The householder next door was a workingman, or clerk, or such humble being, denied the royal privilege of breaking the law at ten dollars a quart for gin and thirty for champagne. But he could sit here till after midnight, and turn from one studio to another, and enjoy a series of vicarious jags. “Radio VXZ, the main dining-room of the Admiralty Hotel.” A chanteuse from the Grand Guignol in Paris was singing a ballad, and you could hear the laughter of those who understood the obscenity, and those who pretended to understand it, and those who were too drunk to understand anything but how to laugh. Bunny was there in his mind, because it was in this dining-room that he had been drunk, and Dad had been drunk, and Vee Tracy and Annabelle Ames and Vernon Roscoe—and Harvey Manning sound asleep in his chair, and Tommy Paley trying to climb onto the table, and having to be kept from fighting the waiters. There were three hundred tables in that hall, all reserved a month in advance, and all with occupants in the same condition; the tables stacked with hip-pocket flasks and bottles, strewn with the ashes of cigarettes, the stains of spilled foods, flowers and confetti, and little rolls of tissue-paper tape thrown from one table to another, covering the room with a spider’s web of bright colors; toy balloons tossing here and there; music, a riot of singing and shouting, and men sprawling over half-naked women, old and young, flappers, and mothers and grandmothers of flappers.
There would be election returns read, more of those triumphant, glorious majorities for the strong silent statesman; and a magnate who knew that this victory meant several million dollars off his income taxes, or an oil concession in Mesopotamia or Venezuela won by American bribes and held by American battleships—such a man would let out a whoop, and get up in the middle of the floor and show how he used to dance the double shuffle when he was a farmhand; and then he would fall into the lap of his mistress with a million dollars worth of diamonds on her naked flesh, and the singer from a famous haunt of the sexual perverts of Berlin would perform the latest jazz success, and the oil magnate and his mistress would warble the chorus:
What do I do?
I toodle-doodle-doo,
I toodle-doodle-doodle-doodle-doo!
XIII
Paul moved one hand: and again Ruth cried in excitement—he was coming back to life! But the nurse said that meant nothing, the doctors had said he might move. They must not let him move his head. She took his temperature, but told them nothing.
Paul’s hands were straying over the sheet that covered him; aimlessly, here and there, as if he were picking at insects on the bed. His voice rose louder—Russian, always Russian, and Gregor would tell what the words meant. They were in the red square, and saw the armies marching, and heard the working masses shouting their slogans: they were on the playing fields with the young workers; they were in Siberia, with Mandel playing the balalaika, and having his eyes eaten out by ants. “Da zdrávstvooyet Revolútziya!”—that meant “Long live Revolution!” “Vsya vlast Soviétam!—All power to the Soviets!”
And from there they would be swept to the ballroom of the Emperor Hotel, Angel City, Radio RWKY, the Angel City Patriot broadcasting by direct control. Or was it to the heart of the Congo, where the naked savages danced to the music of the tomtom, their black bodies, smeared with palm oil, shining in the light of blazing fires? For a hundred centuries these savages had paddled the river, and never to the mind of one of them had come the thought of an engine; they had stood on the shores of mighty lakes, and never dreamed a sail. The weight of nature’s blind fecundity rested upon them, stifling their minds. And now capitalist civilization, rushing to destruction with the speed of its fastest battle-planes, cast about to find a form of expression for its irresistible will to degeneracy, and chose the tomtom of the Congo for its music, and the belly-dances of the Congo for its exercise, and so here was America, Land of Jazz.
A voice from the megaphone, raucous, shrill, and mocking:
“There’s where mah money goes,
Lipsticks and powderpuffs and sucha things like that!”
And Bunny was in that great “Emperor” ballroom, where he had danced so many a night, first with Eunice Hoyt and then with Vee Tracy. All his friends would be there tonight—Verne and Annabelle and Fred Orpan and Thelma Norman and Mrs. Pete O’Reilly and Mark Eisenberg—the cream of the plutocracy, celebrating their greatest triumph to date. There would be American flags and streamers on the walls, and some would wave little flags—a great patriotic occasion—nothing like it since the Armistice—ray for Coolidge, keep cool with Cal! The room would be crowded to suffocation, and by this hour nine-tenths of the dancers would be staggering. Large-waisted financiers with crumpled shirtfronts, hugging stout wives or slender mistresses, with naked backs and half-naked bosoms hung with diamonds and pearls, red paint plastered on their lips and platinum bangles in their ears, shuffling round and round to the thump of the tomtom, the wail of the saxophone, the rattle and clatter of sticks, the banging of bells and snarl of stopped trumpets. “She does the camel-walk!” shrilled the singer; and the hip and buttock muscles of the large-waisted financier would be alternately contracted and relaxed, and his feet dragged about the floor in the incoordinate reactions of locomotor ataxia and spastic paraplegia.
