making her nest in its heart. And this, like all instincts, was a little distressing to people who did not share it; to Mr. Carmichael perhaps, to herself certainly. Some notion was in both of them about the ineffectiveness of action, the supremacy of thought. Her going was a reproach to them, gave a different twist to the world, so that they were led to protest, seeing their own prepossessions disappear, and clutch at them vanishing. Charles Tansley did that too: it was part of the reason why one disliked him. He upset the proportions of one’s world. And what had happened to him, she wondered, idly stirring the plantains with her brush. He had got his fellowship. He had married; he lived at Golder’s Green.

She had gone one day into a hall and heard him speaking during the War. He was denouncing something: he was condemning somebody. He was preaching brotherly love. And all she felt was how could he love his kind who did not know one picture from another, who had stood behind her smoking shag (“fivepence an ounce, Miss Briscoe”) and making it his business to tell her women can’t write, women can’t paint, not so much that he believed it, as that for some odd reason he wished it? There he was, lean and red and raucous, preaching love from a platform (there were ants crawling about among the plantains which she disturbed with her brush⁠—red, energetic ants, rather like Charles Tansley). She had looked at him ironically from her seat in the half-empty hall, pumping love into that chilly space, and suddenly, there was the old cask or whatever it was bobbing up and down among the waves and Mrs. Ramsay looking for her spectacle case among the pebbles. “Oh dear! What a nuisance! Lost again. Don’t bother, Mr. Tansley. I lose thousands every summer,” at which he pressed his chin back against his collar, as if afraid to sanction such exaggeration, but could stand it in her whom he liked, and smiled very charmingly. He must have confided in her on one of those long expeditions when people got separated and walked back alone. He was educating his little sister, Mrs. Ramsay had told her. It was immensely to his credit. Her own idea of him was grotesque, Lily knew well, stirring the plantains with her brush. Half one’s notions of other people were, after all, grotesque. They served private purposes of one’s own. He did for her instead of a whipping-boy. She found herself flagellating his lean flanks when she was out of temper. If she wanted to be serious about him she had to help herself to Mrs. Ramsay’s sayings, to look at him through her eyes.

She raised a little mountain for the ants to climb over. She reduced them to a frenzy of indecision by this interference in their cosmogony. Some ran this way, others that.

One wanted fifty pairs of eyes to see with, she reflected. Fifty pairs of eyes were not enough to get round that one woman with, she thought. Among them, must be one that was stone blind to her beauty. One wanted most some secret sense, fine as air, with which to steal through keyholes and surround her where she sat knitting, talking, sitting silent in the window alone; which took to itself and treasured up like the air which held the smoke of the steamer, her thoughts, her imaginations, her desires. What did the hedge mean to her, what did the garden mean to her, what did it mean to her when a wave broke? (Lily looked up, as she had seen Mrs. Ramsay look up; she too heard a wave falling on the beach.) And then what stirred and trembled in her mind when the children cried, “How’s that? How’s that?” cricketing? She would stop knitting for a second. She would look intent. Then she would lapse again, and suddenly Mr. Ramsay stopped dead in his pacing in front of her, and some curious shock passed through her and seemed to rock her in profound agitation on its breast when stopping there he stood over her, and looked down at her. Lily could see him.

He stretched out his hand and raised her from her chair. It seemed somehow as if he had done it before; as if he had once bent in the same way and raised her from a boat which, lying a few inches off some island, had required that the ladies should thus be helped on shore by the gentlemen. An old-fashioned scene that was, which required, very nearly, crinolines and peg-top trousers. Letting herself be helped by him, Mrs. Ramsay had thought (Lily supposed) the time has come now; Yes, she would say it now. Yes, she would marry him. And she stepped slowly, quietly on shore. Probably she said one word only, letting her hand rest still in his. I will marry you, she might have said, with her hand in his; but no more. Time after time the same thrill had passed between them⁠—obviously it had, Lily thought, smoothing a way for her ants. She was not inventing; she was only trying to smooth out something she had been given years ago folded up; something she had seen. For in the rough and tumble of daily life, with all those children about, all those visitors, one had constantly a sense of repetition⁠—of one thing falling where another had fallen, and so setting up an echo which chimed in the air and made it full of vibrations.

But it would be a mistake, she thought, thinking how they walked off together, she in her green shawl, he with his tie flying, arm in arm, past the greenhouse, to simplify their relationship. It was no monotony of bliss⁠—she with her impulses and quicknesses; he with his shudders and glooms. Oh no. The bedroom door would slam violently early in the morning. He would start from the table in a temper. He

Вы читаете To the Lighthouse
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату