fast and firm. The two beds—mere shelves covered with blankets not overclean—faced each other from opposite sides of the room, the little square trapdoor that had given access to the Chinaman’s grave being midway between. This, by the way, was crossed by a double row of spike-heads. In his resistance to the supernatural,
Mr. Beeson had not disdained the use of material precautions.
The fire was now low, the flames burning bluely and petulantly, with occasional flashes, projecting spectral shadows on the walls—shadows that moved mysteriously about, now dividing, now uniting. The shadow of the pendent queue, however, kept moodily apart, near the roof at the further end of the room, looking like a note of admiration. The song of the pines outside had now risen to the dignity of a triumphal hymn. In the pauses the silence was dreadful.
It was during one of these intervals that the trap in the floor began to lift. Slowly and steadily it rose, and slowly and steadily rose the swaddled head of the old man in the bunk to observe it. Then, with a clap that shook the house to its foundation, it was thrown clean back, where it lay with its unsightly spikes pointing threateningly upward. Mr. Beeson awoke, and without rising, pressed his fingers into his eyes. He shuddered; his teeth chattered. His guest was now reclining on one elbow, watching the proceedings with the goggles that glowed like lamps.
Suddenly a howling gust of wind swooped down the chimney, scattering ashes and smoke in all directions, for a moment obscuring everything. When the firelight again illuminated the room there was seen, sitting gingerly on the edge of a stool by the hearthside, a swarthy little man of prepossessing appearance and dressed with faultless taste, nodding to the old man with a friendly and engaging smile. “From San Francisco, evidently,” thought Mr. Beeson, who having somewhat recovered from his fright was groping his way to a solution of the evening’s events.
But now another actor appeared upon the scene. Out of the square black hole in the middle of the floor protruded the head of the departed Chinaman, his glassy eyes turned upward in their angular slits and fastened on the dangling queue above with a look of yearning unspeakable. Mr. Beeson groaned, and again spread his hands upon his face. A mild odor of opium pervaded the place. The phantom, clad only in a short blue tunic quilted and silken but covered with grave-mold, rose slowly, as if pushed by a weak spiral spring. Its knees were at the level of the floor, when with a quick upward impulse like the silent leaping of a flame it grasped the queue with both hands, drew up its body and took the tip in its horrible yellow teeth. To this it clung in a seeming frenzy, grimacing ghastly, surging and plunging from side to side in its efforts to disengage its property from the beam, but uttering no sound. It was like a corpse artificially convulsed by means of a galvanic battery. The contrast between its superhuman activity and its silence was no less than hideous!
Mr. Beeson cowered in his bed. The swarthy little gentleman uncrossed his legs, beat an impatient tattoo with the toe of his boot and consulted a heavy gold watch. The old man sat erect and quietly laid hold of the revolver.
Bang!
Like a body cut from the gallows the Chinaman plumped into the black hole below, carrying his tail in his teeth. The trapdoor turned over, shutting down with a snap. The swarthy little gentleman from San Francisco sprang nimbly from his perch, caught something in the air with his hat, as a boy catches a butterfly, and vanished into the chimney as if drawn up by suction.
From away somewhere in the outer darkness floated in through the open door a faint, far cry—a long, sobbing wail, as of a child death-strangled in the desert, or a lost soul borne away by the Adversary. It may have been the coyote.
In the early days of the following spring a party of miners on their way to new diggings passed along the Gulch, and straying through the deserted shanties found in one of them the body of Hiram Beeson, stretched upon a bunk, with a bullet hole through the heart. The ball had evidently been fired from the opposite side of the room, for in one of the oaken beams overhead was a shallow blue dint, where it had struck a knot and been deflected downward to the breast of its victim. Strongly attached to the same beam was what appeared to be an end of a rope of braided horsehair, which had been cut by the bullet in its passage to the knot. Nothing else of interest was noted, excepting a suit of moldy and incongruous clothing, several articles of which were afterward identified by respectable witnesses as those in which certain deceased citizens of Deadman’s had been buried years before. But it is not easy to understand how that could be, unless, indeed, the garments had been worn as a disguise by Death himself—which is hardly credible.
Beyond the Wall
Many years ago, on my way from Hongkong to New York, I passed a week in San Francisco. A long time had gone by since I had been in that city, during which my ventures in the Orient had prospered beyond my hope; I was rich and could afford to revisit my own country to renew my friendship with such of the companions of my youth as still lived and remembered me with the old affection. Chief of these, I hoped, was Mohun Dampier, an old schoolmate with whom I had held a desultory correspondence which had long ceased, as is the way of correspondence between men. You may have observed that the indisposition to write a merely social letter is in the ratio of the square of the distance between you and your correspondent. It is a
