“Now I may say here I shall always be doubtful whether Manderson really meant to kill himself then. Marlowe naturally thinks so, knowing nothing of my intervention. But I think it quite likely he only meant to wound himself, and to charge Marlowe with attempted murder and robbery.
“At that moment, however, I assumed it was suicide. Before I knew what I was doing I had leapt out of the shadows and seized his arm. He shook me off with a furious snarling noise, giving me a terrific blow in the chest, and presenting the revolver at my head. But I seized his wrists before he could fire, and clung with all my strength—you remember how bruised and scratched they were. I knew I was fighting for my own life now, for murder was in his eyes. We struggled like two beasts, without an articulate word, I holding his pistol-hand down and keeping a grip on the other. I never dreamed that I had the strength for such an encounter. Then, with a perfectly instinctive movement—I never knew I meant to do it—I flung away his free hand and clutched like lightning at the weapon, tearing it from his fingers. By a miracle it did not go off. I darted back a few steps, he sprang at my throat like a wild cat, and I fired blindly in his face. He would have been about a yard away, I suppose. His knees gave way instantly, and he fell in a heap on the turf.
“I flung the pistol down and bent over him. The heart’s action ceased under my hand. I knelt there staring, struck motionless; and I don’t know how long it was before I heard the noise of the car returning.
“Trent, all the time that Marlowe paced that green, with the moonlight on his white and working face, I was within a few yards of him, crouching in the shadow of the furze by the ninth tee. I dared not show myself. I was thinking. My public quarrel with Manderson the same morning was, I suspected, the talk of the hotel. I assure you that every horrible possibility of the situation for me had rushed across my mind the moment I saw Manderson fall. I became cunning. I knew what I must do. I must get back to the hotel as fast as I could, get in somehow unperceived, and play a part to save myself. I must never tell a word to anyone. Of course I was assuming that Marlowe would tell everyone how he had found the body. I knew he would suppose it was suicide; I thought everyone would suppose so.
“When Marlowe began at last to lift the body, I stole away down the wall and got out into the road by the clubhouse, where he could not see me. I felt perfectly cool and collected. I crossed the road, climbed the fence, and ran across the meadow to pick up the field path I had come by that runs to the hotel behind White Gables. I got back to the hotel very much out of breath.”
“Out of breath,” repeated Trent mechanically, still staring at his companion as if hypnotized.
“I had had a sharp run,” Mr. Cupples reminded him. “Well, approaching the hotel from the back I could see into the writing-room through the open window. There was nobody in there, so I climbed over the sill, walked to the bell and rang it, and then sat down to write a letter I had meant to write the next day. I saw by the clock that it was a little past eleven. When the waiter answered the bell I asked for a glass of milk and a postage stamp. Soon afterwards I went up to bed. But I could not sleep.”
Mr. Cupples, having nothing more to say, ceased speaking. He looked in mild surprise at Trent, who now sat silent, supporting his bent head in his hands.
“He could not sleep,” murmured Trent at last in a hollow tone. “A frequent result of overexertion during the day. Nothing to be alarmed about.” He was silent again, then looked up with a pale face. “Cupples, I am cured. I will never touch a crime-mystery again. The Manderson affair shall be Philip Trent’s last case. His high-blown pride at length breaks under him.” Trent’s smile suddenly returned. “I could have borne everything but that last revelation of the impotence of human reason. Cupples, I have absolutely nothing left to say, except this: you have beaten me. I drink your health in a spirit of self-abasement. And you shall pay for the dinner.”
Colophon
Trent’s Last Case
was published in 1913 by
E. C. Bentley.
This ebook was produced for
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Stuart E. Thiel and David Widger
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Internet Archive.
The cover page is adapted from
The Thinker: Portrait of Louis N. Kenton,
a painting completed in 1900 by
Thomas Eakins.
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