It was a dull, grey, autumn day indeed, and in a minute’s pause and silence that took place, the leaves fell sorrowfully.
“Mr. John,” said Mr. Dombey, referring to his watch, and assuming his hat and gloves. “Take my sister, if you please: my arm today is Miss Tox’s. You had better go first with Master Paul, Richards. Be very careful.”
In Mr. Dombey’s carriage, Dombey and Son, Miss Tox, Mrs. Chick, Richards, and Florence. In a little carriage following it, Susan Nipper and the owner Mr. Chick. Susan looking out of window, without intermission, as a relief from the embarrassment of confronting the large face of that gentleman, and thinking whenever anything rattled that he was putting up in paper an appropriate pecuniary compliment for herself.
Once upon the road to church, Mr. Dombey clapped his hands for the amusement of his son. At which instance of parental enthusiasm Miss Tox was enchanted. But exclusive of this incident, the chief difference between the christening party and a party in a mourning coach consisted in the colours of the carriage and horses.
Arrived at the church steps, they were received by a portentous beadle. Mr. Dombey dismounting first to help the ladies out, and standing near him at the church door, looked like another beadle. A beadle less gorgeous but more dreadful; the beadle of private life; the beadle of our business and our bosoms.
Miss Tox’s hand trembled as she slipped it through Mr. Dombey’s arm, and felt herself escorted up the steps, preceded by a cocked hat and a Babylonian collar. It seemed for a moment like that other solemn institution, “Wilt thou have this man, Lucretia?” “Yes, I will.”
“Please to bring the child in quick out of the air there,” whispered the beadle, holding open the inner door of the church.
Little Paul might have asked with Hamlet “into my grave?” so chill and earthy was the place. The tall, shrouded pulpit and reading desk; the dreary perspective of empty pews stretching away under the galleries, and empty benches mounting to the roof and lost in the shadow of the great grim organ; the dusty matting and cold stone slabs; the grisly free seats in the aisles; and the damp corner by the bell-rope, where the black trestles used for funerals were stowed away, along with some shovels and baskets, and a coil or two of deadly-looking rope; the strange, unusual, uncomfortable smell, and the cadaverous light; were all in unison. It was a cold and dismal scene.
“There’s a wedding just on, Sir,” said the beadle, “but it’ll be over directly, if you’ll walk into the westry here.”
Before he turned again to lead the way, he gave Mr. Dombey a bow and a half smile of recognition, importing that he (the beadle) remembered to have had the pleasure of attending on him when he buried his wife, and hoped he had enjoyed himself since.
The very wedding looked dismal as they passed in front of the altar. The bride was too old and the bridegroom too young, and a superannuated beau with one eye and an eyeglass stuck in its blank companion, was giving away the lady, while the friends were shivering. In the vestry the fire was smoking; and an over-aged and overworked and underpaid attorney’s clerk, “making a search,” was running his forefinger down the parchment pages of an immense register (one of a long series of similar volumes) gorged with burials. Over the fireplace was a ground-plan of the vaults underneath the church; and Mr. Chick, skimming the literary portion of it aloud, by way of enlivening the company, read the reference to Mrs. Dombey’s tomb in full, before he could stop himself.
After another cold interval, a wheezy little pew-opener afflicted with an asthma, appropriate to the churchyard, if not to the church, summoned them to the font. Here they waited some little time while the marriage party enrolled themselves; and meanwhile the wheezy little pew-opener—partly in consequence of her infirmity, and partly that the marriage party might not forget her—went about the building coughing like a grampus.
Presently the clerk (the only cheerful-looking object there, and he was an undertaker) came up with a jug of warm water, and said something, as he poured it into the font, about taking the chill off; which millions of gallons boiling hot could not have done for the occasion. Then the clergyman, an amiable and mild-looking young curate, but obviously afraid of the baby, appeared like the principal character in a ghost-story, “a tall figure all in white”; at sight of whom Paul rent the air with his cries, and never left off again till he was taken out black in the face.
Even when that event had happened, to the great relief of everybody, he was heard under the portico, during the rest of the ceremony, now fainter, now louder, now hushed, now bursting forth again with an irrepressible sense of his wrongs. This so distracted the attention of the two ladies, that Mrs. Chick was constantly deploying into the centre aisle, to send out messages by the pew-opener, while Miss Tox kept her Prayerbook open at the Gunpowder Plot, and occasionally read responses from that service.
During the whole of these proceedings, Mr. Dombey remained as impassive and gentlemanly as ever, and perhaps assisted in making it so cold, that the young curate smoked at the mouth as he read. The only time that he unbent his visage in the least, was when the clergyman, in delivering (very unaffectedly and simply) the closing exhortation, relative to the future examination of the child by the sponsors, happened to rest his eye on Mr. Chick; and then Mr. Dombey might have been seen to express by a majestic look, that he would like to catch him at it.
It might have been well for Mr. Dombey, if he had thought
