words, of choice diction which was common among the elite spirits of that day; and Marius, early an expert and elegant penman, transcribed his verses (the euphuism of which, amid a genuine original power, was then so delightful to him) in beautiful ink, receiving in return the profit of Flavian’s really great intellectual capacities, developed and accomplished under the ambitious desire to make his way effectively in life. Among other things he introduced him to the writings of a sprightly wit, then very busy with the pen, one Lucian—writings seeming to overflow with that intellectual light turned upon dim places, which, at least in seasons of mental fair weather, can make people laugh where they have been wont, perhaps, to pray. And, surely, the sunlight which filled those well-remembered early mornings in school, had had more than the usual measure of gold in it! Marius, at least, would lie awake before the time, thinking with delight of the long coming hours of hard work in the presence of Flavian, as other boys dream of a holiday.
It was almost by accident at last, so wayward and capricious was he, that reserve gave way, and Flavian told the story of his father—a freedman, presented late in life, and almost against his will, with the liberty so fondly desired in youth, but on condition of the sacrifice of part of his peculium—the slave’s diminutive hoard—amassed by many a self-denial, in an existence necessarily hard. The rich man, interested in the promise of the fair child born on his estate, had sent him to school. The meanness and dejection, nevertheless, of that unoccupied old age defined the leading memory of Flavian, revived sometimes, after this first confidence, with a burst of angry tears amid the sunshine. But nature had had her economy in nursing the strength of that one natural affection; for, save his half-selfish care for Marius, it was the single, really generous part, the one piety, in the lad’s character. In him Marius saw the spirit of unbelief, achieved as if at one step. The much-admired freedman’s son, as with the privilege of a natural aristocracy, believed only in himself, in the brilliant, and mainly sensuous gifts, he had, or meant to acquire.
And then, he had certainly yielded himself, though still with untouched health, in a world where manhood comes early, to the seductions of that luxurious town, and Marius wondered sometimes, in the freer revelation of himself by conversation, at the extent of his early corruption. How often, afterwards, did evil things present themselves in malign association with the memory of that beautiful head, and with a kind of borrowed sanction and charm in its natural grace! To Marius, at a later time, he counted for as it were an epitome of the whole pagan world, the depth of its corruption, and its perfection of form. And still, in his mobility, his animation, in his eager capacity for
