The Clue of the New Pin

The Clue of the New Pin

By Edgar Wallace.

Table of Contents

1. Titlepage
2. Imprint
3. I
4. II
5. III
6. IV
7. V
8. VI
9. VII
10. VIII
11. IX
12. X
13. XI
14. XII
15. XIII
16. XIV
17. XV
18. XVI
19. XVII
20. XVIII
21. XIX
22. XX
23. XXI
24. XXII
25. XXIII
26. XXIV
27. XXV
28. XXVI
29. XXVII
30. XXVIII
31. XXIX
32. XXX
33. XXXI
34. XXXII
35. XXXIII
36. XXXIV
37. XXXV
38. XXXVI
39. XXXVII
40. XXXVIII
41. XXXIX
42. Endnotes
43. Colophon
44. Uncopyright

Imprint

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I

The establishment of Yeh Ling was just between the desert of Reed Street, and the sown of that great and glittering thoroughfare which is theatreland. The desert graduated down from the respectable, if gloomy, houses where innumerable milliners, modistes and dentists had their signs before the doors and their workrooms and clinics on divers landings, to the howling wilderness of Bennet Street, and in this particular case the description often applied so lightly is aptly and faithfully affixed, for Bennet Street howled by day and howled in a shriller key by night. Its roadway was a playground for the progeny of this prolific neighbourhood, and a “ring” in which all manner of local blood-feuds were settled by waist-bare men, whilst their slatternly women squealed their encouragement or vocalized their apprehensions.

Yeh Ling’s restaurant had begun at the respectable end of the street and he had specialized in strange Chinese dishes. Later it had crept nearer and nearer to The Lights, one house after another having been acquired by the unhappy looking oriental, its founder.

Then, with a rush, it arrived on the main street, acquired a rich but sedate facia, a French chef and a staff of Italian waiters under the popular Signor Maciduino, most urban of maîtres d’hôtel, and because of gilded and visible tiles, became “The Golden Roof.” Beneath those tiles it was a place of rosewood panelling and soft shaded lights. There was a gilded elevator to carry you to the first and second floors where the private dining-rooms were⁠—these had doors of plate glass, curtained diaphanously. Yeh Ling thought that this was carrying respectability a little too far, but his patron was adamant on the matter.

Certain rooms had no plate glass doors, but these were very discreetly apportioned. One such was never under any circumstances hired to diners, however important or impeccable they might be. It was the end room No. 6, near to the service doorway which led through a labyrinth of crooked and cross passages to the old building in Reed Street. This remained almost unchanged as it had been in the days of Yeh Ling’s earlier struggles. Men and women came here for Chinese dishes and were supplied by soft-footed waiters from Han-Kow, which was Yeh Ling’s native province.

The patrons of the old establishment lamented the arrival of Yeh Ling’s prosperity and sneered at his well-dressed customers. The well-dressed customers being, for the most part, entirely ignorant that their humble neighbours had existence, ate their expensive meals unmoved and at certain hours danced sedately to the strains of The Old Original South Carolina Syncopated Orchestra, which Yeh Ling had hired regardless of expense.

He only visited the fashionable part of his property on one day of the year, the Chinese New Year, a queer little figure in a swallow-tailed coat, white-vested, white-gloved and tightly, as well as whitely collared.

At other times, he sat at ease midway between the desert and the sown in a pokey little parlour hung about with vivid pictures which he had cut from the covers of magazines. Here, in a black silk robe, he pulled at his long-stemmed pipe. At half-past seven every night, except Sundays, he went to a door which opened on to the street, and was the door of one of those houses which linked the two restaurants, and here he would wait, his hand upon the knob. Sometimes the girl came first, sometimes the old man. Whichever it was, they usually passed in without a word and went up to Room No. 6. With their arrival Yeh Ling went back to his parlour to smoke and write letters of great length and beauty to his son at Han-Kow, for Yeh Ling’s son was a man of great learning and position, being both a poet and a scholar. He had been admitted a member of the Forest of Pencils, which is at least the equivalent to being elected an Academician.

Sometimes, Yeh Ling would devote himself to the matter of his new building at Shanford and dream dreams of an Excellency who would be its honoured master⁠—for all things are possible in a land which makes education a