“And a good little friend he is, too,” said the old sexton to her once. “When his elder brother died—elder seems a strange word, for he was only seven year old—I remember this one took it sorely to heart.”
The child thought of what the schoolmaster had told her, and felt how its truth was shadowed out even in this infant.
“It has given him something of a quiet way, I think,” said the old man, “though for that, he is merry enough at times. I’d wager now, that you and he have been listening by the old well.”
“Indeed we have not,” the child replied. “I have been afraid to go near it; for I am not often down in that part of the church, and do not know the ground.”
“Come down with me,” said the old man. “I have known it from a boy. Come!”
They descended the narrow steps which led into the crypt, and paused among the gloomy arches, in a dim and murky spot.
“This is the place,” said the old man. “Give me your hand while you throw back the cover, lest you should stumble and fall in. I am too old—I mean rheumatic—to stoop, myself.”
“A black and dreadful place!” exclaimed the child.
“Look in,” said the old man, pointing downward with his finger.
The child complied, and gazed down into the pit.
“It looks like a grave, itself,” said the old man.
“It does,” replied the child.
“I have often had the fancy,” said the sexton, “that it might have been dug at first to make the old place more gloomy, and the old monks more religious. It’s to be closed up, and built over.”
The child still stood, looking thoughtfully into the vault.
“We shall see,” said the sexton, “on what gay heads other earth will have closed, when the light is shut out from here. God knows! They’ll close it up, next spring.”
“The birds sing again in spring,” thought the child, as she leant at her casement window, and gazed at the declining sun. “Spring! a beautiful and happy time!”
LVI
A day or two after the Quilp tea-party at the Wilderness, Mr. Swiveller walked into Sampson Brass’s office at the usual hour, and being alone in that Temple of Probity, placed his hat upon the desk, and taking from his pocket a small parcel of black crape, applied himself to folding and pinning the same upon it, after the manner of a hatband. Having completed the construction of this appendage, he surveyed his work with great complacency, and put his hat on again—very much over one eye, to increase the mournfulness of the effect. These arrangements perfected to his entire satisfaction, he thrust his hands into his pockets, and walked up and down the office with measured steps.
“It has always been the same with me,” said Mr. Swiveller, “always. ’Twas ever thus—from childhood’s hour I’ve seen my fondest hopes decay, I never loved a tree or flower but ’twas the first to fade away. I never nursed a dear Gazelle, to glad me with its soft black eye, but when it came to know me well, and love me, it was sure to marry a market-gardener.”
Overpowered by these reflections, Mr. Swiveller stopped short at the clients’ chair, and flung himself into its open arms.
“And this,” said Mr. Swiveller, with a kind of bantering composure, “is life, I believe. Oh, certainly. Why not! I’m quite satisfied. I shall wear,” added Richard, taking off his hat again and looking hard at it, as if he were only deterred by pecuniary considerations from spurning it with his foot, “I shall wear this emblem of woman’s perfidy, in remembrance of her with whom I shall never again thread the windings of the mazy; whom I shall never more pledge in the rosy; who, during the short remainder of my existence, will murder the balmy. Ha, ha, ha!”
It may be necessary to observe, lest there should appear any incongruity in the close of this soliloquy, that Mr. Swiveller did not wind up with a cheerful hilarious laugh, which would have been undoubtedly at variance with his solemn reflections, but that, being in a theatrical mood, he merely achieved that performance which is designated in melodramas “laughing like a fiend,”—for it seems that your fiends always laugh in syllables, and always in three syllables, never more nor less, which is a remarkable property in such gentry, and one worthy of remembrance.
The baleful sounds had hardly died away, and Mr. Swiveller was still sitting in a very grim state in the clients’ chair, when there came a ring—or, if we may adapt the sound to his then humour, a knell—at the office bell. Opening the door with all speed, he beheld the expressive countenance of Mr. Chuckster, between whom and himself a fraternal greeting ensued.
“You’re devilish early at this pestiferous old slaughterhouse,” said that gentleman, poising himself on one leg, and shaking the other in an easy manner.
“Rather,” returned Dick.
“Rather!” retorted Mr. Chuckster, with that air of graceful trifling which so well became him. “I should think so. Why, my good feller, do you know what o’clock it is—half-past nine a.m. in the morning?”
“Won’t you come in?” said Dick. “All alone. Swiveller solus. ‘ ’Tis now the witching—’ ”
“ ‘Hour of night!’ ”
“ ‘When churchyards yawn,’ ”
“ ‘And graves give up their dead.’ ”
At the end of this quotation in dialogue, each gentleman struck an attitude, and immediately subsiding into prose walked into the office. Such
