favoured her, she might have been a prime minister, or an archbishop, or a chief justice. We intend no silly satire on present or past holders of the great offices indicated; but we think that they have generally been achieved by such a combination of intellect, perseverance, audacity, and readiness as that which Mrs. Brumby certainly possessed. And that freedom from the weakness of scruple⁠—which in men who have risen in public life we may perhaps call adaptability to compromise⁠—was in her so strong, that had she been a man, she would have trimmed her bark to any wind that blew, and certainly have sailed into some port. But she was a woman⁠—and the ports were not open to her.

Those ports were not open to her which had she been a man would have been within her reach; but⁠—fortunately for us and for the world at large as to the general question, though so very unfortunately as regarded this special case⁠—the port of literature is open to women. It seems to be the only really desirable harbour to which a female captain can steer her vessel with much hope of success. There are the Fine Arts, no doubt. There seems to be no reason why a woman should not paint as well as Titian. But they don’t. With the pen they hold their own, and certainly run a better race against men on that course than on any other. Mrs. Brumby, who was very desirous of running a race and winning a place, and who had seen all this, put on her cap, and jacket, and boots, chose her colours, and entered her name. Why, oh why, did she select the course upon which we, wretched we, were bound by our duties to regulate the running?

We may as well say at once that though Mrs. Brumby might have made a very good prime minister, she could not write a paper for a magazine, or produce literary work of any description that was worth paper and ink. We feel sure that we may declare without hesitation that no perseverance on her part, no labour however unswerving, no training however long, would have enabled her to do in a fitting manner even a review for the Literary Curricle. There was very much in her, but that was not in her. We find it difficult to describe the special deficiency under which she laboured;⁠—but it existed and was past remedy. As a man suffering from a chronic stiff joint cannot run, and cannot hope to run, so was it with her. She could not combine words so as to make sentences, or sentences so as to make paragraphs. She did not know what style meant. We believe that had she ever read, Johnson, Gibbon, Archdeacon Coxe, Mr. Grote, and Macaulay would have been all the same to her. And yet this woman chose literature as her profession, and clung to it for awhile with a persistence which brought her nearer to the rewards of success than many come who are at all points worthy to receive them.

We have said that she was not a young woman when we knew her. We cannot fancy her to have been ever young. We cannot bring our imagination to picture to ourselves the person of Mrs. Brumby surrounded by the advantages of youth. When we knew her she may probably have been forty or forty-five, and she then possessed a rigidity of demeanour and a sternness of presence which we think must have become her better than any softer guise or more tender phase of manner could ever have done in her earlier years. There was no attempt about her to disguise or modify her sex, such as women have made since those days. She talked much about her husband, the lieutenant, and she wore a double roll of very stiff dark brown curls on each side of her face⁠—or rather over her brows⁠—which would not have been worn by a woman meaning to throw off as far as possible her femininity. Whether those curls were or were not artificial we never knew. Our male acquaintances who saw her used to swear that they were false, but a lady who once saw her, assured us that they were real. She told us that there is a kind of hair growing on the heads of some women, thick, short, crisp, and shiny, which will maintain its curl unbroken and unruffled for days. She told us, also, that women blessed with such hair are always pachydermatous and strong-minded. Such certainly was the character of Mrs. Brumby. She was a tall, thin woman, not very tall or very thin. For aught that we can remember, her figure may have been good;⁠—but we do remember well that she never seemed to us to have any charm of womanhood. There was a certain fire in her dark eyes⁠—eyes which were, we think, quite black⁠—but it was the fire of contention and not of love. Her features were well formed, her nose somewhat long, and her lips thin, and her face too narrow, perhaps, for beauty. Her chin was long, and the space from her nose to her upper lip was long. She always carried a well-wearing brown complexion;⁠—a complexion with which no man had a right to find fault, but which, to a pondering, speculative man, produced unconsciously a consideration whether, in a matter of kissing, an ordinary mahogany table did not offer a preferable surface. When we saw her she wore, we think always, a dark stuff dress⁠—a fur tippet in winter and a most ill-arranged shawl in summer⁠—and a large commanding bonnet, which grew in our eyes till it assumed all the attributes of a helmet⁠—inspiring that reverence and creating that fear which Minerva’s headgear is intended to produce. When we add our conviction that Mrs. Brumby trusted nothing to female charms, that she neither suffered nor enjoyed anything from female vanity, and that the lieutenant was perfectly safe,

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