cause and effect, that action created ex nihilo. Fortunately the journalist who, staggering back from the violence of the blow, had turned pale and hesitated for a moment, did not retaliate. As for his friends, one of them had promptly turned away his head and was looking fixedly into the wings for someone who evidently was not there; the second pretended that a speck of dust had got into his eye, and began rubbing and squeezing his eyelid with every sign of being in pain; while the third had rushed off, exclaiming: “Good heavens, I believe the curtain’s going up; we shan’t get into our seats.”

I wanted to speak to Saint-Loup, but he was so full of his indignation with the dancer that it adhered exactly to the surface of his eyeballs; like a subcutaneous structure it distended his cheeks with the result that, his internal agitation expressing itself externally in an entire immobility, he had not even the power of relaxation, the “play” necessary to take in a word from me and to answer it. The journalist’s friends, seeing that the incident was at an end, gathered round him again, still trembling. But, ashamed of having deserted him, they were absolutely determined that he should be made to suppose that they had noticed nothing. And so they dilated, one upon the speck of dust in his eye, one upon his false alarm when he had thought that the curtain was going up, the third upon the astonishing resemblance between a man who had just gone by and the speaker’s brother. Indeed they seemed quite to resent their friend’s not having shared their several emotions.

“What, didn’t it strike you? You must be going blind.”

“What I say is that you’re a pack of curs,” growled the journalist whom Saint-Loup had punished.

Forgetting the poses they had adopted, to be consistent with which they ought⁠—but they did not think of it⁠—to have pretended not to understand what he meant, they fell back on certain expressions traditional in the circumstances: “What’s all the excitement? Keep your hair on, old chap. Don’t take the bit in your teeth.”

I had realised that morning beneath the pear blossom how illusory were the grounds upon which Robert’s love for “Rachel when from the Lord” was based; I was bound now to admit how very real were the sufferings to which that love gave rise. Gradually the feeling that had obsessed him for the last hour, without a break, began to diminish, receded into him, an unoccupied pliable zone appeared in his eyes. I had stopped for a moment at a corner of the Avenue Gabriel from which I had often in the past seen Gilberte appear. I tried for a few seconds to recall those distant impressions, and was hurrying at a “gymnastic” pace to overtake Saint-Loup when I saw that a gentleman, somewhat shabbily attired, appeared to be talking to him confidentially. I concluded that this was a personal friend of Robert; at the same time they seemed to be drawing even closer to one another; suddenly, as a meteor flashes through the sky, I saw a number of ovoid bodies assume with a giddy swiftness all the positions necessary for them to form, before Saint-Loup’s face and body, a flickering constellation. Flung out like stones from a catapult, they seemed to me to be at the very least seven in number. They were merely, however, Saint-Loup’s pair of fists, multiplied by the speed with which they were changing their places in this⁠—to all appearance ideal and decorative⁠—arrangement. But this elaborate display was nothing more than a pummelling which Saint-Loup was administering, the true character of which, aggressive rather than aesthetic, was first revealed to me by the aspect of the shabbily dressed gentleman who appeared to be losing at once his self-possession, his lower jaw and a quantity of blood. He gave fictitious explanations to the people who came up to question him, turned his head and, seeing that Saint-Loup had made off and was hastening to rejoin me, stood gazing after him with an offended, crushed, but by no means furious expression on his face. Saint-Loup, on the other hand, was furious, although he himself had received no blow, and his eyes were still blazing with anger when he reached me. The incident was in no way connected (as I had supposed) with the assault in the theatre. It was an impassioned loiterer who, seeing the fine looking young soldier that Saint-Loup was, had made overtures to him. My friend could not get over the audacity of this “clique” who no longer even waited for the shades of night to cover their operations, and spoke of the suggestion that had been made to him with the same indignation as the newspapers use in reporting an armed assault and robbery, in broad daylight, in the centre of Paris. And yet the recipient of his blow was excusable in one respect, for the trend of the downward slope brings desire so rapidly to the point of enjoyment that beauty by itself appears to imply consent. Now, that Saint-Loup was beautiful was beyond dispute. Castigation such as he had just administered has this value, for men of the type that had accosted him, that it makes them think seriously of their conduct, though never for long enough to enable them to amend their ways and thus escape correction at the hands of the law. And so, although Saint-Loup’s arm had shot out instinctively, without any preliminary thought, all such punishments, even when they reinforce the law, are powerless to bring about any uniformity in morals.

These incidents, particularly the one that was weighing most on his mind, seemed to have prompted in Robert a desire to be left alone for a while. After a moment’s silence he asked me to leave him, and to go by myself to call on Mme. de Villeparisis. He would join me there, but preferred that we should not enter the room together, so

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