fruitful nut tree and the flowering hedge led him on to that further turn of the road where he dismounted always, tied his horse to a tree, and proceeded on foot alone. He reached the edge of the lawn and looked out on the bay beneath.

It was his fate, his peculiarity, whether he wished it or not, to come out thus on a spit of land which the sea is slowly eating away, and there to stand, like a desolate seabird, alone. It was his power, his gift, suddenly to shed all superfluities, to shrink and diminish so that he looked barer and felt sparer, even physically, yet lost none of his intensity of mind, and so to stand on his little ledge facing the dark of human ignorance, how we know nothing and the sea eats away the ground we stand on⁠—that was his fate, his gift. But having thrown away, when he dismounted, all gestures and fripperies, all trophies of nuts and roses, and shrunk so that not only fame but even his own name was forgotten by him, he kept even in that desolation a vigilance which spared no phantom and luxuriated in no vision, and it was in this guise that he inspired in William Bankes (intermittently) and in Charles Tansley (obsequiously) and in his wife now, when she looked up and saw him standing at the edge of the lawn, profound reverence, and pity, and gratitude too, as a stake driven into the bed of a channel upon which the gulls perch and the waves beat inspires in merry boatloads a feeling of gratitude for the duty it has taken upon itself of marking the channel out there in the floods alone.

“But the father of eight children has no choice.⁠ ⁠…” Muttering half aloud, so he broke off, turned, sighed, raised his eyes, sought the figure of his wife reading stories to the little boy; filled his pipe. He turned from the sight of human ignorance and human fate and the sea eating the ground we stand on, which, had he been able to contemplate it fixedly might have led to something; and found consolation in trifles so slight compared with the august theme just now before him that he was disposed to slur that comfort over, to deprecate it, as if to be caught happy in a world of misery was for an honest man the most despicable of crimes. It was true; he was for the most part happy; he had his wife; he had his children; he had promised in six weeks’ time to talk “some nonsense” to the young men of Cardiff about Locke, Hume, Berkeley, and the causes of the French Revolution. But this and his pleasure in it, in the phrases he made, in the ardour of youth, in his wife’s beauty, in the tributes that reached him from Swansea, Cardiff, Exeter, Southampton, Kidderminster, Oxford, Cambridge⁠—all had to be deprecated and concealed under the phrase “talking nonsense,” because, in effect, he had not done the thing he might have done. It was a disguise; it was the refuge of a man afraid to own his own feelings, who could not say, This is what I like⁠—this is what I am, and rather pitiable and distasteful to William Bankes and Lily Briscoe, who wondered why such concealments should be necessary; why he needed always praise; why so brave a man in thought should be so timid in life; how strangely he was venerable and laughable at one and the same time.

Teaching and preaching is beyond human power, Lily suspected. (She was putting away her things.) If you are exalted you must somehow come a cropper. Mrs. Ramsay gave him what he asked too easily. Then the change must be so upsetting, Lily said. He comes in from his books and finds us all playing games and talking nonsense. Imagine what a change from the things he thinks about, she said.

He was bearing down upon them. Now he stopped dead and stood looking in silence at the sea. Now he had turned away again.

IX

Yes, Mr. Bankes said, watching him go. It was a thousand pities. (Lily had said something about his frightening her⁠—he changed from one mood to another so suddenly.) Yes, said Mr. Bankes, it was a thousand pities that Ramsay could not behave a little more like other people. (For he liked Lily Briscoe; he could discuss Ramsay with her quite openly.) It was for that reason, he said, that the young don’t read Carlyle. A crusty old grumbler who lost his temper if the porridge was cold, why should he preach to us? was what Mr. Bankes understood that young people said nowadays. It was a thousand pities if you thought, as he did, that Carlyle was one of the great teachers of mankind. Lily was ashamed to say that she had not read Carlyle since she was at school. But in her opinion one liked Mr. Ramsay all the better for thinking that if his little finger ached the whole world must come to an end. It was not that she minded. For who could be deceived by him? He asked you quite openly to flatter him, to admire him, his little dodges deceived nobody. What she disliked was his narrowness, his blindness, she said, looking after him.

“A bit of a hypocrite?” Mr. Bankes suggested, looking, too, at Mr. Ramsay’s back, for was he not thinking of his friendship, and of Cam refusing to give him a flower, and of all those boys and girls, and his own house, full of comfort, but, since his wife’s death, quiet rather? Of course, he had his work.⁠ ⁠… All the same, he rather wished Lily to agree that Ramsay was, as he said, “a bit of a hypocrite.”

Lily Briscoe went on putting away her brushes, looking up, looking down. Looking up, there he was⁠—Mr. Ramsay⁠—advancing towards them, swinging, careless, oblivious, remote. A bit of a hypocrite? she

Вы читаете To the Lighthouse
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату