“What are you going to do about Lexman?” asked the Chief Commissioner, “and, by the way, T. X., how does all this fit your theories?”
“Fairly well,” replied T. X. coolly; “obviously the man who committed the murder was the man introduced into the room as Gathercole and as obviously it was not Gathercole, although to all appearance, he had lost his left arm.”
“Why obvious?” asked the Chief Commissioner.
“Because,” answered T. X. Meredith, “the real Gathercole had lost his right arm—that was the one error Lexman made.”
“H’m,” the Chief pulled at his moustache and looked enquiringly round the room, “we have to make up our minds very quickly about Lexman,” he said. “What do you think, Carlneau?”
The Frenchman shrugged his shoulders.
“For my part I should not only importune your Home Secretary to pardon him, but I should recommend him for a pension,” he said flippantly.
“What do you think, Savorsky?”
The Russian smiled a little.
“It is a very impressive story,” he said dispassionately; “it occurs to me that if you intend bringing your M. Lexman to judgment you are likely to expose some very pretty scandals. Incidentally,” he said, stroking his trim little moustache, “I might remark that any exposure which drew attention to the lawless conditions of Albania would not be regarded by my government with favour.”
The Chief Commissioner’s eyes twinkled and he nodded.
“That is also my view,” said the Chief of the Italian bureau; “naturally we are greatly interested in all that happens on the Adriatic littoral. It seems to me that Kara has come to a very merciful end and I am not inclined to regard a prosecution of Mr. Lexman with equanimity.”
“Well, I guess the political aspect of the case doesn’t affect us very much,” said O’Grady, “but as one who was once mighty near asphyxiated by stirring up the wrong kind of mud, I should leave the matter where it is.”
The Chief Commissioner was deep in thought and Belinda Mary eyed him anxiously.
“Tell them to come in,” he said bluntly.
The girl went and brought John Lexman and his wife, and they came in hand in hand supremely and serenely happy whatever the future might hold for them. The Chief Commissioner cleared his throat.
“Lexman, we’re all very much obliged to you,” he said, “for a very interesting story and a most interesting theory. What you have done, as I understand the matter,” he proceeded deliberately, “is to put yourself in the murderer’s place and advance a theory not only as to how the murder was actually committed, but as to the motive for that murder. It is, I might say, a remarkable piece of reconstruction,” he spoke very deliberately, and swept away John Lexman’s astonished interruption with a stern hand, “please wait and do not speak until I am out of hearing,” he growled. “You have got into the skin of the actual assassin and have spoken most convincingly. One might almost think that the man who killed Remington Kara was actually standing before us. For that piece of impersonation we are all very grateful;” he glared round over his spectacles at his understanding colleagues and they murmured approvingly.
He looked at his watch.
“Now I am afraid I must be off,” he crossed the room and put out his hand to John Lexman. “I wish you good luck,” he said, and took both Grace Lexman’s hands in his. “One of these days,” he said paternally, “I shall come down to Beston Tracey and your husband shall tell me another and a happier story.”
He paused at the door as he was going out and looking back caught the grateful eyes of Lexman.
“By the way, Mr. Lexman,” he said hesitatingly, “I don’t think I should ever write a story called ‘The Clue of the Twisted Candle,’ if I were you.”
John Lexman shook his head.
“It will never be written,” he said, “—by me.”
Colophon
The Clue of the Twisted Candle
was published in 1918 by
Edgar Wallace.
This ebook was produced for
Standard Ebooks
by
Norman C. Walz,
and is based on a transcription produced in 2001 by
An Anonymous Volunteer and David Widger
for
Project Gutenberg
and on digital scans from the
Internet Archive.
The cover page is adapted from
Flask Walk, Skyline,
a painting completed in 1934 by
Charles Ginner.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
June 16, 2023, 2:09 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/edgar-wallace/the-clue-of-the-twisted-candle.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
Uncopyright
May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.
Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.
Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright. That means