orphan child: he had adopted her, and had taken the place both of father and mother.

Déruchette was not only his niece, she was his godchild; he had held her in his arms at the baptismal font; it was he who had chosen her patron saint, Durande, and her Christian name, Déruchette.

Déruchette, as we have said, was born at St. Peter’s Port. Her name was inscribed at its date on the register of the parish.

As long as the niece was a child, and the uncle poor, nobody took heed of her appellation of Déruchette; but when the little girl became a miss, and the sailor a gentleman, the name of Déruchette shocked the feelings of Guernsey society. The uncouthness of the sound astonished everyone. Folks asked Mess Lethierry “why Déruchette?” He answered, “It is a very good name in its way.” Several attempts were made to get him to obtain a change in the baptismal name, but he would be no party to them. One day, a fine lady of the upper circle of society in St. Sampson, the wife of a rich retired ironfounder, said to Mess Lethierry, “In future, I shall call your daughter Nancy.”

“If names of country towns are in fashion,” said he, “why not Lons le Saulnier?” The fine lady did not yield her point, and on the morrow said, “We are determined not to have it Déruchette; I have found for your daughter a pretty name⁠—Marianne.” “A very pretty name, indeed,” replied Mess Lethierry, “composed of two words which signify⁠—a husband and an ass.”4 He held fast to Déruchette.

It would be a mistake to infer from Lethierry’s pun that he had no wish to see his niece married. He desired to see her married, certainly; but in his own way: he intended her to have a husband after his own heart, one who would work hard, and whose wife would have little to do. He liked rough hands in a man, and delicate ones in a woman. To prevent Déruchette spoiling her pretty hands he had always brought her up like a young lady; he had provided her with a music-master, a piano, a little library, and a few needles and threads in a pretty workbasket. She was, indeed, more often reading than stitching; more often playing than reading. This was as Mess Lethierry wished it. To be charming was all that he expected of her. He had reared the young girl like a flower. Whoever has studied the character of sailors will understand this: rude and hard in their nature, they have an odd partiality for grace and delicacy. To realise the idea of the uncle, the niece ought to have been rich; so indeed felt Mess Lethierry. His steamboat voyaged for this end. The mission of Durande was to provide a marriage portion for Déruchette.

VIII

“Bonnie Dundee”

Déruchette occupied the prettiest room at the Bravées. It had two windows, was furnished with various articles made of fine-grained mahogany, had a bed with four curtains, green and white, and looked out upon the garden, and beyond it towards the high hill, on which stands the Vale Castle. Gilliatt’s house, the Bû de la Rue, was on the other side of this hill.

Déruchette had her music and piano in this chamber; she accompanied herself on the instrument when singing the melody which she preferred⁠—the melancholy Scottish air of “Bonnie Dundee.” The very spirit of night breathes in this melody; but her voice was full of the freshness of dawn. The contrast was quaint and pleasing; people said, “Miss Déruchette is at her piano.”

The passersby at the foot of the hill stopped sometimes before the wall of the garden of the Bravées to listen to that sweet voice and plaintive song.

Déruchette was the very embodiment of joy as she went to and fro in the house. She brought with her a perpetual spring. She was beautiful, but more pretty than beautiful; and still more graceful than pretty. She reminded the good old pilots, friends of Mess Lethierry, of that princess in the song which the soldiers and sailors sing, who was so beautiful:

“Qu’elle passait pour telle dans le regiment.”

Mess Lethierry used to say, “She has a head of hair like a ship’s cable.”

From her infancy she had been remarkable for beauty. The learned in such matters had grave doubts about her nose, but the little one having probably determined to be pretty, had finally satisfied their requirements. She grew to girlhood without any serious loss of beauty; her nose became neither too long nor too short; and when grown up, her critics admitted her to be charming.

She never addressed her uncle otherwise than as father.

Lethierry allowed her to soil her fingers a little in gardening, and even in some kind of household duties: she watered her beds of pink hollyhocks, purple foxgloves, perennial phloxes, and scarlet herb bennets. She took good advantage of the climate of Guernsey, so favourable to flowers. She had, like many other persons there, aloes in the open ground, and, what is more difficult, she succeeded in cultivating the Nepaulese cinquefoil. Her little kitchen-garden was scientifically arranged; she was able to produce from it several kinds of rare vegetables. She sowed Dutch cauliflower and Brussels cabbages, which she thinned out in July, turnips for August, endive for September, short parsnip for the autumn, and rampions for winter. Mess Lethierry did not interfere with her in this, so long as she did not handle the spade and rake too much, or meddle with the coarser kinds of garden labour. He had provided her with two servants, one named Grace, and the other Douce, which are favourite names in Guernsey. Grace and Douce did the hard work of the house and garden, and they had the right to have red hands.

With regard to Mess Lethierry, his room was a little retreat with a view over the harbour, and communicating with the great lower room of the ground floor,

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