In the outline given of the theory of educative subject matter, the demand for this background of realization or appreciation is met by the provision made for play and active occupations embodying typical situations. Nothing need be added to what has already been said except to point out that while the discussion dealt explicitly with the subject matter of primary education, where the demand for the available background of direct experience is most obvious, the principle applies to the primary or elementary phase of every subject. The first and basic function of laboratory work, for example, in a high school or college in a new field, is to familiarize the student at first hand with a certain range of facts and problems—to give him a “feeling” for them. Getting command of technique and of methods of reaching and testing generalizations is at first secondary to getting appreciation. As regards the primary school activities, it is to be borne in mind that the fundamental intent is not to amuse nor to convey information with a minimum of vexation nor yet to acquire skill—though these results may accrue as byproducts—but to enlarge and enrich the scope of experience, and to keep alert and effective the interest in intellectual progress.
The rubric of appreciation supplies an appropriate head for bringing out three further principles: the nature of effective or real (as distinct from nominal) standards of value; the place of the imagination in appreciative realizations; and the place of the fine arts in the course of study.
1. The nature of standards of valuation. Every adult has acquired, in the course of his prior experience and education, certain measures of the worth of various sorts of experience. He has learned to look upon qualities like honesty, amiability, perseverance, loyalty, as moral goods; upon certain classics of literature, painting, music, as aesthetic values, and so on. Not only this, but he has learned certain rules for these values—the golden rule in morals; harmony, balance, etc., proportionate distribution in aesthetic goods; definition, clarity, system in intellectual accomplishments. These principles are so important as standards of judging the worth of new experiences that parents and instructors are always tending to teach them directly to the young. They overlook the danger that standards so taught will be merely symbolic; that is, largely conventional and verbal. In reality, working as distinct from professed standards depend upon what an individual has himself specifically appreciated to be deeply significant in concrete situations. An individual may have learned that certain characteristics are conventionally esteemed in music; he may be able to converse with some correctness about classic music; he may even honestly believe that these traits constitute his own musical standards. But if in his own past experience, what he has been most accustomed to and has most enjoyed is ragtime, his active or working measures of valuation are fixed on the ragtime level. The appeal actually made to him in his own personal realization fixes his attitude much more deeply than what he has been taught as the proper thing to say; his habitual disposition thus fixed forms his real “norm” of valuation in subsequent musical experiences.
Probably few would deny this statement as to musical taste. But it applies equally well in judgments of moral and intellectual worth. A youth who has had repeated experience of the full meaning of the value of kindliness toward others built into his disposition has a measure of the worth of generous treatment of others. Without this vital appreciation, the duty and virtue of unselfishness impressed upon him by others as a standard remains purely a matter of symbols which he cannot adequately translate into realities. His “knowledge” is second-handed; it is only a knowledge that others prize unselfishness as an excellence, and esteem him in the degree in which he exhibits it. Thus there grows up a split between a person’s professed standards and his actual ones. A person may be aware of the results of this struggle between his inclinations and his theoretical opinions; he suffers from the conflict between doing what is really dear to him and what he has learned will win the approval of others. But of the split itself he is unaware; the result is a kind of unconscious hypocrisy, an instability of disposition. In similar fashion, a pupil who has worked through some confused intellectual situation and fought his way to clearing up obscurities in a definite outcome, appreciates the value of clarity and definition. He has a standard which can be depended upon. He may be trained externally to go through certain motions of analysis and division of subject matter and may acquire information about the value of these processes as standard logical functions, but unless it somehow comes home to him at some point as an appreciation of his own, the significance of the logical norms—so-called—remains as much an external piece of information as, say, the names of rivers in China. He may be able to recite, but the recital is a mechanical
