And then presently they were trapped in St. Petersburg, and the Devil’s Deputy laid his foul hands on Vee, and tore her lingerie to shreds, as the billboards had promised you he would. But here came the hero with his automatic, and he held the mob at bay, while Vee behind her back made signals to a friend of the hero who was preparing one of the villains’ own bombs to throw at them—could you imagine more poetic justice than that? Vee and her savior fled, this time in a motorcar, over roads of the well-known Russian concrete, through the well-known mountains of the suburbs of St. Petersburg, and came to the River Neva, with its eucalyptus groves concealing a speedboat. There was another mad chase, which ended in the capture of the agonized pair, and more tearing of Vee’s lingerie by the Devil’s Deputy.
But—don’t be worried—at the most critical instant came the American Navy, that whole glorious flotilla which we kept in the River Neva during the war. Old Glory floated in the breeze, and the band played “The Stars and Stripes Forever,” and the million dollar audience burst into enraptured cheering. A launch from a battleship came dashing up, the Devil’s Deputy leaped into the water with one of his own bombs in his mouth, and Viola Tracy and the secret service man stood clasped in an attitude which was familiar to Bunny, and hardly less so to the million dollar audience.
All the time this story was unfolding, Bunny was privileged to sit and hold the heroine’s hand. Once she leaned to him and whispered, “Is it so very bad?” His answer was, “It is up to standard. It will sell.” It was the formula she had used with Annabelle Ames; and Bunny felt a tight pressure of his hand. It was clever of him, as well as kind!
XIV
The screen was dark, and the cheering died away, and the lights came up, and the moving picture world crowded about Vee Tracy, and Mr. Schmolsky, the producer, and Tommy Paley, the director, and all the rest of the personages whose services had been faithfully catalogued on the film. There was handshaking and chatter; and meantime the crowds stood about, gaping at the celebrities—it was hard to get the theatre empty after a world premiere. The throngs in the lobby, and outside in the arcade, were still held back by the police—many had stood for three hours, in order to see their favorites emerge.
Vee and her lover went out among the last, greeting this one, greeting that one, the observed of all observers. Bunny saw many he knew, and among them one face he had not expected—Rachel Menzies! She saw him, and he saw that she saw him; and straightway it became a point of honor with a young idealist, he must not fail to treat her as well as anybody else. Rachel, a poor working-girl, and class-conscious, pitiful in a dingy, worn coat and a faded, out-of-fashion hat—Rachel must not think that he would slight her in this expensive company! He went straight to her. “How do you do, Miss Menzies? I didn’t know you were a movie fan.”
“I’m not,” she answered. “But I wanted to see what they would do to the Russian revolution.”
“There wasn’t much in it for us,” said Bunny; and she answered, grimly, “No, there was not.”
He would have liked to talk with her, but not in this place. “Can I help you out?” he asked; and turned as if to seek a way through the crowd.
But at that moment came Vee! With all the throngs of the great ones about her, with all the praise they poured upon her, there was one thing she really cared about, and that was Bunny—she did not want to be separated from him! And straightway, of course, the honor of a young idealist was still more deeply involved. He must not be unwilling to introduce his dingy working-girl friend to the gorgeous lady of the ermines and pearls! “Meet Miss Viola Tracy,” he said. “Vee, this is Miss Rachel Menzies, a classmate of mine at the university.”
Equally, it was a point of honor with Vee to be cordial. “Oh, how do you do, Miss Menzies?” And she held out her hand. Rachel did not move to take the hand, but stood very stiff and straight, and answered, “How do you do, Miss Tracy.” To Bunny, who knew her, the voice sounded strange and dead; but of course Vee had no means of knowing what her voice ought to be, and the withheld hand might easily be shyness at meeting the most important person in all Hollywood that night. Vee was still cordial as she inquired, “And how did you like the picture?”
Bunny heard that question—more dangerous than any bomb ever made by a Devil’s Deputy! He groped in his bewildered mind for something to say—“Miss Menzies is a Socialist, like me”—anything of that playful sort; but before he could get his tongue to move, Rachel had answered, swift and deadly, “I think it’s the most poisonous thing I ever saw on the screen.”
There was no mistaking that for shyness, or anything else. And Viola Tracy stared at this amazing creature. “Oh, indeed, Miss!”
“Yes, and people who helped to make it will someday have on their conscience the blood of millions of young men.”
Bunny broke in, “You see, Vee—”
But she put out her hand to stop him. “Wait! I want to know what you mean!”
“I mean that this picture is part of the propaganda to get us into a war with Russia, and a woman that lends herself to such work is a disgrace to her sex.”
Vee glared, and fury leaped into her face. “You bitch!” she cried, and her hand shot out, and smack! she landed a blow across Rachel’s cheek.
For one horrible moment Bunny stood numb; he saw the red start
