VIII
The stables were esteemed the most magnificent that the King had: three times they had been pulled down and again set up after designs by Holbein the painter. The buildings formed three sides of a square: the fourth gave into a great paddock, part of the park, in which the horses galloped or the mares ran with their foals. That morning there was a glint of sun in the opalescent clouds: horse-boys in grey with double roses worked on their chests were spreading sand in the great quadrangle, fenced in with white palings, between the buildings where the chargers were trained to the manage. Each wing of the buildings was a quarter of a mile long, of grey stone thatched with rushwork that came from the great beds all along the river and rose into curious peaks like bushes along each gable. On the right were the mares, the riding jennets for the women and their saddle rooms; on the left the pack animals, mules for priests and the places for their housings: in the centre, on each side of a vast barn that held the provender, were the stables of the coursers and stallions that the King himself rode or favoured; of these huge beasts there were two hundred: each in a cage within the houses—for many were savage tearers both of men and of each other. On the door of each cage there was written the name of the horse, as Sir Brian, Sir Bors, or Old Leo—and the sign of the constellation under which each was born, the months in which, in consequence, it was propitious or dangerous to ride them, and pentagons that should prevent witches, warlocks or evil spirits from casting spells upon the great beasts. Their housings and their stall armour, covered with grease to keep the rust from them, hung upon pulleys before each stall, and their polished neck armours branched out from the walls in a long file, waving over the gateways right into the distance, the face-pieces with the shining spikes in the foreheads hanging at the ends, the eyeholes carved out and the nostril places left vacant, so that they resembled an arcade of the skeletons of unicorns’ heads.
It was quiet and warm in the long and light aisles: there was a faint smell of stable hartshorn and the sound of beans being munched leisurely. From time to time there came a thunder from distant boxes, as two untrained stallions that Privy Seal the day before had given the King kicked against the immense balks of the sliding doors in their cage-stalls.
The old knight was flustered because it was many days since the King had deigned to come in the morning, and there were many beasts to show him. In his steel armour, from which his old head stood out benign and silvery, he strutted stiffly from cage to cage, talking softly to his horses and cursing at the harnessers. Cicely Elliott sat on a high stool from which she could look out of window and gibed at him as he passed.
“Let me grease your potlids, goodly servant. You creak like a roasting-jack.” He smiled at her with an engrossed air, and hurried himself to pull tight the headstrap of a great barb that was fighting with four men.
A tucket of trumpets sounded, silvery and thin through the cold grey air: a page came running with his sallete-helmet.
“Why, I will lace it for him,” Cicely cried, and ran, pushing away the boy. She laced it under the chin and laughed. “Now you may kiss my cheek so that I know what it is to be kissed by a man in potlids!”
He swung himself, grunting a little, into the high saddle and laughed at her with the air of a man very master of himself. The tucket thrilled again. Katharine Howard pushed the window open, craning out to see the King come: the horse, proud and mincing, appearing in its grey steel as great as an elephant, stepped yet so daintily that all its weight of iron made no more sound than the rhythmic jingling of a sabre, and man and horse passed like a flash of shadow out of the door.
Cicely hopped back on to the stool and shivered.
“We shall see these two old fellows very well without getting such a rheumatism as Lady Rochford’s,” and she pulled the window to against Katharine’s face and laughed at the vacant and faraway eyes that the girl turned upon her. “You are thinking of the centaurs of the Isles of Greece,” she jeered, “not of my knight and his old fashions of ironwork and horse dancing. Yet such another will never be again, so perfect in the old fashions.”
The old knight passed the window to the sound of trumpets towards his invisible master, swaying as easily to the gallop of his enormous steel beast as cupids that you may see in friezes ride upon dolphins down the sides of great billows; but Katharine’s eyes were upon the ground.
The window showed only some yards of sand, of grey sky and of whitened railings; trumpet blew after trumpet, and behind her back horse after horse went out, its iron feet ringing on the bricks of the stable to die into thuds and silence once the door was passed.
Cicely Elliott plagued her, tickling her pink ears with a piece of straw and sending out shrieks of laughter, and Katharine, motionless as a flower in breathless sunlight, was inwardly trembling. She imagined that she must be pale and hollow-eyed enough to excite the compassion of
