In Search of Lost Time

to me, occupied my mind for a time. It is not only in Venice that one has those outlooks on to several houses at once which have proved so tempting to painters; it is just the same in Paris. Nor do I cite Venice at random. It is of its poorer quarters that certain poor quarters of Paris make one think, in the morning, with their tall, wide chimneys to which the sun imparts the most vivid pinks, the brightest reds; it is a whole garden that flowers above the houses, and flowers in such a variety of tints that one would call it, planted on top of the town, the garden of a tulip-fancier of Delft or Haarlem. And then also, the extreme proximity of the houses, with their windows looking opposite one another on to a common courtyard, makes of each casement the frame in which a cook sits dreamily gazing down at the ground below, in which farther off a girl is having her hair combed by an old woman with the face, barely distinguishable in the shadow, of a witch: thus each courtyard provides for the adjoining house, by suppressing all sound in its interval, by leaving visible a series of silent gestures in a series of rectangular frames, glazed by the closing of the windows, an exhibition of a hundred Dutch paintings hung in rows. Certainly from the Hôtel de Guermantes one did not have the same kind of view, but one had curious views also, especially from the strange trigonometrical point at which I had placed myself and from which one’s gaze was arrested by nothing nearer than the distant heights formed by the comparatively vague plots of ground which preceded, on a steep slope, the mansion of the Marquise de Plassac and Mme. de Tresmes, cousins (of the most noble category) of M. de Guermantes, whom I did not know. Between me and this house (which was that of their father, M. de Bréquigny) nothing but blocks of buildings of low elevation, facing in every conceivable direction, which, without blocking the view, increased the distance with their diagonal perspective. The red-tiled turret of the coach-house in which the Marquis de Frécourt kept his carriages did indeed end in a spire that rose rather higher, but was so slender that it concealed nothing, and made one think of those picturesque old buildings in Switzerland which spring up in isolation at the foot of a mountain. All these vague and divergent points on which my eyes rested made more distant apparently than if it had been separated from us by several streets or by a series of foothills the house of Mme. de Plassac, actually quite near but chimerically remote as in an Alpine landscape. When its large paned windows, glittering in the sunlight like flakes of rock crystal, were thrown open so as to air the rooms, one felt, in following from one floor to the next the footmen whom it was impossible to see clearly but who were visibly shaking carpets, the same pleasure as when one sees in a landscape by Turner or Elstir a traveller in a mail-coach, or a guide, at different degrees of altitude on the Saint-Gothard. But from this point of view in which I had ensconced myself I should have been in danger of not seeing M. or Mme. de Guermantes come in, so that when in the afternoon I was free to resume my survey I simply stood on the staircase, from which the opening of the carriage-gate could not escape my notice, and it was on this staircase that I posted myself, albeit there did not appear there, so entrancing with their footmen rendered minute by distance and busily cleaning, the Alpine beauties of the Bréquigny-Tresmes mansion. Now this wait on the staircase was to have for me consequences so considerable, and to reveal to me a picture no longer Turneresque but ethical, of so great importance, that it is preferable to postpone the account of it for a little while by interposing first that of my visit to the Guermantes when I knew that they had come home. It was the Duke alone who received me in the library. As I went in there came out a little man with snow-white hair, a look of poverty, a little black neckcloth such as was worn by the lawyer at Combray and by several of my grandfather’s friends, but of a more timid aspect than they, who, making me a series of profound bows, refused absolutely to go downstairs until I had passed him. The Duke shouted after him from the library something which I did not understand, and the other responded with further bows, addressed to the wall, for the Duke could not see him, but endlessly repeated nevertheless, like the purposeless smiles on the faces of people who are talking to one over the telephone; he had a falsetto voice, and saluted me afresh with the humility of a man of business. And he might, for that matter, have been a man of business from Combray, so much was he in the style, provincial, out of date and mild, of the small folk, the modest elders of those parts. “You shall see Oriane in a minute,” the Duke told me when I had entered the room. “As Swann is coming in presently and bringing her the proofs of his book on the coinage of the Order of Malta, and, what is worse, an immense photograph he has had taken showing both sides of each of the coins, Oriane preferred to get dressed early so that she can stay with him until it’s time to go out to dinner. We have such a heap of things in the house already that we don’t know where to put them all, and I ask myself where on earth we are going to stick this photograph. But I have too good-natured a wife, who is too fond of giving people pleasure.