In Search of Lost Time

a wit adroit in making use (like a translator) of different grammatical forms. Now nothing of this sort seemed to entitle Mme. de Citri to look down upon qualities so closely akin to her own. She found everyone idiotic, but in her conversation, in her letters, showed herself distinctly inferior to the people whom she treated with such disdain. She had moreover such a thirst for destruction that, when she had almost given up society, the pleasures that she then sought were subjected, each in turn, to her terrible disintegrating force. After she had given up parties for musical evenings, she used to say: “You like listening to that sort of thing, to music? Good gracious, it all depends on what it is. It can be simply deadly! Oh! Beethoven! What a bore!” With Wagner, then with Franck, Debussy, she did not even take the trouble to say the word barbe, but merely passed her hand over her face with a tonsorial gesture.

Presently, everything became boring. “Beautiful things are such a bore. Oh! Pictures! They’re enough to drive one mad. How right you are, it is such a bore having to write letters!” Finally it was life itself that she declared to be rasante, leaving her hearers to wonder where she applied the term.

I do not know whether it was the effect of what the Duchesse de Guermantes, on the evening when I first dined at her house, had said of this interior, but the card, or smoking-room, with its pictorial floor, its tripods, its figures of gods and animals that gazed at you, the sphinxes stretched out along the arms of the chairs, and most of all the huge table, of marble or enamelled mosaic, covered with symbolical signs more or less imitated from Etruscan and Egyptian art, gave me the impression of a magician’s cell. And, on a chair drawn up to the glittering, augural table, M. de Charlus, in person, never touching a card, unconscious of what was going on round about him, incapable of observing that I had entered the room, seemed precisely a magician applying all the force of his will and reason to drawing a horoscope. Not only that, but, like the eyes of a Pythian on her tripod, his eyes were starting from his head, and that nothing might distract him from labours which required the cessation of the most simple movements, he had (like a calculator who will do nothing else until he has solved his problem) laid down beside him the cigar which he had previously been holding between his lips, but had no longer the necessary detachment of mind to think of smoking. Seeing the two crouching deities borne upon the arms of the chair that stood facing him, one might have thought that the Baron was endeavouring to solve the enigma of the Sphinx, had it not been that, rather, of a young and living Oedipus, seated in that very armchair, where he had come to join in the game. Now, the figure to which M. de Charlus was applying with such concentration all his mental powers, and which was not, to tell the truth, one of the sort that are commonly studied more geometrico, was that of the proposition set him by the lineaments of the young Comte de Surgis; it appeared, so profound was M. de Charlus’s absorption in front of it, to be some rebus, some riddle, some algebraical problem, of which he must try to penetrate the mystery or to work out the formula. In front of him the sibylline signs and the figures inscribed upon that Table of the Law seemed the gramarye which would enable the old sorcerer to tell in what direction the young man’s destiny was shaping. Suddenly he became aware that I was watching him, raised his head as though he were waking from a dream, smiled at me and blushed. At that moment Mme. de Surgis’s other son came up behind the one who was playing, to look at his cards. When M. de Charlus had learned from me that they were brothers, his features could not conceal the admiration that he felt for a family which could create masterpieces so splendid and so diverse. And what added to the Baron’s enthusiasm was the discovery that the two sons of Mme. de Surgis-le-Duc were sons not only of the same mother but of the same father. The children of Jupiter are dissimilar, but that is because he married first Metis, whose destiny was to bring into the world wise children, then Themis, and after her Eurynome, and Mnemosyne, and Leto, and only as a last resort Juno. But to a single father Mme. de Surgis had borne these two sons who had each received beauty from her, but a different beauty.

I had at length the pleasure of seeing Swann come into this room, which was very big, so big that he did not at first catch sight of me. A pleasure mingled with sorrow, with a sorrow which the other guests did not, perhaps, feel, their feeling consisting rather in that sort of fascination which is exercised by the strange and unexpected forms of an approaching death, a death that a man already has, in the popular saying, written on his face. And it was with a stupefaction that was almost offensive, into which entered indiscreet curiosity, cruelty, a scrutiny at once quiet and anxious (a blend of suave mari magno and memento quia pulvis, Robert would have said), that all eyes were fastened upon that face the cheeks of which had been so eaten away by disease, like a waning moon, that, except at a certain angle, the angle doubtless at which Swann looked at himself, they stopped short like a flimsy piece of scenery to which only an optical illusion can add the appearance of solidity. Whether because of the absence of those cheeks, no longer there to modify