shed, conducted to this story; and up this ladder the woman would climb, sometimes staggering while its crazy rounds creaked beneath her.

The occasional lodgers, whether by the week or the night, slept in the courtyard; the regular inmates lived in the house.

Windows without a pane of glass, doorframes with no door, fireplaces without stoves; such were the chief features of the interior. You might pass from one room to the other, indifferently, by a long square aperture which had been the door, or by a triangular hole between the joists of the partitions. The fallen plaster of the ceiling lay about the floor. It was difficult to say how the old house still stood erect. The high winds indeed shook it. The lodgers ascended as they could by the worn and slippery steps of the ladder. Everything was open to the air. The wintry atmosphere was absorbed into the house, like water into a sponge. The multitude of spiders seemed alone to guarantee the place against falling to pieces immediately. There was no sign of furniture. Two or three paillasses were in the corner, their ticking torn in parts, and showing more dust than straw within. Here and there were a water-pot and an earthen pipkin. A close, disagreeable odour haunted the rooms.

The windows looked out upon the square yard. The scene was like the interior of a scavenger’s cart. The things, not to speak of the human beings, which lay rusting, mouldering, and putrefying there, were indescribable. The fragments seemed to fraternise together. Some fell from the walls, others from the living tenants of the place. The debris were sown with their tatters.

Besides the floating population which bivouacked nightly in the square yard, the Jacressade had three permanent lodgers⁠—a charcoal man, a ragpicker, and a “gold-maker.” The charcoal man and the ragpicker occupied two of the paillasses of the first story; the “gold-maker,” a chemist, lodged in the loft, which was called, no one knew why, the garret. Nobody knew where the woman slept. The “gold-maker” was a poet in a small way. He inhabited a room in the roof, under the tiles⁠—a chamber with a narrow window, and a large stone fireplace forming a gulf, in which the wind howled at will. The garret window having no frame, he had nailed across it a piece of iron sheathing, part of the wreck of a ship. This sheathing left little room for the entrance of light and much for the entrance of cold. The charcoal-man paid rent from time to time in the shape of a sack of charcoal; the ragpicker paid with a bowl of grain for the fowls every week; the “gold-maker” did not pay at all. Meanwhile the latter consumed the very house itself for fuel. He had pulled down the little woodwork which remained; and every now and then he took from the wall or the roof a lath or some scantling, to heat his crucible. Upon the partition, above the ragpicker’s mattress, might have been seen two columns of figures, marked in chalk by the ragpicker himself from week to week⁠—a column of threes, and a column of fives⁠—according as the bowl of grain had cost him three liards or five centimes. The gold-pot of the “chemist” was an old fragment of a bombshell, promoted by him to the dignity of a crucible, in which he mixed his ingredients. The transmutation of metals absorbed all his thoughts. He was determined before he died to revenge himself by breaking the windows of orthodox science with the real philosopher’s stone. His furnace consumed a good deal of wood. The handrail of the stairs had disappeared. The house was slowly burning away. The landlady said to him, “You will leave us nothing but the shell.” He mollified her by addressing her in verses.

Such was the Jacressade.

A boy of twelve, or, perhaps, sixteen⁠—for he was like a dwarf, with a large wen upon his neck, and always carrying a broom in his hand⁠—was the domestic of the place.

The habitués entered by the gateway of the courtyard; the public entered by the shop.

In the high wall, facing the street, and to the right of the entrance to the courtyard, was a square opening, serving at once as a door and a window. This was the shop. The square opening had a shutter and a frame⁠—the only shutter in all the house which had hinges and bolts. Behind this square aperture, which was open to the street, was a little room, a compartment obtained by curtailing the sleeping shed in the courtyard. Over the door, passersby read the inscription in charcoal, “Curiosities sold here.” On three boards, forming the shop front, were several china pots without ears, a Chinese parasol made of goldbeater’s skin, and ornamented with figures, torn here and there, and impossible to open or shut; fragments of iron, and shapeless pieces of old pottery, and dilapidated hats and bonnets, three or four shells, some packets of old bone and metal buttons, a tobacco-box with a portrait of Marie-Antoinette, and a dog’s-eared volume of Boisbertrand’s Algebra. Such was the stock of the shop; this assortment completed the “curiosities.” The shop communicated by a back door with the yard in which was the well. It was furnished with a table and a stool. The woman with a wooden leg presided at the counter.

VII

Nocturnal Buyers and Mysterious Sellers

Clubin had been absent from the Jean Auberge all the evening of Tuesday. On the Wednesday night he was absent again.

In the dusk of that evening, two strangers penetrated into the mazes of the Ruelle Coutanchez. They stopped in front of the Jacressade. One of them knocked at the window; the door of the shop opened, and they entered. The woman with the wooden leg met them with the smile which she reserved for respectable citizens. There was a candle on the table.

The strangers were, in fact, respectable citizens. The one who had knocked said, “Good day,

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