In Search of Lost Time

the radius of his own perceptions. In the first place his children regarded him as a superior person. Children have always a tendency either to depreciate or to exalt their parents, and to a good son his father is always the best of fathers, quite apart from any objective reason there may be for admiring him. Now, such reasons were not altogether lacking in the case of M. Bloch, who was an educated man, shrewd, affectionate towards his family. In his most intimate circle they were all the more proud of him because, if, in “society,” people are judged by a standard (which is incidentally absurd) and according to false but fixed rules, by comparison with the aggregate of all the other fashionable people, in the subdivisions of middle class life, on the other hand, the dinners, the family parties all turn upon certain people who are pronounced good company, amusing, and who in “society” would not survive a second evening. Moreover in such an environment where the artificial values of the aristocracy do not exist, their place is taken by distinctions even more stupid. Thus it was that in his family circle, and even among the remotest branches of the tree, an alleged similarity in his way of wearing his moustache and in the bridge of his nose led to M. Bloch’s being called “the Duc d’Aumale’s double.” (In the world of club pages, the one who wears his cap on one side and his jacket tightly buttoned, so as to give himself the appearance, he imagines, of a foreign officer, is he not also a personage of a sort to his comrades?)

The resemblance was the faintest, but you would have said that it conferred a title. When he was mentioned, it would always be: “Bloch? Which one? The Duc d’Aumale?” as people say “Princesse Murat? Which one? The Queen (of Naples)?” And there were certain other minute marks which combined to give him, in the eyes of the cousinhood, an acknowledged claim to distinction. Not going the length of having a carriage of his own, M. Bloch used on special occasions to hire an open victoria with a pair of horses from the Company, and would drive through the Bois de Boulogne, his body sprawling limply from side to side, two fingers pressed to his brow, other two supporting his chin, and if people who did not know him concluded that he was an “old nuisance,” they were all convinced, in the family, that for smartness Uncle Solomon could have taught Gramont-Caderousse a thing or two. He was one of those people who when they die, because for years they have shared a table in a restaurant on the boulevard with its news-editor, are described as “well known Paris figures” in the social column of the Radical. M. Bloch told Saint-Loup and me that Bergotte knew so well why he, M. Bloch, always cut him that as soon as he caught sight of him, at the theatre or in the club, he avoided his eye. Saint-Loup blushed, for it had occurred to him that this club could not be the Jockey, of which his father had been chairman. On the other hand it must be a fairly exclusive club, for M. Bloch had said that Bergotte would never have got into it if he had come up now. So it was not without the fear that he might be “underrating his adversary” that Saint-Loup asked whether the club in question were the Rue Royale, which was considered “lowering” by his own family, and to which he knew that certain Israelites had been admitted. “No,” replied M. Bloch in a tone at once careless, proud and ashamed, “it is a small club, but far more pleasant than a big one, the Ganaches. We’re very strict there, don’t you know.” “Isn’t Sir Rufus Israels the chairman?” Bloch junior asked his father, so as to give him the opportunity for a glorious lie, never suspecting that the financier had not the same eminence in Saint-Loup’s eyes as in his. The fact of the matter was that the Ganaches club boasted not Sir Rufus Israels but one of his staff. But as this man was on the best of terms with his employer, he had at his disposal a stock of the financier’s cards, and would give one to M. Bloch whenever he wished to travel on a line of which Sir Rufus was a director, the result of which was that old Bloch would say: “I’m just going round to the Club to ask Sir Rufus for a line to the Company.” And the card enabled him to dazzle the guards on the trains. The misses Bloch were more interested in Bergotte and, reverting to him rather than pursue the subject of the Ganaches, the youngest asked her brother, in the most serious tone imaginable, for she believed that there existed in the world, for the designation of men of talent, no other terms than those which he was in the habit of using: “Is he really an amazing good egg, this Bergotte? Is he in the category of the great lads, good eggs like Villiers and Catullus?” “I’ve met him several times at dress rehearsals,” said M. Nissim Bernard. “He is an uncouth creature, a sort of Schlemihl.” There was nothing very serious in this allusion to Chamisso’s story but the epithet “Schlemihl” formed part of that dialect, half-German, half-Jewish, the use of which delighted M. Bloch in the family circle, but struck him as vulgar and out of place before strangers. And so he cast a reproving glance at his uncle. “He has talent,” said Bloch. “Ah!” His sister sighed gravely, as though to imply that in that case there was some excuse for me. “All writers have talent,” said M. Bloch scornfully. “In fact it appears,” went on his son, raising his fork, and screwing up his eyes with an air of impish irony, “that he is going to put up for the Academy.” “Go on. He hasn’t