she found herself thus left with the weight of the world upon her shoulders. There was one other daughter older than Mary, whom we never saw, but who was always mentioned as poor Fanny. There had been no sons, and the family consisted of the mother and the two girls. Mary had been only fifteen when her father died, and up to that time had been regarded quite as a child by all who had known her.
Mrs. Gresley, in the hour of her need, did as widows do in such cases. She sought advice from her clergyman and neighbours, and was counselled to take a lodger into her house. No lodger could be found so fitting as the curate, and when Mary was seventeen years old she and the curate were engaged to be married. The curate paid thirty pounds a year for his lodgings, and on this, with their own little income, the widow and her two daughters had managed to live. The engagement was known to them all as soon as it had been known to Mary. The lovemaking, indeed, had gone on beneath the eyes of the mother. There had been not only no deceit, no privacy, no separate interests, but, as far as we ever knew, no question as to prudence in the making of the engagement. The two young people had been brought together, had loved each other, as was so natural, and had become engaged as a matter of course. It was an event as easy to be foretold, or at least as easy to be believed, as the pairing of two birds. From what we heard of this curate, the
Rev. Arthur Donne—for we never saw him—we fancy that he was a simple, pious, commonplace young man, imbued with a strong idea that in being made a priest he had been invested with a nobility and with some special capacity beyond that of other men, slight in body, weak in health, but honest, true, and warmhearted. Then, the engagement having been completed, there arose the question of matrimony. The salary of the curate was a hundred a year. The whole income of the vicar, an old man, was, after payment made to his curate, two hundred a year. Could the curate, in such circumstances, afford to take to himself a penniless wife of seventeen?
Mrs. Gresley was willing that the marriage should take place, and that they should all do as best they might on their joint income. The vicar’s wife, who seems to have been a strong-minded, sage, though somewhat hard woman, took Mary aside, and told her that such a thing must not be. There would come, she said, children, and destitution, and ruin. She knew perhaps more than Mary knew when Mary told us her story, sitting opposite to us in the low armchair. It was the advice of the vicar’s wife that the engagement should be broken off; but that, if the breaking-off of the engagement were impossible, there should be an indefinite period of waiting. Such engagements cannot be broken off. Young hearts will not consent to be thus torn asunder. The vicar’s wife was too strong for them to get themselves married in her teeth, and the period of indefinite waiting was commenced.
And now for a moment we will go further back among Mary’s youthful days. Child as she seemed to be, she had in very early years taken a pen in her hand. The reader need hardly be told that had not such been the case there would not have arisen any cause for friendship between her and us. We are telling an Editor’s tale, and it was in our editorial capacity that Mary first came to us. Well;—in her earliest attempts, in her very young days, she wrote—Heaven knows what; poetry first, no doubt; then, God help her, a tragedy; after that, when the curate-influence first commenced, tales for the conversion of the ungodly;—and at last, before her engagement was a fact, having tried her wing at fiction, in the form of those false little dialogues between Tom the Saint and Bob the Sinner, she had completed a novel in one volume. She was then seventeen, was engaged to be married, and had completed her novel! Passing her in the street you would almost have taken her for a child to whom you might give an orange.
Hitherto her work had come from ambition—or from a feeling of restless piety inspired by the curate. Now there arose in her young mind the question whether such talent as she possessed might not be turned to account for ways and means, and used to shorten, perhaps absolutely to annihilate, that uncertain period of waiting. The first novel was seen by “a man of letters” in her neighbourhood, who pronounced it to be very clever;—not indeed fit as yet for publication, faulty in grammar, faulty even in spelling—how I loved the tear that shone in her eye as she confessed this delinquency!—faulty of course in construction, and faulty in character;—but still clever. The man of letters had told her that she must begin again.
Unfortunate man of letters in having thrust upon him so terrible a task! In such circumstances what is the candid, honest, softhearted man of letters to do? “Go, girl, and mend your stockings. Learn to make a pie. If you work hard, it may be that some day your intellect will suffice to you to read a book and understand it. For the writing of a book that shall either interest or instruct a brother human being many gifts are required. Have you just reason to believe that they have been given to you?” That is what the candid, honest man of letters says who is not softhearted;—and in ninety-nine cases out of a hundred it will probably be the truth. The softhearted man of letters remembers that this special case submitted to him may be the hundredth; and, unless the blotted manuscript is