—Totus et argento contextus et auro:
clothed in its gold and silver, dainty as that old divinely constructed armour of which Homer tells, but without its miraculous lightsomeness—he looked out baffled, labouring, moribund; a mere comfortless shadow taking part in some shadowy reproduction of the labours of Hercules, through those northern, mist-laden confines of the civilised world. It was as if the familiar soul which had been so friendly disposed towards him were actually departed to Hades; and when he read the Conversations afterwards, though his judgment of them underwent no material change, it was nevertheless with the allowance we make for the dead. The memory of that suffering image, while it certainly strengthened his adhesion to what he could accept at all in the philosophy of Aurelius, added a strange pathos to what must seem the writer’s mistakes. What, after all, had been the meaning of that incident, observed as so fortunate an omen long since, when the prince, then a little child much younger than was usual, had stood in ceremony among the priests of Mars and flung his crown of flowers with the rest at the sacred image reclining on the Pulvinar? The other crowns lodged themselves here or there; when, Lo! the crown thrown by Aurelius, the youngest of them all, alighted upon the very brows of the god, as if placed there by a careful hand! He was still young, also, when on the day of his adoption by Antoninus Pius he saw himself in a dream, with as it were shoulders of ivory, like the images of the gods, and found them more capable than shoulders of flesh. Yet he was now well-nigh fifty years of age, setting out with two-thirds of life behind him, upon a labour which would fill the remainder of it with anxious cares—a labour for which he had perhaps no capacity, and certainly no taste.
That ancient suit of armour was almost the only object Aurelius now possessed from all those much cherished articles of vertu collected by the Caesars, making the imperial residence like a magnificent museum. Not men alone were needed for the war, so that it became necessary, to the great disgust alike of timid persons and of the lovers of sport, to arm the gladiators, but money also was lacking. Accordingly, at the sole motion of Aurelius himself, unwilling that the public burden should be further increased, especially on the part of the poor, the whole of the imperial ornaments and furniture, a sumptuous collection of gems formed by Hadrian, with many works of the most famous painters and sculptors, even the precious ornaments of the emperor’s chapel or Lararium, and the wardrobe of the empress Faustina, who seems to have borne the loss without a murmur, were exposed for public auction. “These treasures,” said Aurelius, “like all else that I possess, belong by right to the Senate and People.” Was it not a characteristic of the true kings in Plato that they had in their houses nothing they could call their own? Connoisseurs had a keen delight in the mere reading of the Praetor’s list of the property for sale. For two months the learned in these matters were daily occupied in the appraising of the embroidered hangings, the choice articles of personal use selected for preservation by each succeeding age, the great outlandish pearls from Hadrian’s favourite cabinet, the marvellous plate lying safe behind the pretty iron wickerwork of the shops in the goldsmiths’ quarter. Meantime ordinary persons might have an interest in the inspection of objects which had been as daily companions to people so far above and remote from them—things so fine also in workmanship and material as to seem, with their antique and delicate air, a worthy survival of the grand bygone eras, like select thoughts or utterances embodying the very spirit of the vanished past. The town became more pensive than ever over old fashions.
The welcome amusement of this last act of preparation for the great war being now over, all Rome seemed to settle down into a singular quiet, likely to last long, as though bent only on watching from afar the languid, somewhat uneventful course of the contest itself. Marius took advantage of it as an opportunity for still closer study than of old, only now and then going out to one of his favourite spots on the Sabine or Alban hills for a quiet even greater than that of Rome in the country air. On one of these occasions, as if by favour of an invisible power withdrawing some unknown cause of dejection from around him, he enjoyed a quite unusual sense of self-possession—the possession of his own best and happiest self. After some gloomy thoughts overnight, he awoke under the full tide of the rising sun, himself full, in his entire refreshment, of that almost religious appreciation of sleep, the graciousness of its influence on men’s spirits, which had made the old Greeks conceive of it as a god. It was like one of those old joyful wakings of childhood, now becoming rarer and rarer with him, and looked back upon with much regret as a measure of advancing age. In fact, the last bequest of this serene sleep had been a dream, in which, as once before, he overheard those he loved best pronouncing his name very pleasantly, as they passed through the rich light and shadow of a summer morning, along the pavement of a city—Ah! fairer far than Rome! In a moment, as he arose, a certain oppression of late setting very heavily upon him was lifted away, as though by some physical motion in the air.
That flawless serenity, better than the most pleasurable excitement, yet so easily ruffled by chance collision even with the
