they should not be absent from their posts, or perhaps having heard the word “presence” used of personal appearance. The appearance of the lawn behind the hotel had been altered by the creation of several flowerbeds and by the removal not only of an exotic shrub but of the page who, at the time of my former visit, used to provide an external decoration with the supple stem of his figure crowned by the curious colouring of his hair. He had gone with a Polish countess who had taken him as her secretary, following the example of his two elder brothers and their typist sister, torn from the hotel by persons of different race and sex who had been attracted by their charm. The only one remaining was the youngest, whom nobody wanted, because he squinted. He was highly delighted when the Polish countess or the protectors of the other two brothers came on a visit to the hotel at Balbec. For, albeit he was jealous of his brothers, he was fond of them and could in this way cultivate his family affections for a few weeks in the year. Was not the Abbess of Fontevrault accustomed, deserting her nuns for the occasion, to come and partake of the hospitality which Louis XIV offered to that other Mortemart, his mistress, Madame de Montespan? The boy was still in his first year at Balbec; he did not as yet know me, but having heard his comrades of longer standing supplement the word “Monsieur,” when they addressed me, with my surname, he copied them from the first with an air of satisfaction, whether at showing his familiarity with a person whom he supposed to be well-known, or at conforming with a custom of which five minutes earlier he had never heard but which he felt it to be indispensable that he should not fail to observe. I could quite well appreciate the charm that this great “Palace” might have for certain persons. It was arranged like a theatre, and a numerous cast filled it to the doors with animation. For all that the visitor was only a sort of spectator, he was perpetually taking part in the performance, and that not as in one of those theatres where the actors perform a play among the audience, but as though the life of the spectator were going on amid the sumptuous fittings of the stage. The lawn-tennis player might come in wearing a white flannel blazer, the porter would have put on a blue frock coat with silver braid before handing him his letters. If this lawn-tennis player did not choose to walk upstairs, he was equally involved with the actors in having by his side, to propel the lift, its attendant no less richly attired. The corridors on each landing engulfed a flying band of nymphlike chambermaids, fair visions against the sea, at whose modest chambers the admirers of feminine beauty arrived by cunning detours. Downstairs, it was the masculine element that predominated and made this hotel, in view of the extreme and effortless youth of the servants, a sort of Judaeo-Christian tragedy given bodily form and perpetually in performance. And so I could not help repeating to myself, when I saw them, not indeed the lines of Racine that had come into my head at the Princesse de Guermantes’s while M. de Vaugoubert stood watching young secretaries of embassy greet M. de Charlus, but other lines of Racine, taken this time not from Esther but from Athalie: for in the doorway of the hall, what in the seventeenth century was called the portico, “a flourishing race” of young pages clustered, especially at teatime, like the young Israelites of Racine’s choruses. But I do not believe that one of them could have given even the vague answer that Joas finds to satisfy Athalie when she inquires of the infant Prince: “What is your office, then?” for they had none. At the most, if one had asked of any of them, like the new Queen: “But all this race, what do they then, imprisoned in this place?” he might have said: “I watch the solemn pomp and bear my part.” Now and then one of the young supers would approach some more important personage, then this young beauty would rejoin the chorus, and, unless it were the moment for a spell of contemplative relaxation, they would proceed with their useless, reverent, decorative, daily evolutions. For, except on their “day off,” “reared in seclusion from the world” and never crossing the threshold, they led the same ecclesiastical existence as the Levites in Athalie, and as I gazed at that “young and faithful troop” playing at the foot of the steps draped with sumptuous carpets, I felt inclined to ask myself whether I were entering the Grand Hotel at Balbec or the Temple of Solomon.
I went straight up to my room. My thoughts kept constantly turning to the last days of my grandmother’s illness, to her sufferings which I lived over again, intensifying them with that element which is even harder to endure than the sufferings of other people, and is added to them by our merciless pity; when we think that we are merely reviving the pains of a beloved friend, our pity exaggerates them; but perhaps it is our pity that is in the right, more than the sufferers’ own consciousness of their pains, they being blind to that tragedy of their own existence which pity sees and deplores. Certainly my pity would have taken fresh strength and far exceeded my grandmother’s sufferings had I known then what I did not know until long afterwards, that my grandmother, on the eve of her death, in a moment of consciousness and after making sure that I was not in the room, had taken Mamma’s hand, and, after pressing her fevered lips to it, had said: “Farewell, my child, farewell forever.” And this may perhaps have been the memory upon which my mother
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