In Search of Lost Time

is if I don’t ‘fail’ them, for I am beginning to find this sort of life really stupid. In any case, if we go there, so that my time at la Raspelière may not be absolutely wasted, I must remember to ask Mme. Verdurin about something that may prove of great interest to myself, provide me with a subject for study, and give me pleasure as well, for I have really had very little this year at Balbec.” “You are not very polite to me, but I forgive you, because I can see that your nerves are bad. What is this pleasure?” “That Mme. Verdurin should let me hear some things by a musician whose work she knows very well. I know one of his things myself, but it seems there are others and I should like to know if the rest of his work is printed, if it is different from what I know.” “What musician?” “My dear child, when I have told you that his name is Vinteuil, will you be any the wiser?” We may have revolved every possible idea in our minds, and yet the truth has never occurred to us, and it is from without, when we are least expecting it, that it gives us its cruel stab and wounds us for all time. “You can’t think how you amuse me,” replied Albertine as she rose, for the train was slowing down. “Not only does it mean a great deal more to me than you suppose, but even without Mme. Verdurin I can get you all the information that you require. You remember my telling you about a friend older than myself, who has been a mother, a sister to me, with whom I spent the happiest years of my life at Trieste, and whom for that matter I am expecting to join in a few weeks at Cherbourg, when we shall start on our travels together (it sounds a little odd, but you know how I love the sea), very well, this friend (oh! not at all the type of woman you might suppose!), isn’t this extraordinary, she is the dearest and most intimate friend of your Vinteuil’s daughter, and I know Vinteuil’s daughter almost as well as I know her. I always call them my two big sisters. I am not sorry to let you see that your little Albertine can be of use to you in this question of music, about which you say, and quite rightly for that matter, that I know nothing at all.” At the sound of these words, uttered as we were entering the station of Parville, so far from Combray and Montjouvain, so long after the death of Vinteuil, an image stirred in my heart, an image which I had kept in reserve for so many years that even if I had been able to guess, when I stored it up, long ago, that it had a noxious power, I should have supposed that in the course of time it had entirely lost it; preserved alive in the depths of my being⁠—like Orestes whose death the gods had prevented in order that, on the appointed day, he might return to his native land to punish the murderer of Agamemnon⁠—as a punishment, as a retribution (who can tell?) for my having allowed my grandmother to die, perhaps; rising up suddenly from the black night in which it seemed forever buried, and striking, like an Avenger, in order to inaugurate for me a novel, terrible and merited existence, perhaps also to making dazzlingly clear to my eyes the fatal consequences which evil actions indefinitely engender, not only for those who have committed them, but for those who have done no more, have thought that they were doing no more than look on at a curious and entertaining spectacle, like myself, alas, on that afternoon long ago at Montjouvain, concealed behind a bush where (as when I complacently listened to an account of Swann’s love affairs), I had perilously allowed to expand within myself the fatal road, destined to cause me suffering, of Knowledge. And at the same time, from my bitterest grief I derived a sentiment almost of pride, almost joyful, that of a man whom the shock he has just received has carried at a bound to a point to which no voluntary effort could have brought him. Albertine the friend of Mlle. Vinteuil and of her friend, a practising and professional Sapphist, was, compared to what I had imagined when I doubted her most, as are, compared to the little acousticon of the 1889 Exhibition with which one barely hoped to be able to transmit sound from end to end of a house, the telephones that soar over streets, cities, fields, seas, uniting one country to another. It was a terrible terra incognita this on which I had just landed, a fresh phase of undreamed-of sufferings that was opening before me. And yet this deluge of reality that engulfs us, if it is enormous compared with our timid and microscopic suppositions, was anticipated by them. It was doubtless something akin to what I had just learned, something akin to Albertine’s friendship with Mlle. Vinteuil, something which my mind would never have been capable of inventing, but which I obscurely apprehended when I became uneasy at the sight of Albertine and Andrée together. It is often simply from want of the creative spirit that we do not go to the full extent of suffering. And the most terrible reality brings us, with our suffering, the joy of a great discovery, because it merely gives a new and clear form to what we have long been ruminating without suspecting it. The train had stopped at Parville, and, as we were the only passengers in it, it was in a voice lowered by a sense of the futility of his task, by the force of habit which nevertheless made him perform it, and inspired in him simultaneously exactitude and indolence,