Peter Crowl was not sorry to have a lodger like Denzil Cantercot, who, though a man of parts and thus worth powder and shot, was so hopelessly wrong on all subjects under the sun. In only one point did Peter Crowl agree with Denzil Cantercot—he admired Denzil Cantercot secretly. When he asked him for the True—which was about twice a day on the average—he didn’t really expect to get it from him. He knew that Denzil was a poet.
“The Beautiful,” he went on, “is a thing that only appeals to men like you. The True is for all men. The majority have the first claim. Till then you poets must stand aside. The True and the Useful—that’s what we want. The Good of Society is the only test of things. Everything stands or falls by the Good of Society.”
“The Good of Society!” echoed Denzil, scornfully. “What’s the Good of Society? The Individual is before all. The mass must be sacrificed to the Great Man. Otherwise the Great Man will be sacrificed to the mass. Without great men there would be no art. Without art life would be a blank.”
“Ah, but we should fill it up with bread and butter,” said Peter Crowl.
“Yes, it is bread and butter that kills the Beautiful,” said Denzil Cantercot bitterly. “Many of us start by following the butterfly through the verdant meadows, but we turn aside—”
“To get the grub,” chuckled Peter, cobbling away.
“Peter, if you make a jest of everything, I’ll not waste my time on you.”
Denzil’s wild eyes flashed angrily. He shook his long hair. Life was very serious to him. He never wrote comic verse intentionally.
There are three reasons why men of genius have long hair. One is, that they forget it is growing. The second is, that they like it. The third is, that it comes cheaper; they wear it long for the same reason that they wear their hats long.
Owing to this peculiarity of genius, you may get quite a reputation for lack of twopence. The economic reason did not apply to Denzil, who could always get credit with the profession on the strength of his appearance. Therefore, when street Arabs vocally commanded him to get his hair cut, they were doing no service to barbers. Why does all the world watch over barbers and conspire to promote their interests? Denzil would have told you it was not to serve the barbers, but to gratify the crowd’s instinctive resentment of originality. In his palmy days Denzil had been an editor, but he no more thought of turning his scissors against himself than of swallowing his paste. The efficacy of hair has changed since the days of Samson, otherwise Denzil would have been a Hercules instead of a long, thin, nervous man, looking too brittle and delicate to be used even for a pipe-cleaner. The narrow oval of his face sloped to a pointed, untrimmed beard. His linen was reproachable, his dingy boots were down at heel, and his cocked hat was drab with dust. Such are the effects of a love for the Beautiful.
Peter Crowl was impressed with Denzil’s condemnation of flippancy, and he hastened to turn off the joke.
“I’m quite serious,” he said. “Butterflies are no good to nothing or nobody; caterpillars at least save the birds from starving.”
“Just like your view of things, Peter,” said Denzil. “Good morning, madam.” This to Mrs. Crowl, to whom he removed his hat with elaborate courtesy. Mrs. Crowl grunted and looked at her husband with a note of interrogation in each eye. For some seconds Crowl stuck to his last, endeavoring not to see the question. He shifted uneasily on