The Portrait of a Lady

dawdle in Rome.” The dawdling in Rome was very pleasant, but Isabel had different views, and she let her aunt know she would immediately join her. She told Gilbert Osmond that she had done so, and he replied that, spending many of his summers as well as his winters in Italy, he himself would loiter a little longer in the cool shadow of Saint Peter’s. He would not return to Florence for ten days more, and in that time she would have started for Bellaggio. It might be months in this case before he should see her again. This exchange took place in the large decorated sitting-room occupied by our friends at the hotel; it was late in the evening, and Ralph Touchett was to take his cousin back to Florence on the morrow. Osmond had found the girl alone; Miss Stackpole had contracted a friendship with a delightful American family on the fourth floor and had mounted the interminable staircase to pay them a visit. Henrietta contracted friendships, in travelling, with great freedom, and had formed in railway-carriages several that were among her most valued ties. Ralph was making arrangements for the morrow’s journey, and Isabel sat alone in a wilderness of yellow upholstery. The chairs and sofas were orange; the walls and windows were draped in purple and gilt. The mirrors, the pictures had great flamboyant frames; the ceiling was deeply vaulted and painted over with naked muses and cherubs. For Osmond the place was ugly to distress; the false colours, the sham splendour were like vulgar, bragging, lying talk. Isabel had taken in hand a volume of Ampere, presented, on their arrival in Rome, by Ralph; but though she held it in her lap with her finger vaguely kept in the place she was not impatient to pursue her study. A lamp covered with a drooping veil of pink tissue-paper burned on the table beside her and diffused a strange pale rosiness over the scene.

“You say you’ll come back; but who knows?” Gilbert Osmond said. “I think you’re much more likely to start on your voyage round the world. You’re under no obligation to come back; you can do exactly what you choose; you can roam through space.”

“Well, Italy’s a part of space,” Isabel answered. “I can take it on the way.”

“On the way round the world? No, don’t do that. Don’t put us in a parenthesis⁠—give us a chapter to ourselves. I don’t want to see you on your travels. I’d rather see you when they’re over. I should like to see you when you’re tired and satiated,” Osmond added in a moment. “I shall prefer you in that state.”

Isabel, with her eyes bent, fingered the pages of M. Ampere. “You turn things into ridicule without seeming to do it, though not, I think, without intending it. You’ve no respect for my travels⁠—you think them ridiculous.”

“Where do you find that?”

She went on in the same tone, fretting the edge of her book with the paper-knife. “You see my ignorance, my blunders, the way I wander about as if the world belonged to me, simply because⁠—because it has been put into my power to do so. You don’t think a woman ought to do that. You think it bold and ungraceful.”

“I think it beautiful,” said Osmond. “You know my opinions⁠—I’ve treated you to enough of them. Don’t you remember my telling you that one ought to make one’s life a work of art? You looked rather shocked at first; but then I told you that it was exactly what you seemed to me to be trying to do with your own.”

She looked up from her book. “What you despise most in the world is bad, is stupid art.”

“Possibly. But yours seem to me very clear and very good.”

“If I were to go to Japan next winter you would laugh at me,” she went on.

Osmond gave a smile⁠—a keen one, but not a laugh, for the tone of their conversation was not jocose. Isabel had in fact her solemnity; he had seen it before. “You have an imagination that startles one!”

“That’s exactly what I say. You think such an idea absurd.”

“I would give my little finger to go to Japan; it’s one of the countries I want most to see. Can’t you believe that, with my taste for old lacquer?”

“I haven’t a taste for old lacquer to excuse me,” said Isabel.

“You’ve a better excuse⁠—the means of going. You’re quite wrong in your theory that I laugh at you. I don’t know what has put it into your head.”

“It wouldn’t be remarkable if you did think it ridiculous that I should have the means to travel when you’ve not; for you know everything and I know nothing.”

“The more reason why you should travel and learn,” smiled Osmond. “Besides,” he added as if it were a point to be made, “I don’t know everything.”

Isabel was not struck with the oddity of his saying this gravely; she was thinking that the pleasantest incident of her life⁠—so it pleased her to qualify these too few days in Rome, which she might musingly have likened to the figure of some small princess of one of the ages of dress overmuffled in a mantle of state and dragging a train that it took pages or historians to hold up⁠—that this felicity was coming to an end. That most of the interest of the time had been owing to Mr. Osmond was a reflection she was not just now at pains to make; she had already done the point abundant justice. But she said to herself that if there were a danger they should never meet again, perhaps after all it would be as well. Happy things don’t repeat themselves, and her adventure wore already the changed, the seaward face of some romantic island from which, after feasting on purple grapes, she was putting off while the breeze rose. She might come back to Italy and find him different⁠—this strange man who pleased her just as