“Hush!” I heard the pretty gypsy fortune-teller say. “Who is that laughing?”
“Some profane intruder!” said the goddess Diana. “I shall send an arrow through his heart, or change him into a stag, as I did Actaeon, if he peeps from behind the trees!”
“Me take his scalp!” cried the Indian chief, brandishing his tomahawk, and cutting a great caper in the air.
“I’ll root him in the earth with a spell that I have at my tongue’s end!” squeaked Moll Pitcher. “And the green moss shall grow all over him, before he gets free again!”
“The voice was Miles Coverdale’s,” said the fiendish fiddler, with a whisk of his tail and a toss of his horns. “My music has brought him hither. He is always ready to dance to the Devil’s tune!”
Thus put on the right track, they all recognized the voice at once, and set up a simultaneous shout.
“Miles! Miles! Miles Coverdale, where are you?” they cried. “Zenobia! Queen Zenobia! here is one of your vassals lurking in the wood. Command him to approach and pay his duty!”
The whole fantastic rabble forthwith streamed off in pursuit of me, so that I was like a mad poet hunted by chimeras. Having fairly the start of them, however, I succeeded in making my escape, and soon left their merriment and riot at a good distance in the rear. Its fainter tones assumed a kind of mournfulness, and were finally lost in the hush and solemnity of the wood. In my haste, I stumbled over a heap of logs and sticks that had been cut for firewood, a great while ago, by some former possessor of the soil, and piled up square, in order to be carted or sledded away to the farmhouse. But, being forgotten, they had lain there perhaps fifty years, and possibly much longer; until, by the accumulation of moss, and the leaves falling over them, and decaying there, from autumn to autumn, a green mound was formed, in which the softened outline of the woodpile was still perceptible. In the fitful mood that then swayed my mind, I found something strangely affecting in this simple circumstance. I imagined the long-dead woodman, and his long-dead wife and children, coming out of their chill graves, and essaying to make a fire with this heap of mossy fuel!
From this spot I strayed onward, quite lost in reverie, and neither knew nor cared whither I was going, until a low, soft, well-remembered voice spoke, at a little distance.
“There is Mr. Coverdale!”
“Miles Coverdale!” said another voice—and its tones were very stern. “Let him come forward, then!”
“Yes, Mr. Coverdale,” cried a woman’s voice—clear and melodious, but, just then, with something unnatural in its chord—“you are welcome! But you come half an hour too late, and have missed a scene which you would have enjoyed!”
I looked up and found myself nigh Eliot’s pulpit, at the base of which sat Hollingsworth, with Priscilla at his feet and Zenobia standing before them.
XXV
The Three Together
Hollingsworth was in his ordinary working-dress. Priscilla wore a pretty and simple gown, with a kerchief about her neck, and a calash, which she had flung back from her head, leaving it suspended by the strings. But Zenobia (whose part among the maskers, as may be supposed, was no inferior one) appeared in a costume of fanciful magnificence, with her jewelled flower as the central ornament of what resembled a leafy crown, or coronet. She represented the Oriental princess by whose name we were accustomed to know her. Her attitude was free and noble; yet, if a queen’s, it was not that of a queen triumphant, but dethroned, on trial for her life, or, perchance, condemned already. The spirit of the conflict seemed, nevertheless, to be alive in her. Her eyes were on fire; her cheeks had each a crimson spot, so exceedingly vivid, and marked with so definite an outline, that I at first doubted whether it were not artificial. In a very brief space, however, this idea was shamed by the paleness that ensued, as the blood sunk suddenly away. Zenobia now looked like marble.
One always feels the fact, in an instant, when he has intruded on those who love, or those who hate, at some acme of their passion that puts them into a sphere of their own, where no other spirit can pretend to stand on equal ground with them. I was confused—affected even with a species of terror—and wished myself away. The intenseness of their feelings gave them the exclusive property of the soil and atmosphere, and left me no right to be or breathe there.
“Hollingsworth—Zenobia—I have just returned to Blithedale,” said I, “and had no thought of finding you here. We shall meet again at the house. I will retire.”
“This place is free to you,” answered Hollingsworth.
“As free as to ourselves,” added Zenobia. “This long while past, you have been following up your game, groping for human emotions in the dark corners of the heart. Had you been here a little sooner, you might have seen them dragged into the daylight. I could even wish to have my trial over again, with you standing by to see fair play! Do you know, Mr. Coverdale, I have been on trial for my life?”
She laughed, while speaking thus. But, in truth, as my eyes wandered from one of the group to another, I saw in Hollingsworth all that an artist could desire for the grim portrait of a Puritan magistrate holding inquest of life and death in a case of witchcraft; in Zenobia, the sorceress herself, not aged, wrinkled, and decrepit, but fair enough to tempt Satan with a force reciprocal to his own; and, in Priscilla, the pale victim, whose soul and body had been wasted
