with my own lips, ‘Why surely, Paul, you don’t imagine that because your affairs have got into this state, you are the less at home to such near relatives as ourselves? You don’t imagine that we are like the rest of the world?’ But no; here he stays all through, and here he is. Why, good gracious me, suppose the house was to be let! What would he do then? He couldn’t remain here then. If he attempted to do so, there would be an ejectment, an action for Doe, and all sorts of things; and then he must go. Then why not go at first instead of at last? And that brings me back to what I said just now, and I naturally ask what is to be the end of it?”

“I know what’s to be the end of it, as far as I am concerned,” replies Mrs. Pipchin, “and that’s enough for me. I’m going to take myself off in a jiffy.”

“In a which, Mrs. Pipchin,” says Mrs. Chick.

“In a jiffy,” retorts Mrs. Pipchin sharply.

“Ah, well! really I can’t blame you, Mrs. Pipchin,” says Mrs. Chick, with frankness.

“It would be pretty much the same to me, if you could,” replies the sardonic Pipchin. “At any rate I’m going. I can’t stop here. I should be dead in a week. I had to cook my own pork chop yesterday, and I’m not used to it. My constitution will be giving way next. Besides, I had a very fair connection at Brighton when I came here⁠—little Pankey’s folks alone were worth a good eighty pounds a-year to me⁠—and I can’t afford to throw it away. I’ve written to my niece, and she expects me by this time.”

“Have you spoken to my brother?” inquires Mrs. Chick.

“Oh, yes, it’s very easy to say speak to him,” retorts Mrs. Pipchin. “How is it done? I called out to him yesterday, that I was no use here, and that he had better let me send for Mrs. Richards. He grunted something or other that meant yes, and I sent. Grunt indeed! If he had been Mr. Pipchin, he’d have had some reason to grunt. Yah! I’ve no patience with it!”

Here this exemplary female, who has pumped up so much fortitude and virtue from the depths of the Peruvian mines, rises from her cushioned property to see Mrs. Chick to the door. Mrs. Chick, deploring to the last the peculiar character of her brother, noiselessly retires, much occupied with her own sagacity and clearness of head.

In the dusk of the evening Mr. Toodle, being off duty, arrives with Polly and a box, and leaves them, with a sounding kiss, in the hall of the empty house, the retired character of which affects Mr. Toodle’s spirits strongly.

“I tell you what, Polly, me dear,” says Mr. Toodle, “being now an ingine-driver, and well to do in the world, I shouldn’t allow of your coming here, to be made dull-like, if it warn’t for favours past. But favours past, Polly, is never to be forgot. To them which is in adversity, besides, your face is a cord’l. So let’s have another kiss on it, my dear. You wish no better than to do a right act, I know; and my views is, that it’s right and dutiful to do this. Good night, Polly!”

Mrs. Pipchin by this time looms dark in her black bombazeen skirts, black bonnet, and shawl; and has her personal property packed up; and has her chair (late a favourite chair of Mr. Dombey’s and the dead bargain of the sale) ready near the street door; and is only waiting for a fly-van, going tonight to Brighton on private service, which is to call for her, by private contract, and convey her home.

Presently it comes. Mrs. Pipchin’s wardrobe being handed in and stowed away, Mrs. Pipchin’s chair is next handed in, and placed in a convenient corner among certain trusses of hay; it being the intention of the amiable woman to occupy the chair during her journey. Mrs. Pipchin herself is next handed in, and grimly takes her seat. There is a snaky gleam in her hard grey eye, as of anticipated rounds of buttered toast, relays of hot chops, worryings and quellings of young children, sharp snappings at poor Berry, and all the other delights of her Ogress’s castle. Mrs. Pipchin almost laughs as the fly-van drives off, and she composes her black bombazeen skirts, and settles herself among the cushions of her easy chair.

The house is such a ruin that the rats have fled, and there is not one left.

But Polly, though alone in the deserted mansion⁠—for there is no companionship in the shut-up rooms in which its late master hides his head⁠—is not alone long. It is night; and she is sitting at work in the housekeeper’s room, trying to forget what a lonely house it is, and what a history belongs to it; when there is a knock at the hall door, as loud sounding as any knock can be, striking into such an empty place. Opening it, she returns across the echoing hall, accompanied by a female figure in a close black bonnet. It is Miss Tox, and Miss Tox’s eyes are red.

“Oh, Polly,” says Miss Tox, “when I looked in to have a little lesson with the children just now, I got the message that you left for me; and as soon as I could recover my spirits at all, I came on after you. Is there no one here but you?”

“Ah! not a soul,” says Polly.

“Have you seen him?” whispers Miss Tox.

“Bless you,” returns Polly, “no; he has not been seen this many a day. They tell me he never leaves his room.”

“Is he said to be ill?” inquires Miss Tox.

“No, Ma’am, not that I know of,” returns Polly, “except in his mind. He must be very bad there, poor gentleman!”

Miss Tox’s sympathy is such that she can scarcely speak. She is no chicken, but she has not grown

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