“Mother, mother, I reproach you with nothing. Why will you always dwell on this?”
“Isn’t it natural that I should dwell on this, when I am all affection and sensitiveness, and am wounded in the cruellest way, whenever you look at me?”
“I do not mean to wound you, mother. Have you no remembrance of what has been said between us? Let the Past rest.”
“Yes, rest! And let gratitude to me rest; and let affection for me rest; and let me rest in my out-of-the-way room, with no society and no attention, while you find new relations to make much of, who have no earthly claim upon you! Good gracious, Edith, do you know what an elegant establishment you are at the head of?”
“Yes. Hush!”
“And that gentlemanly creature, Dombey? Do you know that you are married to him, Edith, and that you have a settlement and a position, and a carriage, and I don’t know what?”
“Indeed, I know it, mother; well.”
“As you would have had with that delightful good soul—what did they call him?—Granger—if he hadn’t died. And who have you to thank for all this, Edith?”
“You, mother; you.”
“Then put your arms round my neck, and kiss me; and show me, Edith, that you know there never was a better Mama than I have been to you. And don’t let me become a perfect fright with teasing and wearing myself at your ingratitude, or when I’m out again in society no soul will know me, not even that hateful animal, the Major.”
But, sometimes, when Edith went nearer to her, and bending down her stately head, put her cold cheek to hers, the mother would draw back as if she were afraid of her, and would fall into a fit of trembling, and cry out that there was a wandering in her wits. And sometimes she would entreat her, with humility, to sit down on the chair beside her bed, and would look at her (as she sat there brooding) with a face that even the rose-coloured curtains could not make otherwise than scared and wild.
The rose-coloured curtains blushed, in course of time, on Cleopatra’s bodily recovery, and on her dress—more juvenile than ever, to repair the ravages of illness—and on the rouge, and on the teeth, and on the curls, and on the diamonds, and the short sleeves, and the whole wardrobe of the doll that had tumbled down before the mirror. They blushed, too, now and then, upon an indistinctness in her speech which she turned off with a girlish giggle, and on an occasional failing in her memory, that had no rule in it, but came and went fantastically, as if in mockery of her fantastic self.
But they never blushed upon a change in the new manner of her thought and speech towards her daughter. And though that daughter often came within their influence, they never blushed upon her loveliness irradiated by a smile, or softened by the light of filial love, in its stern beauty.
XXXVIII
Miss Tox Improves an Old Acquaintance
The forlorn Miss Tox, abandoned by her friend Louisa Chick, and bereft of Mr. Dombey’s countenance—for no delicate pair of wedding cards, united by a silver thread, graced the chimney-glass in Princess’s Place, or the harpsichord, or any of those little posts of display which Lucretia reserved for holiday occupation—became depressed in her spirits, and suffered much from melancholy. For a time the Bird Waltz was unheard in Princess’s Place, the plants were neglected, and dust collected on the miniature of Miss Tox’s ancestor with the powdered head and pigtail.
Miss Tox, however, was not of an age or of a disposition long to abandon herself to unavailing regrets. Only two notes of the harpsichord were dumb from disuse when the Bird Waltz again warbled and trilled in the crooked drawing-room: only one slip of geranium fell a victim to imperfect nursing, before she was gardening at her green baskets again, regularly every morning; the powdered-headed ancestor had not been under a cloud for more than six weeks, when Miss Tox breathed on his benignant visage, and polished him up with a piece of wash-leather.
Still, Miss Tox was lonely, and at a loss. Her attachments, however ludicrously shown, were real and strong; and she was, as she expressed it, “deeply hurt by the unmerited contumely she had met with from Louisa.” But there was no such thing as anger in Miss Tox’s composition. If she had ambled on through life, in her soft spoken way, without any opinions, she had, at least, got so far without any harsh passions. The mere sight of Louisa Chick in the street one day, at a considerable distance, so overpowered her milky nature, that she was fain to seek immediate refuge in a pastry-cook’s, and there, in a musty little back room usually devoted to the consumption of soups, and pervaded by an oxtail atmosphere, relieve her feelings by weeping plentifully.
Against Mr. Dombey Miss Tox hardly felt that she had any reason of complaint. Her sense of that gentleman’s magnificence was such, that once removed from him, she felt as if her distance always had been immeasurable, and as if he had greatly condescended in tolerating her at all. No wife could be too handsome or too stately for him, according to Miss Tox’s sincere opinion. It was perfectly natural that in looking for one, he should look high. Miss Tox with tears laid down this proposition, and fully admitted it, twenty times a day. She never recalled the lofty manner in which Mr. Dombey had made her subservient to his convenience and caprices, and had graciously permitted her to be one of the
