think would suit your book, you might find explanations a little difficult tomorrow.”

For a while there was silence in the room, broken at length by a short laugh from Peterson.

“For a young man truly your perspicacity is great,” he remarked. “Irma, is the blue room ready? If so, tell Luigi to show Captain Drummond to it.”

“I will show him myself,” she answered, rising. “And then I shall go to bed. Mon Dieu! my Hugh, but I find your country très ennuyeux.” She stood in front of him for a moment, and then led the way to the door, glancing at him over her shoulder.

Hugh saw a quick look of annoyance pass over Peterson’s face as he turned to follow the girl, and it struck him that that gentleman was not best pleased at the turn of events. It vanished almost as soon as it came, and Peterson waved a friendly hand at him, as if the doings of the night had been the most ordinary thing in the world. Then the door closed, and he followed his guide up the stairs.

The house was beautifully furnished. Hugh was no judge of art, but even his inexperienced eye could see that the prints on the walls were rare and valuable. The carpets were thick, and his feet sank into them noiselessly; the furniture was solid and in exquisite taste. And it was as he reached the top of the stairs that a single deep-noted clock rang a wonderful chime and then struck the hour. The time was just three o’clock.

The girl opened the door of a room and switched on the light. Then she faced him smiling, and Hugh looked at her steadily. He had no wish whatever for any conversation, but as she was standing in the centre of the doorway it was impossible for him to get past her without being rude.

“Tell me, you ugly man,” she murmured, “why you are such a fool.”

Hugh smiled, and, as has been said before, Hugh’s smile transformed his face.

“I must remember that opening,” he said. “So many people, I feel convinced, would like to say it on first acquaintance, but confine themselves to merely thinking it. It establishes a basis of intimacy at once, doesn’t it?”

She swayed a little towards him, and then, before he realised her intention, she put a hand on his shoulder.

“Don’t you understand,” she whispered fiercely, “that they’ll kill you?” She peered past him half fearfully, and then turned to him again. “Go, you idiot, go⁠—while there’s time. Oh! if I could only make you understand; if you’d only believe me! Get out of it⁠—go abroad; do anything⁠—but don’t fool round here.”

In her agitation she was shaking him to and fro.

“It seems a cheerful household,” remarked Hugh with a smile. “May I ask why you’re all so concerned about me? Your estimable father gave me the same advice yesterday morning.”

“Don’t ask why,” she answered feverishly, “because I can’t tell you. Only you must believe that what I say is the truth⁠—you must. It’s just possible that if you go now and tell them where you’ve hidden the American you’ll be all right. But if you don’t⁠—” Her hand dropped to her side suddenly. “Breakfast will be at nine, my Hugh: until then, au revoir.”

He turned as she left the room, a little puzzled by her change of tone. Standing at the top of the stairs was Peterson, watching them both in silence.⁠ ⁠…

II

In the days when Drummond had been a platoon commander, he had done many dangerous things. The ordinary joys of the infantry subaltern’s life⁠—such as going over the top, and carrying out raids⁠—had not proved sufficient for his appetite. He had specialised in peculiar stunts of his own: stunts over which he was singularly reticent; stunts over which his men formed their own conclusions, and worshipped him accordingly.

But Drummond was no fool, and he had realised the vital importance of fitting himself for these stunts to the best of his ability. Enormous physical strength is a great asset, but it carries with it certain natural disadvantages. In the first place, its possessor is frequently clumsy: Hugh had practised in France till he could move over ground without a single blade of grass rustling. Van Dyck⁠—a Dutch trapper⁠—had first shown him the trick, by which a man goes forward on his elbows like a snake, and is here one moment and gone the next, with no one the wiser.

Again, its possessor is frequently slow: Hugh had practised in France till he could kill a man with his bare hands in a second. Olaki⁠—a Japanese⁠—had first taught him two or three of the secrets of his trade, and in the intervals of resting behind the lines he had perfected them until it was even money whether the Jap or he would win in a practice bout.

And there were nights in No Man’s Land when his men would hear strange sounds, and knowing that Drummond was abroad on his wanderings, would peer eagerly over the parapet into the desolate torn-up waste in front. But they never saw anything, even when the green ghostly flares went hissing up into the darkness and the shadows danced fantastically. All was silent and still; the sudden shrill whimper was not repeated.

Perhaps a patrol coming back would report a German, lying huddled in a shell-hole, with no trace of a wound, but only a broken neck; perhaps the patrol never found anything. But whatever the report, Hugh Drummond only grinned and saw to his men’s breakfasts. Which is why there are in England today quite a number of civilians who acknowledge only two rulers⁠—the King and Hugh Drummond. And they would willingly die for either.

The result on Drummond was not surprising: as nearly as a man may be he was without fear. And when the idea came to him as he sat on the edge of his bed thoughtfully pulling off his boots, no question of the possible

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