of those contraptions. Came over in it from my sister’s place at Holmgate, and never been over that road in a car since. It was rough going I can tell you.”

“Ten years ago!” scoffed John Bankes. “Two thousand years ago you went in an ox wagon. Do you think cars haven’t changed in ten years⁠—and roads, too, for that matter? In my little bus you don’t know the wheels are going round. You think you’re just flying.”

“I’m sure Smith wants to go flying,” urged Carver. “It’s the dream of his life. Come, Smith, go over to Holmgate and see your sister. You know you ought to go and see your sister. Go over and stay the night if you like.”

“Well, I generally walk over, so I generally do stay the night,” said old Smith. “No need to trouble the gentleman today, particularly.”

“But think what fun it will be for your sister to see you arrive in a car!” cried Carver. “You really ought to go. Don’t be so selfish.”

“That’s it,” assented Bankes, with buoyant benevolence. “Don’t you be selfish. It won’t hurt you. You aren’t afraid of it, are you?”

“Well,” said Mr. Smith, blinking thoughtfully, “I don’t want to be selfish, and I don’t think I’m afraid. I’ll come with you if you put it that way.”

The pair drove off, amid waving salutations that seemed somehow to give the little group the appearance of a cheering crowd. Yet Devine and the priest only joined in out of courtesy, and they both felt it was the dominating gesture of their host that gave it its final air of farewell. The detail gave them a curious sense of the pervasive force of his personality.

The moment the car was out of sight he turned to them with a sort of boisterous apology and said: “Well!”

He said it with that curious heartiness which is the reverse of hospitality. That extreme geniality is the same as a dismissal.

“I must be going,” said Devine. “We must not interrupt the busy bee. I’m afraid I know very little about bees; sometimes I can hardly tell a bee from a wasp.”

“I’ve kept wasps, too,” answered the mysterious Mr. Carver.

When his guests were a few yards down the street, Devine said rather impulsively to his companion: “Rather an odd scene that, don’t you think?”

“Yes,” replied Father Brown. “And what do you think about it?”

Devine looked at the little man in black, and something in the gaze of his great, grey eyes seemed to renew his impulse.

“I think,” he said, “that Carver was very anxious to have the house to himself tonight. I don’t know whether you had any such suspicions?”

“I may have my suspicions,” replied the priest, “but I’m not sure whether they’re the same as yours.”

That evening, when the last dusk was turning into dark in the gardens round the family mansion, Opal Bankes was moving through some of the dim and empty rooms with even more than her usual abstraction; and anyone who had looked at her closely would have noted that her pale face had more than its usual pallor. Despite its bourgeois luxury, the house as a whole had a rather unique shade of melancholy. It was the sort of immediate sadness that belongs to things that are old rather than ancient. It was full of faded fashions, rather than historic customs; of the order and ornament that is just recent enough to be recognized as dead. Here and there, Early Victorian coloured glass tinted the twilight; the high ceilings made the long rooms look narrow; and at the end of the long room down which she was walking was one of those round windows, to be found in the buildings of its period. As she came to about the middle of the room, she stopped, and then suddenly swayed a little, as if some invisible hand had struck her on the face.

An instant after there was the noise of knocking on the front door, dulled by the closed doors between. She knew that the rest of the household were in the upper parts of the house, but she could not have analysed the motive that made her go to the front door herself. On the doorstep stood a dumpy and dingy figure in black, which she recognized as the Roman Catholic priest, whose name was Brown. She knew him only slightly; but she liked him. He did not encourage her psychic views; quite the contrary; but he discouraged them as if they mattered and not as if they did not matter. It was not so much that he did not sympathize with her opinions, as that he did sympathize but did not agree. All this was in some sort of chaos in her mind as she found herself saying, without greeting, or waiting to hear his business:

“I’m so glad you’ve come. I’ve seen a ghost.”

“There’s no need to be distressed about that,” he said. “It often happens. Most of the ghosts aren’t ghosts, and the few that may be won’t do you any harm. Was it any ghost in particular?”

“No,” she admitted, with a vague feeling of relief, “it wasn’t so much the thing itself as an atmosphere of awful decay, a sort of luminous ruin. It was a face. A face at the window. But it was pale and goggling, and looked like the picture of Judas.”

“Well, some people do look like that,” reflected the priest, “and I dare say they look in at windows, sometimes. May I come in and see where it happened?”

When she returned to the room with the visitor, however, other members of the family had assembled, and those of a less psychic habit had thought it convenient to light the lamps. In the presence of Mrs. Bankes, Father Brown assumed a more conventional civility, and apologized for his intrusion.

“I’m afraid it is taking a liberty with your house, Mrs. Bankes,” he said. “But I think I can explain how the business happens to concern you. I was up

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