Her name was Cleone, and she was very lovely. She had thick gold curls, eyes of cornflower blue, and a pair of red lips that pouted or smiled in equal fascination. She was just eighteen, and the joy and despair of all the young men of the countryside. Particularly was she the despair of Mr. Philip Jettan.
Philip was head over ears in love with Cleone. He had been so ever since she returned from the convent where she had received a slight education. Before her departure for this convent, she and Philip, James and Jennifer Winton, had played together and quarrelled together since any of them could walk. Then Cleone went away to acquire polish, and the two boys thought very little more about her, until she returned, and then they thought of nothing else but her. The romping playfellow was gone forever, but in her place was a Vision. Philip and James began to eye one another askance.
Delighted by the new state of affairs, Cleone queened it right royally, and played one young man against the other. But it was not long before she found herself thinking far more about Mr. Jettan than was seemly. He began to haunt her dreams, and when he came to visit the house her heart fluttered a little and showed a tendency to jump into her throat.
Cleone was stern with her heart, for there was much in Mr. Jettan that did not meet with her approval. However masterful and handsome he might be—and Philip was both—he was distressingly boorish in many ways. Before her return to Sharley House Cleone had spent a few months with her aunt, who lived in Town. Several men had made very elegant love to her and showered compliments about her golden head. She had not cared the snap of her fingers for any one of them, but their graceful homage was very gratifying. Philip’s speech was direct and purposeful, and his compliments were never neat. His clothes also left much to be desired. Cleone had an eye for colour and style; she liked her cavaliers to be à la mode. Sir Matthew Trelawney, for instance, had affected the most wonderful stockings, clocked with butterflies; Frederick King wore so excellently fitting a coat that, it was said, he required three men to ease him into it. Philip’s coat was made for comfort; he would have scorned the stockings of Matthew Trelawney. He even refused to buy a wig, but wore his own brown hair brushed back from his face and tied loosely at his neck with a piece of black ribbon. No powder, no curls, unpolished nails, and an unpainted face—guiltless, too, of even the smallest patch—it was, thought Cleone, enough to make one weep. Nevertheless, she did not weep, because, for one thing, it would have made her eyes red, and another, it would be of very little use. Philip must be reformed, since she—well, since she did not dislike him.
At the present time Philip had just returned from Town, whither he had been sent by his father, ostensibly to transact some business concerning the estate, but really that his unfashionable soul might succumb to the delights of Town. Philip was not aware of this secret purpose, but Cleone knew all about it. She was very fond of Sir Maurice, and he of her. When Sir Maurice saw which way Philip looked for a wife, he was pleased enough, although a Jettan might have cast his eyes much higher. But Sir Maurice, mindful of the old adage, was content to let things run their course. All that worried him was the apparent obduracy of his son in the matter of the first prophecy. He loved Philip, he did not wish to lose him, he liked his companionship, but—“By God, sir, you are a damned dull dog!”
At that young Philip’s straight brows drew close over the bridge of his nose, only to relax again as he smiled.
“Well, sir, I hold two gay dogs in the family to be enough.”
Sir Maurice’s mouth quivered responsively.
“What’s that, Philip? Do you seek to reprove me?”
“Not a whit, sir. You are you, but I—am I.”
“So it seems,” said his father. “And you being yourself have fallen in love with a mighty pretty child; still being yourself, you are like to be left disconsolate.”
Philip had flushed slightly at the reference to Cleone. The end of the sentence left him frowning.
“What mean you, sir?”
The shrewd grey eyes, so like his own, regarded him pityingly.
“Little Mistress Cleone will have none of you an you fail to mend your ways, my son. Do you not know it? What has that dainty piece to do with a raw clodhopper like yourself?”
Philip answered low.
“If Mistress Cleone gives me her love it will be for me as I am. She is worthy a man, not a powdered, ruffled beau.”
“A man! Sacré tonnerre, ’tis what you are, hein? Philip, child, get you to Town to your uncle and buy a wig.”
“No, sir, I thank you. I shall do very well without a wig.”
Sir Maurice drove his cane downwards at the floor in exasperation.
“Mille diables! You’ll to Town as I say, defiant boy! You may finish the business with that scoundrel Jenkins while you are about it!”
Philip nodded.
“That I will do, sir, since you wish it.”
“Bah!” retorted his father.
He had gone; now he had come back, the business details settled to his satisfaction, but with no wig. Sir Maurice was pleased to see him again, more pleased than he appeared, as Philip was well aware. He listened to what his son had to tell him of Tom Jettan, failed to glean any of the latest society gossip, and dismissed Philip from his presence.
Half an hour later Philip rode in at the gates of Sharley House, sitting straight in his saddle, a pulse in
