she was, was to draw her skirts a little closer round her ankles, lest she should get wet. In complete silence she stood there, grasping her paint brush.

Heaven could never be sufficiently praised! She heard sounds in the house. James and Cam must be coming. But Mr. Ramsay, as if he knew that his time ran short, exerted upon her solitary figure the immense pressure of his concentrated woe; his age; his frailty; his desolation; when suddenly, tossing his head impatiently, in his annoyance⁠—for, after all, what woman could resist him?⁠—he noticed that his bootlaces were untied. Remarkable boots they were too, Lily thought, looking down at them: sculptured; colossal; like everything that Mr. Ramsay wore, from his frayed tie to his half-buttoned waistcoat, his own indisputably. She could see them walking to his room of their own accord, expressive in his absence of pathos, surliness, ill-temper, charm.

“What beautiful boots!” she exclaimed. She was ashamed of herself. To praise his boots when he asked her to solace his soul; when he had shown her his bleeding hands, his lacerated heart, and asked her to pity them, then to say, cheerfully, “Ah, but what beautiful boots you wear!” deserved, she knew, and she looked up expecting to get it, in one of his sudden roars of ill-temper, complete annihilation.

Instead, Mr. Ramsay smiled. His pall, his draperies, his infirmities fell from him. Ah yes, he said, holding his foot up for her to look at, they were first-rate boots. There was only one man in England who could make boots like that. Boots are among the chief curses of mankind, he said. “Bootmakers make it their business,” he exclaimed, “to cripple and torture the human foot.” They are also the most obstinate and perverse of mankind. It had taken him the best part of his youth to get boots made as they should be made. He would have her observe (he lifted his right foot and then his left) that she had never seen boots made quite that shape before. They were made of the finest leather in the world, also. Most leather was mere brown paper and cardboard. He looked complacently at his foot, still held in the air. They had reached, she felt, a sunny island where peace dwelt, sanity reigned and the sun forever shone, the blessed island of good boots. Her heart warmed to him. “Now let me see if you can tie a knot,” he said. He poohpoohed her feeble system. He showed her his own invention. Once you tied it, it never came undone. Three times he knotted her shoe; three times he unknotted it.

Why, at this completely inappropriate moment, when he was stooping over her shoe, should she be so tormented with sympathy for him that, as she stooped too, the blood rushed to her face, and, thinking of her callousness (she had called him a play-actor) she felt her eyes swell and tingle with tears? Thus occupied he seemed to her a figure of infinite pathos. He tied knots. He bought boots. There was no helping Mr. Ramsay on the journey he was going. But now just as she wished to say something, could have said something, perhaps, here they were⁠—Cam and James. They appeared on the terrace. They came, lagging, side by side, a serious, melancholy couple.

But why was it like that that they came? She could not help feeling annoyed with them; they might have come more cheerfully; they might have given him what, now that they were off, she would not have the chance of giving him. For she felt a sudden emptiness; a frustration. Her feeling had come too late; there it was ready; but he no longer needed it. He had become a very distinguished, elderly man, who had no need of her whatsoever. She felt snubbed. He slung a knapsack round his shoulders. He shared out the parcels⁠—there were a number of them, ill tied, in brown paper. He sent Cam for a cloak. He had all the appearance of a leader making ready for an expedition. Then, wheeling about, he led the way with his firm military tread, in those wonderful boots, carrying brown paper parcels, down the path, his children following him. They looked, she thought, as if fate had devoted them to some stern enterprise, and they went to it, still young enough to be drawn acquiescent in their father’s wake, obediently, but with a pallor in their eyes which made her feel that they suffered something beyond their years in silence. So they passed the edge of the lawn, and it seemed to Lily that she watched a procession go, drawn on by some stress of common feeling which made it, faltering and flagging as it was, a little company bound together and strangely impressive to her. Politely, but very distantly, Mr. Ramsay raised his hand and saluted her as they passed.

But what a face, she thought, immediately finding the sympathy which she had not been asked to give troubling her for expression. What had made it like that? Thinking, night after night, she supposed⁠—about the reality of kitchen tables, she added, remembering the symbol which in her vagueness as to what Mr. Ramsay did think about Andrew had given her. (He had been killed by the splinter of a shell instantly, she bethought her.) The kitchen table was something visionary, austere; something bare, hard, not ornamental. There was no colour to it; it was all edges and angles; it was uncompromisingly plain. But Mr. Ramsay kept always his eyes fixed upon it, never allowed himself to be distracted or deluded, until his face became worn too and ascetic and partook of this unornamented beauty which so deeply impressed her. Then, she recalled (standing where he had left her, holding her brush), worries had fretted it⁠—not so nobly. He must have had his doubts about that table, she supposed; whether the table was a real table; whether it was worth the time he gave

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