On Richards, who was established upstairs in a state of honourable captivity, the dawn of her new life seemed to break cold and grey. Mr. Dombey’s house was a large one, on the shady side of a tall, dark, dreadfully genteel street in the region between Portland Place and Bryanstone Square. It was a corner house, with great wide areas containing cellars frowned upon by barred windows, and leered at by crooked-eyed doors leading to dustbins. It was a house of dismal state, with a circular back to it, containing a whole suite of drawing-rooms looking upon a gravelled yard, where two gaunt trees, with blackened trunks and branches, rattled rather than rustled, their leaves were so smoked-dried. The summer sun was never on the street, but in the morning about breakfast-time, when it came with the water-carts and the old-clothes men, and the people with geraniums, and the umbrella-mender, and the man who trilled the little bell of the Dutch clock as he went along. It was soon gone again to return no more that day; and the bands of music and the straggling Punch’s shows going after it, left it a prey to the most dismal of organs, and white mice; with now and then a porcupine, to vary the entertainments; until the butlers whose families were dining out, began to stand at the house-doors in the twilight, and the lamplighter made his nightly failure in attempting to brighten up the street with gas.
It was as blank a house inside as outside. When the funeral was over, Mr. Dombey ordered the furniture to be covered up—perhaps to preserve it for the son with whom his plans were all associated—and the rooms to be ungarnished, saving such as he retained for himself on the ground floor. Accordingly, mysterious shapes were made of tables and chairs, heaped together in the middle of rooms, and covered over with great winding-sheets. Bell-handles, window-blinds, and looking-glasses, being papered up in journals, daily and weekly, obtruded fragmentary accounts of deaths and dreadful murders. Every chandelier or lustre, muffled in holland, looked like a monstrous tear depending from the ceiling’s eye. Odours, as from vaults and damp places, came out of the chimneys. The dead and buried lady was awful in a picture-frame of ghastly bandages. Every gust of wind that rose, brought eddying round the corner from the neighbouring mews, some fragments of the straw that had been strewn before the house when she was ill, mildewed remains of which were still cleaving to the neighbourhood: and these, being always drawn by some invisible attraction to the threshold of the dirty house to let immediately opposite, addressed a dismal eloquence to Mr. Dombey’s windows.
The apartments which Mr. Dombey reserved for his own inhabiting, were attainable from the hall, and consisted of a sitting-room; a library, which was in fact a dressing-room, so that the smell of hot-pressed paper, vellum, morocco, and Russia leather, contended in it with the smell of divers pairs of boots; and a kind of conservatory or little glass breakfast-room beyond, commanding a prospect of the trees before mentioned, and, generally speaking, of a few prowling cats. These three rooms opened upon one another. In the morning, when Mr. Dombey was at his breakfast in one or other of the two first-mentioned of them, as well as in the afternoon when he came home to dinner, a bell was rung for Richards to repair to this glass chamber, and there walk to and fro with her young charge. From the glimpses she caught of Mr. Dombey at these times, sitting in the dark distance, looking out towards the infant from among the dark heavy furniture—the house had been inhabited for years by his father, and in many of its appointments was old-fashioned and grim—she began to entertain ideas of him in his solitary state, as if he were a lone prisoner in a cell, or a strange apparition that was not to be accosted or understood.
Little Paul Dombey’s foster-mother had led this life herself, and had carried little Paul through it for some weeks; and had returned upstairs one day from a melancholy saunter through the dreary rooms of state (she never went out without Mrs. Chick, who called on fine mornings, usually accompanied by Miss Tox, to take her and Baby for an airing—or in other words, to march them gravely up and down the pavement, like a walking funeral); when, as she was sitting in her own room, the door was slowly and quietly opened, and a dark-eyed little girl looked in.
“It’s Miss Florence come home from her aunt’s, no doubt,” thought Richards, who had never seen the child before. “Hope I see you well, Miss.”
“Is that my brother?” asked the child, pointing to the Baby.
“Yes, my pretty,” answered Richards. “Come and kiss him.”
But the child, instead of advancing, looked her earnestly in the face, and said:
“What have you done with my Mama?”
“Lord bless the little creeter!” cried Richards, “what a sad question! I done? Nothing, Miss.”
“What have they done with my Mama?” inquired the child.
“I never saw such a melting thing in all my life!” said Richards, who naturally substituted for this child one of her own, inquiring for herself in like circumstances. “Come nearer here, my dear Miss! Don’t be afraid of me.”
“I am not afraid of you,” said the child, drawing nearer. “But I want to know what they have done with my Mama.”
“My darling,” said Richards, “you wear that pretty black frock in remembrance of your Mama.”
“I can remember my Mama,” returned the child, with tears springing to her eyes, “in any frock.”
“But people put on black, to remember people when they’re gone.”
“Where gone?” asked the child.
“Come and sit down by me,” said Richards, “and I’ll tell you
