of death.

The two men were asked if they had anything to say.

“Thar ain’t no whisky whar I’m goin’, they tell me,” spoke up Sandy King, “and ef you fellers air agreeable, I’d like a drink o’ licker before I hit the out-trail.”

He was given a good, stiff drink fetched in from the hotel bar.

But Russian Bill, standing erect, shoulders back, his cameo face set, his steady blue eyes shining with calm courage, shook his handsome head so that his golden-yellow hair tossed about over his shoulders and said never a word.

“This here hoss thief,” remarked one of the committee, “is so damned good-looking it seems ’most a pity to hang him.”

But the ropes having been thrown over the rafters, Russian Bill and Sandy King were swung into the air half up to the ceiling and the counterfeit bad man and the genuine bad man went out together.

After all, Russian Bill had needed no art to teach him how to die. He knew. He had lived like an actor. But he met death like a man.

After the bodies had been cut down and the tables and chairs set back in their places, the hotel landlord, still hot under the collar at this unwarranted interruption of his customary routine, hustled in the steaming supper dishes, and his patrons, chafing at the delay, fell with gusto upon the corned beef and cabbage.

This was all for the time being. But a few months later, Mayor Thomas of Tombstone received a letter from the United States Consul General at St. Petersburg asking information of Lieutenant William Tattenbaum, formerly of the Imperial White Hussars, who had disappeared from Russia after wounding one of his superior officers in a quarrel, and was last heard of, it seemed, somewhere in Arizona. The missing officer’s mother, the letter said, was the Countess Telfrin, a lady-in-waiting at the court of the Czar and she was deeply worried and very anxious to locate him. A photograph was enclosed. Mayor Thomas showed the picture about among Tombstone gamblers and saloon men, who, without hesitation, identified Lieutenant William Tattenbaum of the Imperial White Hussars as Russian Bill.

But Tombstone kept its secret. A reply was sent back to St. Petersburg that Lieutenant Tattenbaum, long a prosperous citizen of these parts, honoured and respected by all, had recently been the victim of an accident resulting in his untimely death. This untruth was, perhaps, cold comfort to the bereaved mother in Russia, but at least it ended her long search for her lost boy and saved her from a broken heart. The unfortunate noblewoman doubtless remained in ignorance to the end of her life that her highborn, scapegrace son had been lynched.

Buckskin Frank Leslie arrived in Tombstone while the town was still young. He was a jovial fellow, full of boisterous fun, rather handsome and well set up, though quite small. He cut a dashing figure as he paraded about the streets in a costume of fringed buckskin with two six-shooters at his belt. Tombstone accepted this Kit Carson finery with a grain of salt, and was inclined to believe Buckskin Frank a tenderfoot in frontier masquerade.

Buckskin Frank met Mrs. Mary Galeen at a dance. Pretty Mrs. Galeen was the belle of the evening, and gallant Buckskin Frank, very susceptible to feminine charm, was notably attentive. But after his fifth waltz with the dainty lady, Buckskin Frank was tapped on the shoulder and called aside by a tall, serious, dark man.

“That lady,” said the tall, serious, dark man, “is my wife. Don’t dance with her any more. If you do, I’ll kill you.”

Mr. Michael Galeen, who tended bar at the Crystal Palace, had been separated from his wife for several months, but still watched her every movement with jealous eye. He had sent word to her not to attend this dance, adding that if she did, her elaborate ball gown would prove her shroud.

Mrs. Galeen, being lighthearted and very comely and something of a coquette, preferred to ignore this tragic warning, but she was greatly perturbed over it, and when the ball was over, she was afraid to go home alone and asked Buckskin Frank to escort her. Which Buckskin Frank did with great pleasure.

It was one of Tombstone’s wonderful nights. The moonlight immersed the silent houses in frosty silver and filled the deserted streets like white, transparent fog. Walking along Allen Street arm in arm and talking in low, lover-like tones, the couple approached the Cosmopolitan Hotel where Mrs. Galeen was in lodgings. Mrs. Galeen was gurgling dulcetly over some pleasantry dropped by her cavalier when Mr. Galeen opened fire from an upper balcony in front of the hotel. But Mr. Galeen had time to fire but once when Buckskin Frank had out his own six-shooter and pinked Mr. Galeen neatly between the eyes. A few weeks later, Buckskin Frank married the widow of the man he had killed.

In view of all these romantic happenings, Tombstone sat up and took notice of this Buckskin Frank. A gentleman who could shoot with such accuracy in moonlight seemed worthy of more than passing attention. It turned out that Buckskin Frank was not a tenderfoot after all, but a noted desperado who, it was said, had killed ten or twelve men. He was a native of Kentucky, his boyhood passed in that state in an atmosphere of mountain feuds. As a scout with the army, he had seen Indian fighting in Texas, Oklahoma, and the Dakotas and had taken part in one or two Arizona campaigns against the Apaches. Tombstone was amazed that a fellow with such a tragic record could take the world with such lighthearted gaiety. Geniality and deadliness seemed his most distinctive characteristics; his heart apparently was overflowing with fun and murder.

Buckskin Frank became in time one of Tombstone’s six-shooter personages. He was unquestionably one of the quickest men with a Colt’s in the country. He shot with the same accuracy at a tin can as at a man who happened to be firing at him. Which,

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