His old native susceptibility to the spirit, the special sympathies, of places—above all, to any hieratic or religious significance they might have—was at its liveliest, as Marius, still encompassed by that peculiar singing, and still amid the evidences of a grave discretion all around him, passed into the house. That intelligent seriousness about life, the absence of which had ever seemed to remove those who lacked it into some strange species wholly alien from himself, accumulating all the lessons of his experience since those first days at White-nights, was as it were translated here, as if in designed congruity with his favourite precepts of the power of physical vision, into an actual picture. If the true value of souls is in proportion to what they can admire, Marius was just then an acceptable soul. As he passed through the various chambers, great and small, one dominant thought increased upon him, the thought of chaste women and their children—of all the various affections of family life under its most natural conditions, yet developed, as if in devout imitation of some sublime new type of it, into large controlling passions. There reigned throughout, an order and purity, an orderly disposition, as if by way of making ready for some gracious spousals. The place itself was like a bride adorned for her husband; and its singular cheerfulness, the abundant light everywhere, the sense of peaceful industry, of which he received a deep impression though without precisely reckoning wherein it resided, as he moved on rapidly, were in forcible contrast just at first to the place to which he was next conducted by Cornelius still with a sort of eager, hurried, half-troubled reluctance, and as if he forbore the explanation which might well be looked for by his companion.
An old flower-garden in the rear of the house, set here and there with a venerable olive-tree—a picture in pensive shade and fiery blossom, as transparent, under that afternoon light, as the old miniature-painters’ work on the walls of the chambers within—was bounded towards the west by a low, grass-grown hill. A narrow opening cut in its steep side, like a solid blackness there, admitted Marius and his gleaming leader into a hollow cavern or crypt, neither more nor less in fact than the family burial-place of the Cecilii, to whom this residence belonged, brought thus, after an arrangement then becoming not unusual, into immediate connection with the abode of the living, in bold assertion of that instinct of family life, which the sanction of the Holy Family was, hereafter, more and more to reinforce. Here, in truth, was the centre of the peculiar religious expressiveness, of the sanctity, of the entire scene. That “any person may, at his own election, constitute the place which belongs to him a religious place, by the carrying of his dead into it”:—had been a maxim of old Roman law, which it was reserved for the early Christian societies, like that established here by the piety of a wealthy Roman matron, to realise in all its consequences. Yet this was certainly unlike any cemetery Marius had ever before seen; most obviously in this, that these people had returned to the older fashion of disposing of their dead by burial instead of burning. Originally a family sepulchre, it was growing to a vast necropolis, a whole township of the deceased, by means of some free expansion of the family interest beyond its amplest natural limits. That air of venerable beauty which characterised the house and its precincts above, was maintained also here. It was certainly with a great outlay of labour that these long, apparently endless, yet elaborately designed galleries, were increasing so rapidly, with their layers of beds or berths, one above another, cut, on either side the pathway, in the porous tufa, through which all the moisture filters downwards, leaving the parts above dry and wholesome. All alike were carefully closed, and with all the delicate costliness at command; some with simple tiles of baked clay, many with slabs of marble, enriched by fair inscriptions: marble taken, in some cases, from older pagan tombs—the inscription sometimes a palimpsest, the new epitaph being woven into the faded letters of an earlier one.
As in an ordinary Roman cemetery, an abundance of utensils for the worship or commemoration of the departed was disposed around—incense, lights, flowers, their flame or their freshness being relieved to the utmost by contrast with the coal-like blackness of the soil itself, a volcanic sandstone, cinder of burnt-out fires. Would they ever kindle again?—possess, transform, the place?—Turning to an ashen pallor where, at regular intervals, an air-hole or luminare let in a hard beam of clear but sunless light, with the heavy sleepers, row upon row within, leaving a passage so narrow that only one visitor at a time could move along, cheek to cheek with them, the high walls seemed to shut one in into the great company of the dead. Only the long straight pathway lay before him; opening, however, here and there, into a small chamber, around a broad, table-like coffin or “altar-tomb,” adorned even more profusely than the rest as if for some anniversary observance. Clearly, these people, concurring in this with the special sympathies of Marius himself, had adopted the practice of burial from some peculiar feeling of hope they entertained concerning the body; a feeling which, in no irreverent curiosity, he would fain have penetrated. The complete and irreparable disappearance of the dead in the funeral fire, so crushing to the spirits, as he for one had found it, had long since induced in him a preference for that other mode of settlement
