bad; to think was worse. No good could come out of the thinking of a beautiful young woman. Complications could come out of it in profusion, but no good. The thinking of the beautiful was bound to result in hesitations, in reluctances, in unhappiness all round. And here, if she could have seen her, sat her Scrap thinking quite hard. And such things. Such old things. Things nobody ever began to think till they were at least forty.

IX

That one of the two sitting-rooms which Mrs. Fisher had taken for her own was a room of charm and character. She surveyed it with satisfaction on going into it after breakfast, and was glad it was hers. It had a tiled floor, and walls the colour of pale honey, and inlaid furniture the colour of amber, and mellow books, many in ivory or lemon-coloured covers. There was a big window overlooking the sea towards Genoa, and a glass door through which she could proceed out on to the battlements and walk along past the quaint and attractive watchtower, in itself a room with chairs and a writing table, to where on the other side of the tower the battlements ended in a marble seat, and one could see the western bay and the point round which began the Gulf of Spezia. Her south view, between these two stretches of sea, was another hill, higher than San Salvatore, the last of the little peninsula, with the bland turrets of a smaller and uninhabited castle on the top, on which the setting sun still shone when everything else was sunk in shadow. Yes, she was very comfortably established here; and receptacles⁠—Mrs. Fisher did not examine their nature closely, but they seemed to be small stone troughs, or perhaps little sarcophagi⁠—ringed round the battlements with flowers.

These battlements, she thought, considering them, would have been a perfect place for her to pace up and down gently in moments when she least felt the need of her stick, or to sit in on the marble seat, having first put a cushion on it, if there had not unfortunately been a second glass door opening on to them, destroying their complete privacy, spoiling her feeling that the place was only for her. The second door belonged to the round drawing-room, which both she and Lady Caroline had rejected as too dark. That room would probably be sat in by the women from Hampstead, and she was afraid they would not confine themselves to sitting in it, but would come out through the glass door and invade her battlements. This would ruin the battlements. It would ruin them as far as she was concerned if they were to be overrun; or even if, not actually overrun, they were liable to be raked by the eyes of persons inside the room. No one could be perfectly at ease if they were being watched and knew it. What she wanted, what she surely had a right to, was privacy. She had no wish to intrude on the others; why then should they intrude on her? And she could always relax her privacy if, when she became better acquainted with her companions, she should think it worth while, but she doubted whether any of the three would so develop as to make her think it worth while.

Hardly anything was really worth while, reflected Mrs. Fisher, except the past. It was astonishing, it was simply amazing, the superiority of the past to the present. Those friends of hers in London, solid persons of her own age, knew the same past that she knew, could talk about it with her, could compare it as she did with the tinkling present, and in remembering great men forget for a moment the trivial and barren young people who still, in spite of the war, seemed to litter the world in such numbers. She had not come away from these friends, these conversable ripe friends, in order to spend her time in Italy chatting with three persons of another generation and defective experience; she had come away merely to avoid the treacheries of a London April. It was true what she had told the two who came to Prince of Wales Terrace, that all she wished to do at San Salvatore was to sit by herself in the sun and remember. They knew this, for she had told them. It had been plainly expressed and clearly understood. Therefore she had a right to expect them to stay inside the round drawing-room and not to emerge interruptingly on to her battlements.

But would they? The doubt spoilt her morning. It was only towards lunchtime that she saw a way to be quite safe, and ringing for Francesca, bade her, in slow and majestic Italian, shut the shutters of the glass door of the round drawing-room, and then, going with her into the room, which had become darker than ever in consequence, but also, Mrs. Fisher observed to Francesca, who was being voluble, would because of this very darkness remain agreeably cool, and after all there were the numerous slit-windows in the walls to let in light and it was nothing to do with her if they did not let it in, she directed the placing of a cabinet of curios across the door on its inside.

This would discourage egress.

Then she rang for Domenico, and caused him to move one of the flower-filled sarcophagi across the door on its outside.

This would discourage ingress.

“No one,” said Domenico, hesitating, “will be able to use the door.”

“No one,” said Mrs. Fisher firmly, “will wish to.”

She then retired to her sitting-room, and from a chair placed where she could look straight on to them, gazed at her battlements, secured to her now completely, with calm pleasure.

Being here, she reflected placidly, was much cheaper than being in an hotel and, if she could keep off the others, immeasurably more agreeable. She was paying for her

Вы читаете The Enchanted April
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату