The Land of Little Rain

see behavior as history and judge it by facts, untroubled by invention and the dramatic sense. You glimpse a crude equity in their dealings with Wilkins, who had shot a man at Lone Tree, fairly, in an open quarrel. Rumor of it reached Jimville before Wilkins rested there in flight. I saw Wilkins, all Jimville saw him; in fact, he came into the Silver Dollar when we were holding a church fair and bought a pink silk pincushion. I have often wondered what became of it. Some of us shook hands with him, not because we did not know, but because we had not been officially notified, and there were those present who knew how it was themselves. When the sheriff arrived Wilkins had moved on, and Jimville organized a posse and brought him back, because the sheriff was a Jimville man and we had to stand by him.

I said we had the church fair at the Silver Dollar. We had most things there, dances, town meetings, and the kinetoscope exhibition of the Passion Play. The Silver Dollar had been built when the borders of Jimville spread from Minton to the red hill the Defiance twisted through. “Sidewinder” Smith scrubbed the floor for us and moved the bar to the back room. The fair was designed for the support of the circuit rider who preached to the few that would hear, and buried us all in turn. He was the symbol of Jimville’s respectability, although he was of a sect that held dancing among the cardinal sins. The management took no chances on offending the minister; at 11:30 they tendered him the receipts of the evening in the chairman’s hat, as a delicate intimation that the fair was closed. The company filed out of the front door and around to the back. Then the dance began formally with no feelings hurt. These were the sort of courtesies, common enough in Jimville, that brought tears of delicate inner laughter.

There were others besides Mr. Fanshawe who had walked out of Mr. Harte’s demesne to Jimville and wore names that smacked of the soil⁠—“Alkali Bill,” “Pike” Wilson, “Three Finger,” and “Mono Jim;” fierce, shy, profane, sun-dried derelicts of the windy hills, who each owned, or had owned, a mine and was wishful to own one again. They laid up on the worn benches of the Silver Dollar or the Same Old Luck like beached vessels, and their talk ran on endlessly of “strike” and “contact” and “mother lode,” and worked around to fights and holdups, villainy, haunts, and the hoodoo of the Minietta, told austerely without imagination.

Do not suppose I am going to repeat it all; you who want these things written up from the point of view of people who do not do them every day would get no savor in their speech.

Says Three Finger, relating the history of the Mariposa, “I took it off’n Tom Beatty, cheap, after his brother Bill was shot.”

Says Jim Jenkins, “What was the matter of him?”

“Who? Bill? Abe Johnson shot him; he was fooling around Johnson’s wife, an’ Tom sold me the mine dirt cheap.”

“Why didn’t he work it himself?”

“Him? Oh, he was laying for Abe and calculated to have to leave the country pretty quick.”

“Huh!” says Jim Jenkins, and the tale flows smoothly on.

Yearly the spring fret floats the loose population of Jimville out into the desolate waste hot lands, guiding by the peaks and a few rarely touched water-holes, always, always with the golden hope. They develop prospects and grow rich, develop others and grow poor but never embittered. Say the hills, It is all one, there is gold enough, time enough, and men enough to come after you. And at Jimville they understand the language of the hills.

Jimville does not know a great deal about the crust of the earth, it prefers a “hunch.” That is an intimation from the gods that if you go over a brown back of the hills, by a dripping spring, up Coso way, you will find what is worth while. I have never heard that the failure of any particular hunch disproved the principle. Somehow the rawness of the land favors the sense of personal relation to the supernatural. There is not much intervention of crops, cities, clothes, and manners between you and the organizing forces to cut off communication. All this begets in Jimville a state that passes explanation unless you will accept an explanation that passes belief. Along with killing and drunkenness, coveting of women, charity, simplicity, there is a certain indifference, blankness, emptiness if you will, of all vaporings, no bubbling of the pot⁠—it wants the German to coin a word for that⁠—no bread-envy, no brother-fervor. Western writers have not sensed it yet; they smack the savor of lawlessness too much upon their tongues, but you have these to witness it is not mean-spiritedness. It is pure Greek in that it represents the courage to sheer off what is not worth while. Beyond that it endures without sniveling, renounces without self-pity, fears no death, rates itself not too great in the scheme of things; so do beasts, so did St. Jerome in the desert, so also in the elder day did gods. Life, its performance, cessation, is no new thing to gape and wonder at.

Here you have the repose of the perfectly accepted instinct which includes passion and death in its perquisites. I suppose that the end of all our hammering and yawping will be something like the point of view of Jimville. The only difference will be in the decorations.

My Neighbor’s Field

It is one of those places God must have meant for a field from all time, lying very level at the foot of the slope that crowds up against Kearsarge, falling slightly toward the town. North and south it is fenced by low old glacial ridges, boulder strewn and untenable. Eastward it butts on orchard closes and the village gardens, brimming over into them by wild brier and