In Search of Lost Time

charming,” he murmured in my ear, which felt somehow that it had heard these words before. They were what Mme. de Villeparisis had said to my grandmother and myself after we had made the acquaintance of the Princesse de Luxembourg. Everything became clear; the lady I now saw had nothing in common with Mme. de Luxembourg, but from the language of him who thus served me with her I could discern the nature of the animal. It was a Royalty. She had never before heard of either my family or myself, but, a scion of the noblest race and endowed with the greatest fortune in the world (for, a daughter of the Prince de Parme, she had married a cousin of equal princelihood), she sought always, in gratitude to her Creator, to testify to her neighbour, however poor or lowly he might be, that she did not look down upon him. Really, I might have guessed this from her smile. I had seen the Princesse de Luxembourg buy little rye-cakes on the beach at Balbec to give to my grandmother, as though to a caged deer in the zoological gardens. But this was only the second Princess of the Blood Royal to whom I had been presented, and I might be excused my failure to discern in her the common factors of the friendliness of the great. Besides, had not they themselves gone out of their way to warn me not to count too much on this friendliness, since the Duchesse de Guermantes, who had waved me so effusive a greeting with her gloved hand at the Opéra-Comique, had appeared furious when I bowed to her in the street, like people who, having once given somebody a sovereign, feel that this has set them free from any further obligation towards him. As for M. de Charlus, his ups and downs were even more sharply contrasted. While in the sequel I have known, as the reader will learn, Highnesses and Majesties of another sort altogether, Queens who play the Queen and speak not after the conventions of their kind but like the Queens in Sardou’s plays.

If M. de Guermantes had been in such haste to present me, it was because the presence at a party of anyone not personally known to a Royal Personage is an intolerable state of things which must not be prolonged for a single instant. It was similar to the haste which Saint-Loup had shown in making me introduce him to my grandmother. By the same token, by a fragmentary survival of the old life of the court which is called social courtesy and is not superficial, in which, rather, by a centripetal reversion, it is the surface that becomes essential and profound, the Duc and Duchesse de Guermantes regarded as a duty more essential than those (which one at least of the pair neglected often enough) of charity, chastity, pity and justice, as a more unalterable law that of never addressing the Princesse de Parme save in the third person.

Having never yet in my life been to Parma (a pilgrimage I had been anxious to make ever since certain Easter holidays long ago), to meet its Princess, who, I knew, owned the finest palace in that matchless city, where, moreover, everything must be in keeping, isolated as it was from the rest of the world, within the polished walls, in the atmosphere, stifling as a breathless summer evening on the Piazza of a small town in Italy, of its compact and almost cloying name, would surely have substituted in a flash for what I had so often tried to imagine all that did really exist at Parma in a sort of partial arrival there, without my having to stir from Paris, of myself; it was in the algebraical expression of a journey to the city of Correggio a simple equation, so to speak, of that unknown quantity. But if I had for many years past⁠—like a perfumer impregnating a solid mass of grease with scent⁠—made this name, Princesse de Parme, absorb the fragrance of thousands of violets, in return, when I set eyes on the Princess, who, until then I should have sworn, must be the Sanseverina herself, a second process began which was not, I may say, completed until several months had passed, and consisted in expelling, by means of fresh chemical combinations, all the essential oil of violets and all the Stendhalian fragrance from the name of the Princess, and in implanting there, in their place, the image of a little dark woman, taken up with good works, of a friendliness so humble that one felt at once in how exalted a pride that friendliness had its roots. Moreover, while, barring a few points of difference, she was exactly like any other great lady, she was as little Stendhalian as is, for example, in Paris, in the Europe quarter, the Rue de Parme, which bears far less resemblance to the name of Parma than to any or all of the neighbouring streets, and reminds one not nearly so much of the Charterhouse in which Fabrice ends his days as of the waiting room in the Saint-Lazare station.

Her friendliness sprang from two causes. The first and more general was the education which this daughter of Kings had received. Her mother (not merely allied by blood to all the royal families of Europe but furthermore⁠—in contrast to the Ducal House of Parma⁠—richer than any reigning Princess) had instilled into her from her earliest childhood the arrogantly humble precepts of an evangelical snobbery; and today every line of the daughter’s face, the curve of her shoulders, the movements of her arms seemed to repeat the lesson: “Remember that if God has caused you to be born on the steps of a throne you ought not to make that a reason for looking down upon those to whom Divine Providence has willed (wherefore His Name be praised) that you should be superior by birth and fortune. On the contrary, you