The Worst Crime in the World
Father Brown was wandering through a picture gallery, with an expression that suggested that he had not come there to look at the pictures. Indeed, he did not want to look at the pictures, though he liked pictures well enough. Not that there was anything immoral or improper about those highly modern pictorial designs. He would indeed be of an inflammable temperament who was stirred to any of the more pagan passions by the display of interrupted spirals, inverted cones and broken cylinders with which the art of the future inspired or menaced mankind. The truth is that Father Brown was looking for a young friend who had appointed that somewhat incongruous meeting-place, being herself of a more futuristic turn. The young friend was also a young relative; one of the few relatives that he had. Her name was Elizabeth Fane, simplified into Betty, and she was the child of a sister who had married into a race of refined but impoverished squires. As the squire was dead as well as impoverished, Father Brown stood in the relation of a protector as well as a priest, and in some sense a guardian as well as an uncle. At the moment, however, he was blinking about at the groups in the gallery without catching sight of the familiar brown hair and bright face of his niece. Nevertheless, he saw some people he knew and a number of people he did not know, including some that, as a mere matter of taste, he did not much want to know.
Among the people the priest did not know, and who yet aroused his interest, was a lithe and alert young man, very beautifully dressed and looking rather like a foreigner, because, while his beard was cut in a spade shape like an old Spaniard’s, his dark hair was cropped so close as to look like a tight black skullcap. Among the people the priest did not particularly want to know was a very dominant-looking lady, sensationally clad in scarlet, with a mane of yellow hair too long to be called bobbed, but too loose to be called anything else. She had a powerful and rather heavy face of a pale and rather unwholesome complexion, and when she looked at anybody she cultivated the fascinations of a basilisk. She towed in attendance behind her a short man with a big beard and a very broad face, with long sleepy slits of eyes. The expression of his face was beaming and benevolent, if only partially awake; but his bull neck, when seen from behind, looked a little brutal.
Father Brown gazed at the lady, feeling that the appearance and approach of his niece would be an agreeable contrast. Yet he continued to gaze, for some reason, until he reached the point of feeling that the appearance of anybody would be an agreeable contrast. It was therefore with a certain relief, though with a slight start as of awakening, that he turned at the sound of his name and saw another face that he knew.
It was the sharp but not unfriendly face of a lawyer named Granby, whose patches of grey hair might almost have been the powder from a wig, so incongruous were they with his youthful energy of movement. He was one of those men in the City who run about like schoolboys in and out of their offices. He could not run round the fashionable picture gallery quite in that fashion; but he looked as if he wanted to, and fretted as he glanced to left and right, seeking somebody he knew.
“I didn’t know,” said Father Brown, smiling, “that you were a patron of the New Art.”
“I didn’t know that you were,” retorted the other. “I came here to catch a man.”
“I hope you will have good sport,” answered the priest. “I’m doing much the same.”
“Said he was passing through to the Continent,” snorted the solicitor, “and could I meet him in this cranky place.” He ruminated a moment, and said abruptly: “Look here, I know you can keep a secret. Do you know Sir John Musgrave?”
“No,” answered the priest. “But I should hardly have thought he was a secret, though they say he does hide himself in a castle. Isn’t he the old man they tell all those tales about—how he lives in a tower with a real portcullis and drawbridge, and generally refuses to emerge from the Dark Ages? Is he one of your clients?”
“No,” replied Granby shortly. “It’s his son, Captain Musgrave, who has come to us. But the old man counts for a good deal in the affair, and I don’t know him; that’s the point. Look here, this is confidential, as I say, but I can confide in you.” He dropped his voice and drew his friend apart into a side gallery containing representations of various real objects, which was comparatively empty.
“This young Musgrave,” he said, “wants to raise a big sum from us on a post obit on his old father in Northumberland. The old man’s long past seventy and presumably will obit some time or other; but what about the post, so to speak? What wall happen afterwards to his cash and castles and portcullises and all the rest? It’s a very fine old estate, and still worth a lot, but strangely enough it isn’t entailed. So you see how we stand. The
