Short Fiction

“yes” with him. Then he found the pages ran with a cruel heaviness, which seemed to demand decisive editorial severity. A whole novel, too, is so great a piece of business! There would be such difficulty were he to accept it! How much must he cut out! How many of his own hours must he devote to the repairing of mutilated sentences, and the remodelling of indistinct scenes! In regard to a small piece an editor, when moved that way, can afford to be good-natured. He can give to it the hour or so of his own work which it may require. And if after all it be nothing⁠—or, as will happen sometimes, much worse than nothing⁠—the evil is of short duration. In admitting such a thing he has done an injury⁠—but the injury is small. It passes in the crowd, and is forgotten. The best Homer that ever edited must sometimes nod. But a whole novel! A piece of work that would last him perhaps for twelve months! No editor can afford to nod for so long a period.

But then this tale, this novel of “Not so Black as he’s Painted,” this story of a human devil, for whose crimes no doubt some Byronic apology was made with great elaboration by the sensational Josephine, was not exactly bad. Our editor had wept over it. Some tenderhearted Medora, who on behalf of her hyena-in-love had gone through miseries enough to kill half a regiment of heroines, had dimmed the judge’s eyes with tears. What stronger proof of excellence can an editor have? But then there were those long pages of metaphysical twaddle, sure to elicit scorn and neglect from old and young. They, at any rate, must be cut out. But in the cutting of them out a very mincemeat would be made of the story. And yet Josephine de Montmorenci, with her impudent little letters, had already made herself so attractive! What was our editor to do?

He knew well the difficulty that would be before him should he once dare to accept, and then undertake to alter. She would be as a tigress to him⁠—as a tigress fighting for her young. That work of altering is so ungracious, so precarious, so incapable of success in its performance! The long-winded, farfetched, high-stilted, unintelligible sentence which you elide with so much confidence in your judgment, has been the very apple of your author’s eye. In it she has intended to convey to the world the fruits of her best meditation for the last twelve months. Thinking much over many things in her solitude, she has at last invented a truth, and there it lies. That wise men may adopt it, and candid women admire it, is the hope, the solace, and at last almost the certainty of her existence. She repeats the words to herself, and finds that they will form a choice quotation to be used in coming books. It is for the sake of that one newly-invented truth⁠—so she tells herself, though not quite truly⁠—that she desires publication. You come⁠—and with a dash of your pen you annihilate the precious gem! Is it in human nature that you should be forgiven? Mr. Brown had had his experiences, and understood all this well. Nevertheless he loved dearly to please a pretty woman.

And it must be acknowledged that the letters of Josephine were such as to make him sure that there might be an adventure if he chose to risk the pages of his magazine. The novel had taken him four long evenings to read, and at the end of the fourth he sat thinking of it for an hour. Fortune either favoured him or the reverse⁠—as the reader may choose to regard the question⁠—in this, that there was room for the story in his periodical if he chose to take it. He wanted a novel⁠—but then he did not want feminine metaphysics. He sat thinking of it, wondering in his mind how that little smiling, soft creature with the gray eyes, and the dimples, and the pretty walking-dress, could have written those interminable pages as to the questionable criminality of crime; whether a cardsharper might not be a hero; whether a murderer might not sacrifice his all, even the secret of his murder, for the woman he loved; whether devil might not be saint, and saint devil. At the end of the hour he got up from his chair, stretched himself, with his hands in his trousers-pockets, and said aloud, though alone, that he’d be d⁠⸺ if he would. It was an act of great self-denial, a triumph of principle over passion.

But though he had thus decided, he was not minded to throw over altogether either Josephine or her novel. He might still, perhaps, do something for her if he could find her amenable to reason. Thinking kindly of her, very anxious to know her personally, and still desirous of seeing the adventure to the end, he wrote the following note to her that evening:⁠—

Cross Bank, St. John’s Wood,
Saturday Night.

My dear Miss de Montmorenci,

“I knew how it would be. I cannot give you an answer about your novel without seeing you. It so often happens that the answer can’t be Yes or No. You said something very cruel about dear old X., but after all he was quite right in his verdict about the book. There is a great deal in it; but it evidently was not written to suit the pages of a magazine. Will you come to me, or shall I come to you;⁠—or shall I send the MS. back, and so let there be an end of it? You must decide. If you direct that the latter course be taken, I will obey; but I shall do so with most sincere regret, both on account of your undoubted aptitude for literary work, and because I am very anxious to become acquainted with my fair correspondent. You see I can be as frank as you