In Search of Lost Time

the company, was charged with malice at Bloch’s expense, it became tempered with cordiality when finally it came to rest on the face of my friend, so as to deprive him of any excuse for annoyance at the words which he had heard uttered, though those words remained just as cruel. Mme. de Guermantes murmured something to M. d’Argencourt which I could not hear, but which must have referred to Bloch’s religion, for there flitted at that moment over the face of the Duchess that expression to which one’s fear of being noticed by the person of whom one is speaking gives a certain hesitancy and unreality, while there is blended with it the inquisitive, malicious amusement inspired in one by a group of human beings to which one feels oneself to be fundamentally alien. To retrieve himself, Bloch turned to the Duc de Châtellerault. “You, sir, as a Frenchman, you must be aware that people abroad are all Dreyfusards, although everyone pretends that in France we never know what is going on abroad. Anyhow, I know I can talk freely to you; Saint-Loup told me so.” But the young Duke, who felt that everyone was turning against Bloch, and was a coward as people often are in society, employing a mordant and precious form of wit which he seemed, by a sort of collateral atavism, to have inherited from M. de Charlus, replied: “You must not ask me, sir, to discuss the Dreyfus case with you; it is a subject which, on principle, I never mention except to Japhetics.” Everyone smiled, except Bloch, not that he was not himself in the habit of making scathing references to his Jewish origin, to that side of his ancestry which came from somewhere near Sinai. But instead of one of these epigrams (doubtless because he had not one ready) the operation of the internal machine brought to Bloch’s lips something quite different. And we caught only: “But how on earth did you know? Who told you?” as though he had been the son of a convict. Whereas, given his name, which had not exactly a Christian sound, and his face, his surprise argued a certain simplicity of mind.

What M. de Norpois had said not having completely satisfied him, he went up to the librarian and asked him whether Mme. de Villeparisis did not sometimes have in her house M. du Paty de Clam or M. Joseph Reinach. The librarian made no reply; he was a Nationalist, and never ceased preaching to the Marquise that the social revolution might break out at any moment, and that she ought to show more caution in the choice of her friends. He asked himself whether Bloch might not be a secret emissary of the Syndicate, come to collect information, and went off at once to repeat to Mme. de Villeparisis the questions that Bloch had put to him. She decided that, at the best, he was ill-bred and might be in a position to compromise M. de Norpois. Also, she wished to give satisfaction to the librarian, the only person of whom she went in fear, by whom she was being indoctrinated, though without any marked success (every morning he read her M. Judet’s article in the Petit Journal). She decided, therefore, to make it plain to Bloch that he need not come to the house again, and had no difficulty in finding, among her social repertory, the scene by which a great lady shows anyone her door, a scene which does not in any way involve the raised finger and blazing eyes that people imagine. As Bloch came up to her to say goodbye, buried in her deep armchair, she seemed only half-awakened from a vague somnolence. Her sunken eyes gleamed with only the feeble though charming light of a pair of pearls. Bloch’s farewell, barely pencilling on the Marquise’s face a languid smile, drew from her not a word, nor did she offer him her hand. This scene left Bloch in utter bewilderment, but as he was surrounded by a circle of spectators he felt that it could not be prolonged without disadvantage to himself, and, to force the Marquise, the hand which she had made no effort to take he himself thrust out at her. Mme. de Villeparisis was startled. But doubtless, while still bent upon giving an immediate satisfaction to the librarian and the anti-Dreyfusard clan, she wished at the same time to provide for the future, and so contented herself with letting her eyelids droop over her closing eyes.

“I believe she’s asleep,” said Bloch to the librarian who, feeling that he had the support of the Marquise, assumed an indignant air. “Goodbye, madame,” shouted Bloch.

The old lady made the slight movement with her lips of a dying woman who wants to open her mouth but whose eye can no longer recognise people. Then she turned, overflowing with a restored vitality, to M. d’Argencourt, while Bloch left the room, convinced that she must be “soft” in the head. Full of curiosity and anxious to have more light thrown upon so strange an incident, he came to see her again a few days later. She received him in the most friendly fashion, because she was a good-natured woman, because the librarian was not there, because she had in mind the little play which Bloch was going to produce for her, and finally because she had acted once and for all the little scene of the indignant lady that she had wished to act, a scene that had been universally admired and discussed the same evening in various drawing-rooms, but in a version which had already ceased to bear any resemblance to the truth.

“You were speaking just now of the Seven Princesses, Duchess; you know (not that it’s anything to be proud of) that the author of that⁠—what shall I call it?⁠—that production is a compatriot of mine,” said M. d’Argencourt with a fine scorn blended with satisfaction at knowing more than anyone else in the room about the author of