Johnny had heard Legge’s biography a hundred times, but Lal Morgon had reached the stage of life when every story he told was new.
“That’s why he hates Peter,” said the garrulous bricklayer. “That’s why young Legge and him are going to get Peter. And young Legge’s hot! Thirty years of age by all accounts, and the biggest printer of slush in the world! And it’s not ord’nary slush. Experts get all mixed up when they see young Legge’s notes—can’t tell ’em from real Bank of England stuff. And the police and the secret service after him for years—and then never got him!”
The day was warm, and Lal stripped off his red and blue striped working jacket. He wore, as did the rest of the party, the stained yellow breeches faintly stamped with the broad arrow. Around his calves were buttoned yellow gaiters. His shirt was of stout cotton, white with narrow blue stripes, and on his head was a cap adorned with mystic letters of the alphabet to indicate the dates of his convictions. A week later, when the letters were abolished, Lal Morgon had a grievance. He felt as a soldier might feel when he was deprived of his decorations.
“You’ve never met young Jeff?” stated rather than asked Lal, smoothing a dab of mortar with a leisurely touch.
“I’ve seen him—I have not met him,” said Johnny grimly, and something in his tone made the old convict look up.
“He ‘shopped’ me,” said Johnny, and Lal indicated his surprise with an inclination of his head that was ridiculously like a bow.
“I don’t know why, but I do know that he ‘shopped’ me,” said Johnny. “He was the man who fixed up the fake, got me persuaded to bring the horse on to the course, and then squeaked. Until then I did not know that the alleged Spider King was in reality Boy Saunders cleverly camouflaged.”
“Squeaking’s hidjus,” said the shocked Lal, and he seemed troubled. “And Emanuel Legge’s boy, too! Why did he do it—did you catch him over money?”
Johnny shook his head.
“I don’t know. If it’s true that he hates Peter Kane he may have done it out of revenge, knowing that I’m fond of Peter, and … well, I’m fond of Peter. He warned me about mixing with the crowd I ran with—”
“Stop that talking, will you?”
They worked for some time in silence. Then: “That screw will get somebody hung one of these days,” said Lal in a tone of quiet despair. “He’s the feller that little Lew Morse got a bashing for—over clouting him with a spanner in the blacksmith’s shop. He was nearly killed. What a pity! Lew wasn’t much account, an’ he’s often said he’d as soon be dead as sober.”
At four o’clock the working-party fell in and marched or shuffled down the narrow road to the prison gates.
Parcere Subjectis
Johnny looked up and winked at the grim jest, and he had the illusion that the archway winked back at him. At half-past four he turned into the deep-recessed doorway of his cell, and the yellow door closed on him with a metallic snap of a lock.
It was a big, vaulted cell, and the colour of the folded blanket ends gave it a rakish touch of gaiety. On a shelf in one corner was a photograph of a fox terrier, a pretty head turned inquiringly toward him.
He poured out a mugful of water and drank it, looking up at the barred window. Presently his tea would come, and then the lock would be put on for eighteen and a half hours. And for eighteen and a half hours he must amuse himself as best he could. He could read whilst the light held—a volume of travel was on the ledge that served as a table. Or he could write on his slate, or draw horses and dogs, or work out interminable problems in mathematics, or write poetry … or think.
That was the worst exercise of all. He crossed the cell and took down the photograph. The mount had worn limp with much handling, and he looked with a half-smile into the big eyes of the terrier.
“It is a pity you can’t write, old Spot,” he said.
Other people could write, and did, he thought as he replaced the photograph. But Peter Kane never once mentioned Marney, and Marney had not written since … a long time. It was ominous, informative, in some ways decisive. A brief reference, “Marney is well,” or “Marney thanks you for your inquiry,” and that was all.
The whole story was clearly written in those curt phrases, the story of Peter’s love for the girl, and his determination that she should not marry a man with the prison taint. Peter’s adoration of his daughter was almost a mania—her happiness and her future came first, and must always be first. Peter loved him—Johnny had sensed that. He had given him the affection that a man might give his grown son. If this tragic folly of his had not led to the entanglement which brought him to a convict prison, Peter would have given Marney to him, as she was willing to give herself.
“That’s that,” said Johnny, in his role of philosopher.
And then came tea and the final lockup, and silence … and thoughts again.
Why did young Legge trap him? He had only seen the man once; they had never even met. It was only by chance that he had ever seen this young printer of forged notes. He could not guess that he was known to the man he “shopped,” for Jeff Legge was an illusive person. One never met him in the usual rendezvous where the half-underworld foregather to boast and plot or drink and love.
A key rattled in the lock, and Johnny got up. He forgot that it was the evening when the chaplain visited him.
“Sit down, Gray.” The door closed on the clergyman, and he seated himself on Johnny’s bed.
It was curious that he should take up the thread
