the Rubens Studios as a ‘lady of means.’ But this is a digression.

“No one slept on the premises except Mrs. Owen and her cockatoo. The rule was that one by one as the tenants left their rooms in the evening they took their respective keys to the caretaker’s room. She would then, in the early morning, tidy and dust the studios and the office downstairs, lay the fire and carry up coals.

“The foreman of the glass works was the first to arrive in the morning. He had a latchkey, and let himself in, after which it was the custom of the house that he should leave the street door open for the benefit of the other tenants and their visitors.

“Usually, when he came at about nine o’clock, he found Mrs. Owen busy about the house doing her work, and he had often a brief chat with her about the weather, but on this particular morning of February 2nd he neither saw nor heard her. However, as the shop had been tidied and the fire laid, he surmised that Mrs. Owen had finished her work earlier than usual, and thought no more about it. One by one the tenants of the studios turned up, and the day sped on without anyone’s attention being drawn noticeably to the fact that the caretaker had not appeared upon the scene.

“It had been a bitterly cold night, and the day was even worse; a cutting northeasterly gale was blowing, there had been a great deal of snow during the night which lay quite thick on the ground, and at five o’clock in the afternoon, when the last glimmer of the pale winter daylight had disappeared, the confraternity of the brush put palette and easel aside and prepared to go home. The first to leave was Mr. Charles Pitt; he locked up his studio and, as usual, took his key into the caretaker’s room.

“He had just opened the door when an icy blast literally struck him in the face; both the windows were wide open, and the snow and sleet were beating thickly into the room, forming already a white carpet upon the floor.

“The room was in semi-obscurity, and at first Mr. Pitt saw nothing, but instinctively realizing that something was wrong, he lit a match, and saw before him the spectacle of that awful and mysterious tragedy which has ever since puzzled both police and public. On the floor, already half covered by the drifting snow, lay the body of Mrs. Owen face downwards, in a nightgown, with feet and ankles bare, and these and her hands were of a deep purple colour; whilst in a corner of the room, huddled up with the cold, the body of the cockatoo lay stark and stiff.”

XXXV

Suicide or Murder?

“At first there was only talk of a terrible accident, the result of some inexplicable carelessness which perhaps the evidence at the inquest would help to elucidate.

“Medical assistance came too late; the unfortunate woman was indeed dead, frozen to death, inside her own room. Further examination showed that she had received a severe blow at the back of the head, which must have stunned her and caused her to fall, helpless, beside the open window. Temperature at five degrees below zero had done the rest. Detective Inspector Howell discovered close to the window a wrought-iron gas bracket, the height of which corresponded exactly with the bruise at the back of Mrs. Owen’s head.

“Hardly however had a couple of days elapsed when public curiosity was whetted by a few startling headlines, such as the halfpenny evening papers alone know how to concoct.

“ ‘The mysterious death in Percy Street.’ ‘Is it Suicide or Murder?’ ‘Thrilling details⁠—Strange developments.’ ‘Sensational Arrest.’

“What had happened was simply this:

“At the inquest a few certainly very curious facts connected with Mrs. Owen’s life had come to light, and this had led to the apprehension of a young man of very respectable parentage on a charge of being concerned in the tragic death of the unfortunate caretaker.

“To begin with, it happened that her life, which in an ordinary way should have been very monotonous and regular, seemed, at any rate latterly, to have been more than usually chequered and excited. Every witness who had known her in the past concurred in the statement that since October last a great change had come over the worthy and honest woman.

“I happen to have a photo of Mrs. Owen as she was before this great change occurred in her quiet and uneventful life, and which led, as far as the poor soul was concerned, to such disastrous results.

“Here she is to the life,” added the funny creature, placing the photo before Polly⁠—“as respectable, as stodgy, as uninteresting as it is well possible for a member of your charming sex to be; not a face, you will admit, to lead any youngster to temptation or to induce him to commit a crime.

“Nevertheless one day all the tenants of the Rubens Studios were surprised and shocked to see Mrs. Owen, quiet, respectable Mrs. Owen, sallying forth at six o’clock in the afternoon, attired in an extravagant bonnet and a cloak trimmed with imitation astrakhan which⁠—slightly open in front⁠—displayed a gold locket and chain of astonishing proportions.

“Many were the comments, the hints, the bits of sarcasm levelled at the worthy woman by the frivolous confraternity of the brush.

“The plot thickened when from that day forth a complete change came over the worthy caretaker of the Rubens Studios. While she appeared day after day before the astonished gaze of the tenants and the scandalized looks of the neighbours, attired in new and extravagant dresses, her work was hopelessly neglected, and she was always ‘out’ when wanted.

“There was, of course, much talk and comment in various parts of the Rubens Studios on the subject of Mrs. Owen’s ‘dissipations.’ The tenants began to put two and two together, and after a very little while the general consensus of opinion became firmly established

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