In Search of Lost Time

as a screen against the sun, M. de Charlus had relaxed that tension in his face, deadened that artificial vitality, which the animation of his talk and the force of his will kept in evidence there as a rule. Pale as marble, his nose stood out firmly, his fine features no longer received from an expression deliberately assumed a different meaning which altered the beauty of their modelling; nothing more now than a Guermantes, he seemed already carved in stone, he Palamède the Fifteenth, in their chapel at Combray. These general features of a whole family took on, however, in the face of M. de Charlus a fineness more spiritualised, above all more gentle. I regretted for his sake that he should habitually adulterate with so many acts of violence, offensive oddities, tale-bearings, with such harshness, susceptibility and arrogance, that he should conceal beneath a false brutality the amenity, the kindness which, at the moment of his emerging from Mme. de Villeparisis’s, I could see displayed so innocently upon his face. Blinking his eyes in the sunlight, he seemed almost to be smiling, I found in his face seen thus in repose and, so to speak, in its natural state something so affectionate, so disarmed, that I could not help thinking how angry M. de Charlus would have been could he have known that he was being watched; for what was suggested to me by the sight of this man who was so insistent, who prided himself so upon his virility, to whom all other men seemed odiously effeminate, what he made me suddenly think of, so far had he momentarily assumed her features, expression, smile, was a woman.

I was about to change my position again, so that he should not catch sight of me; I had neither the time nor the need to do so. What did I see? Face to face, in that courtyard where certainly they had never met before (M. de Charlus coming to the Hôtel de Guermantes only in the afternoon, during the time when Jupien was at his office), the Baron, having suddenly opened wide his half-shut eyes, was studying with unusual attention the ex-tailor poised on the threshold of his shop, while the latter, fastened suddenly to the ground before M. de Charlus, taking root in it like a plant, was contemplating with a look of amazement the plump form of the middle-aged Baron. But, more astounding still, M. de Charlus’s attitude having changed, Jupien’s, as though in obedience to the laws of an occult art, at once brought itself into harmony with it. The Baron, who was now seeking to conceal the impression that had been made on him, and yet, in spite of his affectation of indifference, seemed unable to move away without regret, went, came, looked vaguely into the distance in the way which, he felt, most enhanced the beauty of his eyes, assumed a complacent, careless, fatuous air. Meanwhile Jupien, shedding at once the humble, honest expression which I had always associated with him, had⁠—in perfect symmetry with the Baron⁠—thrown up his head, given a becoming tilt to his body, placed his hand with a grotesque impertinence on his hip, stuck out his behind, posed himself with the coquetry that the orchid might have adopted on the providential arrival of the bee. I had not supposed that he could appear so repellent. But I was equally unaware that he was capable of improvising his part in this sort of dumb charade, which (albeit he found himself for the first time in the presence of M. de Charlus) seemed to have been long and carefully rehearsed; one does not arrive spontaneously at that pitch of perfection except when one meets in a foreign country a compatriot with whom an understanding then grows up of itself, both parties speaking the same language, even though they have never seen one another before.

This scene was not, however, positively comic, it was stamped with a strangeness, or if you like a naturalness, the beauty of which steadily increased. M. de Charlus might indeed assume a detached air, indifferently let his eyelids droop; every now and then he raised them, and at such moments turned on Jupien an attentive gaze. But (doubtless because he felt that such a scene could not be prolonged indefinitely in this place, whether for reasons which we shall learn later on, or possibly from that feeling of the brevity of all things which makes us determine that every blow must strike home, and renders so moving the spectacle of every kind of love), each time that M. de Charlus looked at Jupien, he took care that his glance should be accompanied by a spoken word, which made it infinitely unlike the glances we usually direct at a person whom we do or do not know; he stared at Jupien with the peculiar fixity of the person who is about to say to us: “Excuse my taking the liberty, but you have a long white thread hanging down your back,” or else: “Surely I can’t be mistaken, you come from Zurich too; I’m certain I must have seen you there often in the curiosity shop.” Thus, every other minute, the same question seemed to be being intensely put to Jupien in the stare of M. de Charlus, like those questioning phrases of Beethoven indefinitely repeated at regular intervals, and intended⁠—with an exaggerated lavishness of preparation⁠—to introduce a new theme, a change of tone, a “reentry.” On the other hand, the beauty of the reciprocal glances of M. de Charlus and Jupien arose precisely from the fact that they did not, for the moment at least, seem to be intended to lead to anything further. This beauty, it was the first time that I had seen the Baron and Jupien display it. In the eyes of both of them, it was the sky not of Zurich but of some Oriental city, the name of which I had not yet divined, that I saw reflected. Whatever the point might be that held M. de Charlus